AtomOS Firmware 10.67 brings Fujifilm GFX100/S ProRes RAW White Balance and ISO Adjustment in Final Cut Pro

It was one of the big complaints of the DPRTV guys: when you shoot in ProRes RAW on your Fujifilm GFX100/S camera, you won’t be able to adjust white balance afterwards in Final Cut Pro.

This has now been solved with AtomOS firwmare 10.67.

Ninja V & Ninja V+ AtomOS 10.67 Firmware update
Users can now benefit from White Balance and ISO/Exposure Offset adjustments for Sony’s FX9 + FX6 & Fujifilm’s GFX100 + GFX100S cameras within Final Cut Pro.

Down below you can find the release notes and download links.

The GFX Community

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RELEASE NOTES

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New Firmware Features Guide for Fujifilm GFX100 (v 4.00), GFX100S (v 1.10) and X-S10 (v 2.00)

Earlier today Fujifilm has released a major firmware updates for Fujifilm GFX100 and X-S10, and also a new firmware also for Fujifilm GFX100S.

The changes are substantial and require Fujifilm to update the owners manual for these cameras.

Down below you can find the link to the “New Features Guides” published by Fujifilm.

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Fujifilm Releases Major New Firmware for GFX100, GFX100S and X-S10

Just 24 hours after the previous new firmware rollout for several cameras, Fujifilm has also released the long awaited and major firmware updates for the Fujifilm GFX100 and X-S10, as well as a new firmware for the Fujifilm GFX100S.

FujiRumors will provide all details and download links down below.

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PRICE ATTACK: Fujifilm GFX50SMKII and GF35-70mm for $4,499 (body $3,999 and lens $500)

Let’s recap some if the GFX rumors we shared:

The price of the Fujifilm GFX system is really falling down rapidly, attacking full frame more aggressively than ever.

Soon Fujifilm will offer a GFX camera with a sensor 70% larger than full frame along with a kit lens capable of resolving 100+MP for a price of $4,499 when purchased in a bundle.

Given the direction Fujifilm is so quickly taking with the GFX system, I can see why they see no need to go full frame. We are really reaching a price point, where you can get a high resolution GFX camera plus a lens for a cheaper price than a 50MP full frame body only camera or at the same price of the 45MP Canon R5.

Sure, those FF cameras have other strengths, like super high frame rates and and amazing AF tracking. But if you shoot mostly in single AF and don’t do crtical wildlife or sports photography, the current GFX system is more than capable.

The GFX Community

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