Oh My Gosh: I Will Assist Photographing My First Wedding – Should I Panic, or Just Buy Fujifilm X-T4 and More Lenses?

Hey folks,

This morning I woke up, with a message from one of my best friends, who marries in June.

The message said:

Hey Pat. Would you mind take your camera gear at the wedding? We do have an official photographer, but it would be nice if you can take some images, too. Also, the photographer will stay only until dinner. So if you could grab images of the late night dance party…

And you bet, I accepted, because isn’t there a better excuse to buy new gear, than to help to photograph the wedding of your best friend? :D

Now, I want to do things right for one of the most important days in the life of my friend.

So here are a couple of things I need to do:

  • Don’t Annoy the Photographer

Never be in the way of the photographer. I don’t want to be one of those annoying guest jumping into his frame to get an image. We pay those guys, so that we can enjoy the moment, and later have some cool shots to remember forever.

But the photographer can’t be everywhere at all time, so I will try to be there, where he is not, and maybe I’ll get some nice shots ;).

But overall my philosphoy:

Whatever the official Photographer does, he will do it much better than me. So stay out of his way. My focus is on the night shots, when he is gone.

  • Get a Beer with the official Photographer

I am a man on a mission: convert people to Fujifilm. So you can bet I’ll grab the photographer in one of his rare moments of rest, and try to convert him to the Fuji side of life!

  • It’s GAS Time

And now comes the gear part. And for that, I will make shameless use of FujiRumors for private reasons, and ask all of you guys, what you recommend me to do.

Maybe I could go along with what I own already, but I believe I need a gear upgrade.

Here is what I am considering to do.

  • Upgrade my Camera

I could need a low light autofocus boost over my X-E3, hence I am either considering the Fujifilm X-T3, Fujifilm X-Pro3 or even the Fujifilm X-T4.

  • X-Pro3 – PROS: Looks awesome / CONS: tilt screen allows to shoot only from the hip, not from above, which might come in handy on the dacing floor
  • X-T3 – PROS: most affordable option (I can find deals or second hand offers) / CONS: Won’t probably have latest features and AF performance of X-T4
  • X-T4 – PROS: latest and greatest AF performance and features / CONS: pay full price

At the moment I am tending towards getting the Fujifilm X-T4.

  • More Lenses

My current fastest lens options with autofocus are the Fujinon XF 23mm f/1.4 and XF 35mm f/1.4. But I believe I need more.

I am considering to get two more lenses: the Fujinon XF16mm f/1.4 for some wide shots on the dancing floor, and the XF56mmf/1.2.

These four fast primes should cover my needs properly.

What do you think, am I good to go, or do I need something else? Maybe one of those nice f/2.8 zooms?

  • Settings Tips Anyone?

Once I have the new gear, I will go out and practice to shoot in similar low light dancing scenarios. I need to see what works and what not, as I am not very familiar with those kinds of shots, as you can see from my instagram.

But I know many of you are so much more experienced than me, so if somebody of you can give me tips on settings, feel free to drop them down below in the comments.

  • It ain’t free, so something has to go

To get all this new goodness, something probably has go.

Hence I could soon put my X-T1 on sale, the camera that took my favorite image, and which story I told you here (I got it after I destroyed my X-E2).

As far as lenses go, I think I’ll have to let go the Fujinon XF 18-55 and XF 55-200, and stay with my XF 18-135 only. Letting those lenses go isn’t easy. Selling that gear will help to mitigate internal discussions with my wife when I get the new one ;).

And if you want, and have the possibility, you are always free to make a micro-donation on Patreon. Even just $1 or $2 a month can help a lot, if many do it. Mostly it will allow me to cover the costs of the site… but if the support is big, well, then maybe also to get new gear ;).

  • You Vote…

Down below are a couple of surveys, where you can offer your camera and lens suggestions also in form of a vote.

Also, I will try to get permission from my friend to share some images on my instagram, so that I can share the results .´

In addition to the XF35mmf/1.4 and XF23mmf/1.4, FujiRumors should buy...

View Results

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In addition to the Fujifilm X-E3, FujiRumors Should buy

View Results

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Iridient Developer and Iridient X Transformer Software Updates

Iridient Developer 3.3.9 and X-Transformer 1.6.2 were released today!

Notable changes for Fujifilm include:

  • Final Adobe color metadata for the X-Pro3 now matches up with the
    latest Lightroom/ACR versions from Adobe DNG Converter 12.1.
  • MUCH faster loading of compressed Fujifilm RAF format.
  • X-Transformer specific bug fix for color tints in extremely clipped highlights when shooting in 16 bit/ch mode.
  • X-Transformer DNG images will now default to the embedded DNG camera profile in Lightroom/ACR CC 2018 or later versions which have now adopted “Adobe Color” as the default. New “Adobe Color” option added to the default camera profile options to optionally use “Adobe Color” if available.
  • Updated to newest Adobe DNG SDK version 1.5.

Download links:

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Venus Optics Laowa “Argus” f/0,95 lens for Mirrorless Systems Coming Soon

During a presentation in China Venus Optics announced a new f/0,95 lens series named “Argus“. Mirrorlessrumros expects this lens to be available for all different mirrorless mounts.

via mirrorlessrumros via CameraBeta

Documentary: How Fujifilm Creates Our Cameras – X-Pro3 Not a Product of Logic and About Managers Who Don’t Like Digital Cameras ;)

Fujifilm X Photographer Mindi Tan created a 90 minuted documentary, giving us a behind the scenes to the secret process behind the Fujfilm X-Pro3 creation.

It gives us a very close and also intimate look at Fujifilm’s camera creators and managers. The documentary reveals its team dynamics, beliefs and history inside the company with lots of exclusive interviews and footage.

It also features nine popular X-Photographers from all over the world who open up in their home environments to discuss what being a photographer and being connected with Fujifilm means today.

Down below you can find a summary of the video, but before that, I’d like to leave you with quick impressions I had.

It’s clear to see from the documentary, that behind our beloved Fujifilm cameras, there are not cold managers thinking at specs and profits, but really passionate photographers in the first place.

In fact, top manager’s Toshi Ilda first hobby was photography, and when his father asked him, what he wishes for his successful graduation, he said he’d like a camera.

Also, another top manager, Takeshi Ueno, deeply loves film photography, and straight out says he does not like digital cameras.

I guess this passion for the good old photography reflects perfectly in the vintage design and controls of Fujifilm cameras.

However, it comes even more surprising, that Fujifilm completely denied this “manual” DNA on the Fujifilm GFX100, which is the first Fujifilm camera I ever hold in my hands, that was not intuitive (for me) to operate, and required a look in the manual, to understand how it works.

I am sure there will be many, who love the more “modern” layout of the Fujifilm GFX100, and that’s perfect. I can understand. But it’s just not my style, not my preference.

I think Fujifilm should continue to offer what makes them unique, and part of that is not to give up vintage controls. And with the X-Pro3, they pushed this concept to its limits, by even hiding the LCD.

Also interesting:

They say the X-Pro3 is not a product of “logic”, but of instinct. In this case they did not listen to what the market dictates, but their intuition, that it was the right thing to do with the X-Pro3.

And that’s why I love Fujifilm.

If they would be like Sony for example, and just listen to market logic, Fujifilm would just offer one camera body. The same for everybody.

But Fujifilm knows photographers are not all the same, and so they offer niche products, that will never really become that profitable. By doing so, Fujifilm honors its photographic culture and heritage, it’s photo-DNA.

It’s a very lovely documentary, that I invite everybody to watch.

Video and Summary

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