X-E2: Behind Firmware 2.00
The X-E2 body is currently $62 off at BHphoto (+ 4%reward), AmazonUS and Adorama (+ 4% reward) / The silver X-E2 kit is $100 off at BHphoto (+4% reward) and AmazonUS .
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X-E2: Behind Firmware 2.00
Talk to Rico (open forum for questions & feedback)
Fuji X Secrets Workshops – Rico’s Flickr sets
Mastering the Fujifilm X-Pro1 Reading Samples (65 free pages)
Mastering the Fujifilm X-E1 and X-Pro1 – The Fujifilm X-E2 – Beyond the Manual (coming soon)
The German version of my new eBook The Fujifilm X-E2 – Beyond the Manual is finally entering production. As you may guess, the delay was due to Fuji issuing firmware 2.00 for the X-E2 today. Luckily, I was able to get my hand on an early copy of the firmware, and after a week of testing, I feel comfortable telling you what this update is about – and what’s still missing.
Don’t have the new firmware, yet? Click here to get it.
As I am now working on the English version of the eBook, I am also adding two new dates to my Fuji X Secrets workshop schedule. That’s because except for two open seats at the Beginners Workshop on 31MAY in Nuremberg, all other Fuji X Secrets workshops are currently sold-out. So on 19JUL and 20JUL, we are going to Berlin! If you live in the area or happen to be there on this summer weekend, let’s meet in person and experience a “real-life version” of X-Pert Corner!
X-E2 Goes X-T1
While the X-T1 is pretty popular these days, I also really like my X-E2. As a matter of fact, it’s still my favorite X-Mount camera to date. So I’m glad that Fuji keeps making it better.
The main improvement in firmware 2.00 is bringing the X-E2 on par with the X-T1 regarding display lag time. With the new firmware, the camera’s electronic viewfinder (EVF) display lag is now 0.005 seconds, matching the X-T1’s highly touted Real Time Viewfinder.
Minimizing the display lag helps with action shots, as the lag between actual and perceived reality (through the EVF) is shrinking. Basically, this helps you pressing the shutter just in time instead of missing crucial moments. In addition to that, the X-E2 viewfinder now offers the same low light performance as the X-T1, maintaining a high frame rate of at least 50 fps.
Essentially, the X-E2 becomes a faster, more responsive camera.
Take a Peak!
Another feature coming form the X-T1 is color focus peaking, adding the colors blue or red as options. Focus peaking is a popular manual focus aid, especially for users of legacy lenses. Click here for a video demonstrating the new options.
In order to make the most of focus peaking, you should use it wide open with bright lenses. But be careful: Many legacy lenses exhibit a phenomenon called focus shift. This means that the focal plane is shifting once you stop the lens down to working aperture: What was perfectly in focus wide open can end up being out of focus. Normally, you’d expect quite the opposite due to the expanding depth-of-field (DOF). However, focus shift can often outrun DOF expansion.
Relax! Users of native lenses do not have to worry about this. In manual focus mode, the automatic aperture always opens up fully for measurement purposes, and once the working aperture is set, the camera automatically corrects for focus shift. It’s all part of the parameters that are stored inside the lens firmware.
Firmware 2.00 adds two new options that can now be assigned to any of its four function (Fn) buttons: face detection and view mode (aka EVF/LCD setting).
Adding face detection on/off as a Fn function is a no brainer, of course, just like omitting it in the first place was unfathomable. I mean, seriously?
The same is true for culling the View Mode button in the X-E2 and replacing it with an annoying submenu buried in the setup menu. This definitely caused some grief, but Fuji’s eagerly expected firmware 2.00 solution is half-hearted at best. Instead of emulating a genuine View Mode button, pressing the appropriately assigned Fn button simply pops up the old (aka annoying) EVF/LCD SETTING menu in the active display. So if you have your X-E2 mounted low on a tripod and the camera is in “EVF only” mode, pressing the Fn button will pop up the EVF/LCD SETTING menu in the EVF, where you may have a hard time seeing it.
Even worse: Shooting mode and playback mode still always share the same display. You can’t set the camera to shoot with the EVF and playback images on the LCD. Personally, I have adapted and simply use my X-E2 in EYE SENSOR mode all the time.
Not So Flashy
Here’s another addition: a new SUPPRESSED FLASH setting in the FLASH MODE menu. I don’t remember anyone actually asking for this, so this feels like one of those “solution seeks problem” things. That said, I could image studio photographers liking this mode, as they now don’t have to switch-off their flash unit (or remove/turn-off the flash cable or wireless remote) for shots that don’t require flash. Then again, turning-off a mounted flash or removing a cable or wireless remote sounds at least as convenient to me as changing the flash mode to SUPPRESSED FLASH in the camera menu, even the Quick Menu.
The new mode is obviously not for the camera’s built-in pop-up flash, as you can simply stow it to “suppress” it. Unlike other cameras, the built-in flash of the X-E2 never pops up automatically, but only when the user presses the mechanical flash release button.
Who Let the Bugs Out?
Fuji says that they have fixed a bug that caused film simulation bracketing to record the third picture as Astia even though the third picture was set to Pro Neg. Hi.
What Fuji doesn’t (at least officially) say is that they have also fixed a bug that caused Pre-AF and AF-C to secretly focus with the upper-left AF frame when the user changed the size of the actually selected AF frame to a non-default size. This could explain why some users reported that their X-E2 didn’t properly track subjects in AF-C mode: They might have selected a non-default AF frame size.
We may expect another (minor) firmware update in May for all current X-Mount cameras. Another one is in store for June, adding direct Instax Share wifi support to the X-M1, X-A1 and XQ1. We already talked about this in my previous column. Wireless remote and interval shooting will eventually come to the X-E2, as well. Oh, and there are plans for a really cool firmware update that will affect (almost) all native lenses. Fuji really keeps them coming. Stay tuned.
There won’t be an XF18-135mmF3.5-4.8 R LM OIS WR.
There will be an XF18-135mmF3.5-5.6 R LM OIS WR.
For your convenience, here’s a TOC with links to my previous X-PERT CORNER articles:
- First Look: Fujifilm TCL-X100 Teleconverter for X100(S) Cameras
- First Look: Fujinon XF10-24mmF4 R OIS
- First Look: Fujifilm X-T1
- First Look: Fujinon XF56mmF1.2 R
- Exposing Right
- Using Auto-ISO
- Using Face Detection
- First Look: Fujifilm XQ1
- PDAF & LMO Lens Firmware Updates Coming in November
- First Look: Fujifilm X-E2
- How Fuji could save the X-M1
- X-A1 vs. X-M1: Photo Ninja Edition
- X-A1 vs. X-M1: the Shootout
- Using the Fujifilm X-A1 [& X-M1]
- First Look: Fujinon XF23mmF1.4 R
- RAW Converter Shootout Results
- Ultimate RAW Converter Shootout
- First Look: X-M1 with New Kit Zoom and Pancake Lens
- Zeiss Touit vs. Fujinon XF
- Remote Shutter Control for X Series Cameras
- Apple Camera RAW, X-Trans and EXR
- First Look: XF55-200mmF3.5-4.8 R LM OIS
- Studio X
- Using the X100S
- Using the X20
- X100S vs. X100
- X20 vs. X10
- RAW, JPEG, Silkypix and “Fuji Colors”
- Adapting Third-Party Lenses (updated with Speed Booster)
- RAW for JPEG Shooters…
- Tips for Updating your Firmware
- How to Clean the X-Trans Sensor
- Using the XF14mmF2.8 R
- Decoding XF18-55mmF2.8-4 R LM OIS
- Comparing RAW converters: JPEG vs. Lightroom, Capture One, Silkypix & RPP
- XF14mmF2.8 R appears to be almost distortion free
- How to Expand Dynamic Range
- How to Use Extended ISO
- EXR, anyone?
- Capture One – When the Going Gets Tough…
- Using Shooting Profiles and the Quick Menu
Rico Pfirstinger studied communications and has been working as journalist, publicist, and photographer since the mid-80s. He has written a number of books on topics as diverse as Adobe PageMaker and sled dogs, and produced a beautiful book of photographs titled Huskies in Action (German version). He has spent time working as the head of a department with the German Burda-Publishing Company and served as chief editor for a winter sports website. After eight years as a freelance film critic and entertainment writer in Los Angeles, Rico now lives in Germany and devotes his time to digital photography and compact camera systems. His book “Mastering the FUJIFILM X-Pro1” (Kindle Edition) (Apple iBook Store) (German version) is available on Amazon and offers a plethora of tips, secrets and background information on successfully using Fuji’s X-Pro1 and X-E1 system cameras, lenses and key accessories.