Fujifilm X-Pro3 Dura Silver Release Postponed to January 16

Fujifilm X-Pro3

Fujifilm has postponed the release of the Fujifilm X-Pro3 Dura Silver from mid-December 2019 to January 16, 2020.

Fujifilm writes:

Fujifilm X-Pro3 […] has a slight delay in production […] we have received orders from all over the world, and we will postpone the release date on January 16, 2020 in order to ensure sufficient supply.

Follow FujiRumors: Facebook, Instagram, RSS-feed, Youtube, Flipboard and Twitter

Press Release

** CLICK HERE to Read the Rest of the Article **

Meet the Fujifilm X-PAN10 Concept

Fujifilm X-PAN10

Just recently we shared a Fujifilm X-P1 concept, a digital version of the legendary Fujifilm TX-1 / XPan.

The concept raised a vivid discussion on FujiRumors, and today I’d like to continue the chat.

In fact, FR-reader Ricardo sent me his own concepts of what he calls the “Fujifilm X-PAN10“, along with some of this thoughts.

Here is his idea:

by Ricardo Silva Cordeiro – Instagram / Website

** CLICK HERE to Read the Rest of the Article **

Fujifilm X-T3 with XF 56mmF1.2 vs Sony a7iii with Zeiss Batis 85mmF1.8 + Advantage of Shooting f/1.2 on APS-C vs f/1.8 on Full Frame

Fujifilm vs Sony

Sonder Creative and Anete compared the Fujifilm X-T3 with Fujinon XF 56mm f/1.2 with the Sony a7iii with Zeiss Batis 85mm f/1.8.

At the end it is a split decision, with Anete preferring the Fujifilm system and Sonder Creative the Sony system.

But I want to highlight one thing, before I leave you to the video and a summary down below.

We know that, in terms of depth of field, f/1.2 on APS-C does not give the same results of f/1.2 on full frame.

In fact, f/1.2 on APS-C is closer to f/1.8 on full frame, and this is why on this comparison you don’t really see any difference in terms of depth of field between the Fuji and the Sony (except for the bokeh quality, which is better on the Fuji.)

The point?

When Sonder Creative exposed properly both images (base ISO, and widest aperture), he noticed that the shutter speed was completely different:

  • FUJIFILM: ISO 160 – f/1.2 – 1/8000
  • SONY: ISO 100 – f/1.8 – 1/3200

He concludes saying that:

one of the advantages of shooting with APS-C, is that you can shoot with a much faster shutter speed compared to full frame

Seen from this perspective, the light gathering capability of f/1.2 on Fujifilm APS-C is and remains f/1.2.

I thought I point this out and let you discuss about it.

FujiRumors is everywhere: Facebook, RSS-feed, Instagram, Youtube and Twitter

And now to the video and the summary:

** CLICK HERE to Read the Rest of the Article **

Fujifilm X-T3 Firmware Announcement Updated – Enhanced Autofocus and More

Just a few days ago, Fujifilm announced major firmware udpates for Fujifilm X-T3 and X-T30.

Now Fujifilm updated its original announcement.

What has changed?

Nothing, they just added at the bottom a link to the Shenzhen Gudsen Technology Co., Ltd. regarding the Gimbal/Drone support.

But official news is official news, so I have to report about it.

Follow FujiRumors on Facebook, Instagram, RSS-feed, Youtube, Flipboard and Twitter.

Fujifilm to release firmware update for the FUJIFILM X-T3
Enabling video shooting control from Gimbal / Drone and offering other feature enhancements

** CLICK HERE to Read the Rest of the Article **

Sensor Size Sweet Spot is APS-C and not Full Frame, Claim These Industry Insiders

The Ideal Sensor Size

Yeah, let’s do it. Let’s stir up the spirits, and for one more glorious time, jump fully into the sensor size debate.

The trigger?

And article by DL Cade form Petapixel, who had a talk with Richard Butler (DPR) and Bill Claff (Photons to Photos), about:

  • Why Full Frame is perceived as the “serious” format
  • What is the “ideal” sensor size

The first can be answered with the popularity of 35mm in the film era.

But in modern digital times, is full frame really the sweet spot? DL Cade, Richard and Bill answer the following in this article:

DL Cade goes for APS-C:

“I still believe there is a best sensor for “most people” and that this sensor is not full-frame. This sensor is APS-C. […] the performance to size to cost ratio falls into a sweet spot that neither Micro Four Thirds nor full-frame can match.

take the Fuji X-T3, which is a bit closer in price and weight to the a7 III, selling for only $500 less and weighing only 0.25lbs less. In the video department, the Fuji can already record 4K/60p 4:2:0 10-bit internally; Sony can’t even do that over HDMI. And it, too, shoots at a faster 11fps in 14-bit RAW, can capture up to 30fps electronically with an additional 1.25x crop, and benefits from a large selection of high-quality, compact lenses designed for APS-C.”

Richard Butler says:

** CLICK HERE to Read the Rest of the Article **