7Artisans AF 25/35/50mm F1.8 APS-C LITE Lenses Available for Pre-Order
The new 7Artisans AF Lite series of lenses are now available for preorder:
The new 7Artisans AF Lite series of lenses are now available for preorder:
The Fujifilm X-T30III did not enjoy much love here on FujiRumors, as we showed you in our all-time sales ranking.
But FujiRumors lives apparently in a parallel universe, and in the real market out there the Fujifilm X-T30III is doing very well.
That’s at least judging from the Amazon Best Selling MIrrorless Camera ranking, which now has the X-T30III on top of the ranking since a few days already.
The X-T30III is the only Fujifilm camera in the top 10. The next camera is the Fujifilm X-E5 with XF23mmF2.8 on the 15th spot.
There are a few more Fujifilm cameras in the top 50 ranking which you can check out here.
While working on his latest elephant documentary, Emmy Award–winning cinematographer Bob Poole decided to bring an unexpected camera into his setup: the Fujifilm GFX100 II. Not as a main cinema camera — that role was covered by the ARRI Alexa 35 paired with the massive Fujinon Duvo HK 25–1000mm f/2.8–5 — but as a creative tool to capture something different.
The goal was simple: get unusual, ultra-high-quality shots from extremely low angles.
To make that happen, Poole and his team built an elephant-proof cage and placed the GFX100 II directly on the ground — right on paths regularly used by elephants — to capture perspectives that would be impossible with traditional cinema rigs.
Naturally, this should have been a disaster.
After all, if he had asked internet forum experts, they would have confidently explained that the GFX100 II is “not a real video camera” and that creating meaningful cinematic footage with it would be basically impossible.
Luckily, Bob Poole didn’t ask the forums.
And somehow — against all odds and comment sections — the GFX100 II ended up delivering stunning, cinematic footage that blends seamlessly with high-end cinema cameras.
Here’s what Poole had to say about working with the GFX100 II:
Well done, Bob — and well done Fujifilm for giving creators tools that don’t just improve image quality, but actually expand what’s creatively possible, opening new ways to work, experiment, and tell stories with more freedom and flexibility.
GFX Cameras
GF Lenses

A few months ago, I shared a major Fujifilm colors image roundup that included several film simulation recipes. Among them was a particularly beautiful one called “Italian Dream,” created by Film Simulation Group member Dean (Instagram).
It’s such a lovely recipe that I feel it got a bit lost within the larger roundup. For that reason, I wanted to give it the attention it deserves by dedicating a standalone article to it.
And it seems the timing is right: the recipe is now starting to gain traction, with fellow Fujifilm X shooters already using it for their own images—like Gamey, who shared some great examples.
I know most of us are currently deep in winter mode. Still, there’s something refreshing about already thinking of summer—and imagining how this film simulation recipe could shine during brighter, warmer days ☀️

Aiarty Image Enhancer just received a few practical updates. It now includes professional-grade TIFF/DNG export, improved color restoration, and a beta AI Eraser—all processed fully offline.
No cloud uploads, no subscriptions. Whether you’re cleaning up high-ISO noise, restoring older archives, or preparing images for large-format print, Aiarty Image Enhancer handles the processing locally while keeping textures and colors natural.
Update & Licensing (Deal Ends Jan 31)
Existing users get these updates for free. For those looking to add a powerful utility to their kit, the holiday promotion is active through January 31:
Professional Perspective: Handling Large Files
Wildlife photographer Bill Maynard has been testing the software for noise reduction and deblurring.
“As a wildlife photographer, I rely on tools that enhance my images while staying true to the natural beauty of my subjects. Aiarty Image Enhancer excels in this regard.”
For large images, he recommends:
“Go to Settings → Aiarty Image Enhancer → Max Tile Size, and set it to Auto. This gives the best results for large images.”
See his test with Aiarty Image Enhancer >
What’s New in the Latest Version