Hardly any other company puts that much effort in creating really beautiful and useful color profiles like Fujifilm.
Fujifilm calls them “film simulations”: inspired by the look of old film stock, they try to bring some of that magic into the digital era.
In fact, Minami-San, the Fujifilm employee responsible for colors back in the film days, is still today working at Fujifilm and in charge of the digital film simulation development. You can see his story here.
One more nice thing: Fujifilm film simulation can be fine tuned ad libitum:
read here – How to Fine Tune Your Fujifilm Film Simulation to Get the Ultimate Vintage Look
read here – This Guy Fine Tuned his Fujifilm Film Simulation Settings Inspired by the Work of Great Film Photographers. See “Chrome Eggleston” & More
read here – Fujifilm X-Pro3 Development Story: Classic Negative Film Simulation – Learning from Film
From what I’ve seen, the new Fuji Classic Negative film simulation is generous on the blue and green level, while remaining somewhat warm and keeping a low contrast.
Despite the crazy X-H1 rebate and the big X-T3 savings, the Fujifilm X-Pro3 stood its ground, and, at least here on FujiRumors, enjoyed a good start. But sure, once the launch-frenzy settles down, the X-T3 will claim its top spot again.
Capture One Pro 12 is on an unstoppable victory parade, being by a very (!!!) large margin your top choice when it comes to RAW editing software. Nothing comes close it, even though Luminar 4 is on a worthy second place (but still worlds away from Capture One Pro).
As I told you, I myself left Adobe forever, to go all in with Capture One Pro 12.
fujirumors.com – It Was Inevitable: I am Leaving Lightroom for Capture One Pro