Sony DGO vs DCG Sensor – The Pros and Cons – And What Would You Like on Fujifilm’s 6th Generation Cameras? – VOTE

Share

DGO vs DCG

After our in-depth article on Sony’s new DGO sensor, other websites have finally started to pick up the topic.

But their coverage is still incomplete — missing key details (and some serious drawbacks) that photographers absolutely need to understand in order to use this new technology to its full potential.

Why these points are being glossed over is unclear, especially since they’re crucial for Sony A7V users who could unknowingly lose up to 1 stop of dynamic range compared to the older A7IV if they’re not careful.

So let’s break down the pros and cons in a quick overview. And if you haven’t yet, give our main article a read — it clearly explains the difference between DGO (Dual Gain Output) and DCG (Dual Conversion Gain), which is essential to understanding this debate.

DGO advanatges

  • Excellent dynamic range at low ISO

DGO limitations/downsides

  • No DR benefit above ISO 400/500
  • No DR benefit at all with electronic shutter
  • Up to 1.5 stops DR loss with e-shutter compared to mechanical shutter
  • the old Sony A7IV gives you about 1 stop more dynamic range than the brand new Sony A7V between ISO400-800 if you use electronic shutter, because on the A7V dual gain kicks in only at ISO1000 (vs ISO400 on A7IV

So, just be aware that there is no DR benefit when using electronic shutter and if you use ES in values between ISO400 and ISO800, you actually lose 1 stop of dynamic range over the older Sony A7IV

The Fujifilm Sensor Future

Sony is not keeping this technology to themselves.

In fact, the first mainstream hybrid camera to use a Sony DGO sensor wasn’t a Sony at all — it was the Panasonic S1II.

And since that sensor is already available on the market, I see no reason why Fujifilm couldn’t buy and use it as well.

So the real question becomes: what would you prefer for Fujifilm’s 6th-generation cameras — a DGO or a DCG sensor?

If you rely heavily on the electronic shutter, DGO might actually work against you. In the best case you get no benefit at all, and in the worst case you could lose up to 1 stop of dynamic range at certain ISO values.

But considering that high-end Fujifilm APS-C bodies already reach (for now) 15 fps with the mechanical shutter (compared to Sony’s 10 fps), the need for electronic shutter bursts is far lower on Fujifilm cameras anyway.

Personally, I’d be happy with either. I’m already “cheating” dynamic range via DR200/400, so both systems work for me. But if I had to choose, I’d take DGO if that still gives me access to DR200/400 — especially on GFX, where it could allow even higher pixel densities and higher base dynamic range, turning it into the ultimate high-resolution / high-DR platform.

My prediction?

I would not be surprised if DGO would soon become the industry standard. Nikon, OM System, Canon, Fujifilm — everyone will adopt it sooner or later.

But enough from me — let me know what you prefer by voting in the poll below.

I want Fujifilm's 6th generation GFX cameras to have a...

View Results

Loading ... Loading ...

I want Fujifilm's 6th generation APS-C cameras to have a...

View Results

Loading ... Loading ...
Share

Fujifilm’s Sony-Level Autofocus Is Already Here — Hidden in Pre-Shot Mode, Waiting to Be Unlocked

Share

Here We Are Again

When Fujifilm broke autofocus with last year’s firmware updates, Edvard was one of the YouTubers who delivered the most detailed, methodical, and technically grounded coverage of the issue.

Some people don’t like his tone. Others dislike the sarcasm or the way he presents his findings. That’s fine. None of that matters.

What matters is that his findings were legitimate.

And because they were legitimate, we shared several of his videos here on FujiRumors. And so we will do again today.

It’s a long video, which I will sum up below for you – a short version and a more detailed version.

Certain YouTubers Ignore Reality ;)

But before we get into the test results, I need to address something.

Sometimes, you hear accusations that “FujiRumors is a Fujifilm propaganda machine.”

I mention this now because in Edvard’s video, there’s a YouTuber who was “featured” and who, last year, claimed I deliberately don’t report on Fujifilm AF problems—that I only push propaganda.

There’s just one problem with that narrative.

Beyond the fact that when large YouTubers discredit FujiRumors it obviously hurts the blog’s reputation (you then see angry comments towards me), the real issue is something else:

At the time the YouTuber made those claims, I had already shared on FujiRumors his very own video in which he rants against Fujifilm autofocus—along with many other critical videos and several articles on the same topic.

That’s a textbook example of cognitive bias: ignoring observable facts, blanking out reality, and repeating a story that fits one’s pre-existing beliefs rather than what actually happened.

Facts, however, don’t care about narratives.
And FujiRumors will continue to report both the good and the bad—regardless of who finds that inconvenient.

FujiRumors exists for Fujifilm camera users, not for Fujifilm as a corporation. And that’s why, once again, we have to talk about autofocus.

The Findings in Short

NOTE: extensive summary of the 34+ minutes video below

Edvard noticed that in pre-shot mode – when you half press the shutter button and the camera starts saving images on the camera – the camera has a terrific autofocus.

Focus transitions from far to near (and back) are smooth and confident. Subject tracking is excellent. You can actually hear the lens making constant micro-adjustments, a clear sign that the camera is performing many AF calculations per second. There is no hesitation, no stalling halfway through a focus pull—just continuous, fluid, sold, sticky AF behavior.

In fact, it’s so smooth and fast that at minute 4:52 he literally says:

This is Sony-like autfocus, guys!

And that’s where the real problem emerges.

The moment you fully press the shutter, autofocus behavior changes. The camera appears to perform fewer AF calculations, the lens moves in larger steps, and the result is visible hunting—especially when transitioning between near and far subjects.

Interestingly, fast burst modes help. On his X-T3, shooting at 30fps with a 1/100s, Edvard reports “the smoothest tracking I have ever seen on a Fujifilm camera.”

Which leads to an unavoidable conclusion:

The autofocus performance is already there.

Fujifilm just needs to bring the Pre-Shot AF behavior to all shooting modes.

Conclusions

Rather than seeing Edvard’s video as an attack on Fujifilm, it should be seen as good news: the performance photographers are asking for already exists inside the camera. It just needs to be unlocked more consistently.

If Fujifilm manages to bring that Pre-Shot autofocus behavior to all shooting modes, then this discussion ends overnight—and Fujifilm autofocus suddenly becomes a non-issue for everyone.

And that’s exactly why it’s important to talk about these things.

The Test in Depth

Share
** CLICK HERE to Read the Rest of the Article **

How Sony Is Rewriting Dynamic Range Sensor Performance (DGO vs DCG) — And the Hidden Drawbacks You Need to Know

Share

Dual Conversion Gain (DCG) – The “Old” Tech

First things first: what exactly is Dual Conversion Gain?
Modern camera sensors — Fujifilm included — operate in two modes:

  • Low conversion gain: used at lower ISO values
  • High conversion gain: activated automatically at higher ISO values (for example, ISO 500 on the GFX100 II)

Let’s look at the Fujifilm GFX100 II dynamic range data using Photons to Photos data:

  • ISO 400 → 10.49 stops DR
  • ISO 500 → 10.91 stops DR
  • ISO 640 → 10.62 stops DR

Why does dynamic range increase at ISO 500 and ISO 640 compared to ISO 400?

Because that’s the point where the camera switches into high-gain mode, which reduces read noise and produces a DR “bump.”

For years, this dual conversion gain jump was the key method to maximize sensor performance.

But that changed—recently, and dramatically—with the launch of the Panasonic S1II first, and now also with the Sony A7V.

Dual Gain Output (DGO) – The New Tech

With the Panasonic S1 II (Sony-made, partially stacked sensor) and now the Sony A7 V, something unusual appeared in the data:

Share
** CLICK HERE to Read the Rest of the Article **

The Fujifilm 1” Compact Camera That 91% of You Rejected – But I Want it… and Here’s Why

Share

In Short: I want a 1″ Successor to this camera

1″ Compact is Coming

We shared the rumor that Fujifilm will launch a compact camera with 1″ sensor.

Of course this triggered speculations and wishes on what camera it would or should be.

So I thought I jump in and tell you what camera I personally would like to get.

But…

and read carefully…

again…

the rumor just says there is a 1″ compact camera coming.

The rumor does not tell us if it will be a successor to a Fujifilm 2/3rd camera or if it will be a new model.

With that said, here is the camera I want.

And I am afraid it will be an unpopular opinion, considering that 91% of FR-reader voted against it.

What I’d Like

The last 2/3rd inch Fujifilm camera I personally owned was this one.

Sadly it did not survive a close encounter with my son (who by the way shows signs of superior intelligence), when he found it and decided to stress test it 😅. Now the lens cover blades are stuck.

But while it lasted, it was the perfect little companion. It lived permanently in my everyday bag, took up no space at all, and was always ready whenever a photo opportunity popped up and I had no APS-C or GFX gear with me.

And actually I bought it because of something that happened in late 2014.

I was on the bus to work, looking out at a breathtaking valley completely blanketed in clouds (taken from the Road of Wine – which you can see here – on the way to school).

All I had with me was my iPhone, and as I tried capturing the scene, I told myself: I need a truly pocketable everyday camera — one I can always carry. Not long after, Fujifilm announced the XQ2, and it didn’t take me long to realize it was exactly the camera I’d been waiting for.

Sure, Smartphone cameras have gotten better since back in 2014, but a 1″ sensor Fujifilm XQ3 could revive also my interest for ultra compact cameras.

I know I am unpopular with my opinion. In fact, our survey shows that 91% of you want either another camera – or no 1″compact camera at all.

But that’s what I’d go for.

And yet, if it was an X40, I’d not be disappointed either. ;)

Which camera would you like to get revived with a 1" sensor

View Results

Loading ... Loading ...
Share