Fujifilm X-H1 Auto ISO Bug?

The Fujifilm X-H1 has just been released, and our hyperactive Fujifilm X-H1 facebook community found a possible bug. Auto ISO settings keep reset to factory settings if you use the Q Menu. Also FR-reader contacted me via email to report me this (thanks).

Here are three reports:

JASON: Hi all. So I’m wondering if this is a new setting or user error or a bug but I’m finding that the three auto iso settings keep defaulting back to their factory settings and don’t keep my settings? This happens only when I switch between my custom settings in the Q menu. Doesn’t happen with my X-T2’s. Anyone else found this?

JOSH: Is anyone else having a bug where their Auto ISO presets reset after the camera is turned off and on?

TORSTEN: I found a bug! I customized my Auto-ISO settings, but after changing / switching to another C-Setting (C1-C7) the Auto-ISO is resetting to the default values

Fujifilm X-H1 Lock-Ups

There are some reports at our group about lock-ups.

So far it seems lock ups happen mostly to people, who use different SD-cards to those recommended by Fujifilm. Using Fujifilm recommended SD-cards fixed the issue for them. So make sure you use SD-cards appoved by Fujifilm for the X-H1. You can see the list here.

Additionally, FR-readers could expand this list by posting their working (exact) SD-Card Model in the comments. Thanks Frank.

However, some X-H members, like Peter here, say “I have approved cards and faster than approved cards and still experience the lockups however I’ve noticed a correlation to what shutter mode I’m using and since the shutter mechanism is a new element in the technology it makes sense that it may be the cause. At least from my findings. Trying to see if others are experiencing the same thing“.

Besides the Fujifilm recommended SD-Cards, make sure to use the correct NP-W126S batteries (and not NP-W126 – orginal or third party).

And of course, comment and give feedback… you know Fujifilm manager read (and even love) us.

GUEST POST FEATURE
Write Your Articles Directly on FujiRumors!

3 Observations I Made When I Took My Medium Format On the Road That Will Have Me Taking It Out Again

guest post by Greg Pai – You can follow Greg on his photographingGOD Photography webSIGHT and Instagram

Fujifilm GFX 50S + GF lens (save $1,000): BHphoto, Adorama, AmazonUS
JOIN our Fujifilm GFX Facebook Group
FOLLOW our Fujifilm GFX Facebook Page

The goal posts of camera technology are being moved every day. When I say portraiture, you say higher resolution. When I say sports; you say faster, more accurate autofocus performance. When I say weddings and events, you say increased ISO sensitivity. And, when I say journalistic or street photography, you say medium format? Not really…

Most pros relegate medium format to studio, landscape, or tripod-mounted applications and more ergonomic formats for journalistic style photography. So, it was typical that I would pack my Leica gear for a recent one month assignment through the Mekong (Thailand, Laos, Cambodia, and Vietnam).

However, at the last minute, I was somehow compelled to swap it out for my medium format Fuji GFX 50s system taking up nearly 3 times the space. What was I thinking? Well, I wasn’t thinking straight for sure. But that is how some of the most remarkable things happen in life (Like when my wife said “Yes”)!

My last minute decision was partially influenced by the fact that image technology across sensor types (e.g., Crop, Full-Frame, and Medium) is converging rapidly and the features are blurring between such systems. So, at some point in the near future, I suspect these choices will be made for me anyway by process of elimination. I suppose I also wanted to test my patience and persistence. But, there was also an element of surprise I was seeking. I really wanted to see what this thing could do in the field under varied conditions and over a lengthy assignment.

Suffice to say, I was exceptionally pleased by the potential of the Fuji GFX 50S medium format in the field and hope that the following observations are an inspiration to all who are (i) facing decisions about upsizing or downsizing formats, (ii) interested in my approach to journalistic photography, or (iii) wanting to simply experience the beauty of the people and colors of the Mekong.

1. Medium format is too heavy and bulky for journalism and street photography; Or is it?

It’s In Stock

The Fujifilm X-H1 is now in stock at AmazonUS – various combinations shipped and sold by AmazonUS.

The X-H1 & various combos are also in stock and read to ship at Adorama and Focuscamera.

BHphoto expects stock on March 6.

Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera
Follow FujiRumors on Facebook, RSS-feed, Instagram, Youtube and Twitter
Fujifilm X-H1 Coverage: X-H1 facebook group + X-H1 facebook Page

Laowa 9mm F2.8 Hands On

The Spanish site albedomedia made a quick hands on review on one of the third party lenses, that arises most curiosity in the Fuji X community: the Laowa 9mm F2.8.

I know for many of you guys, this lens is on the radar also for eventual astrophotography, but of course we are all still waiting to see how it performs, especially when it comes to coma.

But it seems that Laowa is actively promoting this lens also for astrophotography, since they display a couple of prints of the milky way taken with the Laowa 9mm F2.8.

With that said, here are some first impressions by albedomedia (google translated):

• Zero-D stands for “zero distortion“
• The denomination Zero-D has already been used for lenses such as the Laowa 12mm F2,8 Zero-D or the Laowa 15mm F2 FE Zero-D . The new Laowa includes a complex optical scheme consisting of 15 lenses in 10 groups, with a combination of aspherical lenses and special glasses with low chromatic dispersion.
• Manual Focus only
• The focus ring, of correct dimensions, presents a suitable firmness, but its route is too short to our understanding
• Its metal construction is of good quality, and conveys a sense of quality in its finishes
• At shooting distances more typical of interior design, here at the stand of the CP + , the Laowa 9 mm f / 2.8 Zero-D seems to offer a reasonably rectilinear performance
• On the positive side is its very compact size, the feeling of good finishes […]. On the other hand, in the least positive, it would be short of its route of the focus ring – a price to be paid in part for the compactness – and above all a level of distortion that we believe does not agree with the name of the presumptive one.

The Laowa 9mmF2.8 Zero-D has already been annouced here. Check it out for more specs and price.