Not Only Fujifilm X-T3: The DSLR Killer Fujifilm X-H1, Fujifilm X-T2 vs Leica M vs Leica SL, Reconsidering the Fuji X-E3 and More

Fujifilm X Camera Roundup

The Fujifilm X-T3 grabs almost all the attention in the Fuji X world. And surely it deserves it, but it also overshadows other cameras, which might not be as new and impressive in terms of specs, but they are still reliable workhorses or travel companions.

So here is a roundup of articles and videos about the Fujifilm X-T2, X-H1, X-E3 and more.

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Fujifilm X-H1

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New Profoto Connect Wireless Transmitter Announced

Profoto Connect

Profoto just announced their new Profoto Connect Wireless Transmitter, which will be available for several systems, including the following Fujifilm cameras: GFX 50S, X-T2, X-T20,, X-Pro2, X100F, X-H1, X-E3, X-T3 and GFX 50R.

You can check pricing and availability at BHphoto here.

Product Highlights

  • Frequency: 2.4 GHz
  • Operating Range: 330-1000′
  • 8 Channels
  • Settings: Auto, Manual & Off
  • Slides into FUJIFILM Hot Shoe
  • Built-In, Rechargeable LiPo Battery
  • Control Lights via Profoto App
  • 30-Hour Battery Life
  • Turns Off after 60 Minutes of Inactivity

For the official product page check out profoto here.

Press text:

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This Guy Sticks with Fujifilm APS-C, Does Not Go FULL FRAME and Shares a “Cure Your GAS” Excel Spreadsheet

Cure Your GAS

In times, where we are bombarded with marketing material about Full Frame mirrorless cameras, Jason wonders if he should switch to FF from his Fujifilm X-T2.

But instead of just following the hype (and the GAS), he decided to applied a methodology that helps him to decide more objectively if such a switch would make sense.

First he list the 5 most important characteristics he looks for in a camera according to importance:

  • portability – 30% importance
  • lens selection – 20% importance
  • user interface – 20% importance
  • image quality – 15% importance
  • autofocus – 15% importance

He then assigned a rating to each of the above features for the following cameras: Fujifilm X-T3, Fujifilm X-T2, Sony A7III, Nikon Z7, Panasonic S1 and Canon EOS R.

He ended up with the following results:

Ranking:

  • Fujifilm X-T3 – 7.9
  • Fujifilm X-T2 – 7.75
  • Sony A7III – 7.65
  • Nikon Z7 – 6.8
  • Canon R – 6.7
  • Panasonic S1 – 6.15

The results showed him that he can save himself the $6,000+ he’d need to switch to the Sony A7III (+ lenses he needs), since it ranks even below the camera he already uses, the Fujifilm X-T2.

He concludes that he better spends that money for nice trip with his X-T2.

Of course everybody will get different results, depending on which top 5 features you select and which importance you assign to them.

So which one is the right call for you?

Use Jason’s methodology, download and edit his “Cure Your GAS Excel Spreadsheet” on dropbox here, and let’s see if Fujifilm is still the right call also for you.

Altough I find this a cool methodology, I personally won’t make this test, since I already know that what need to reach ultimate photographic happiness is an X-E4 with tilt screen and this XF 27mmF2.8 with aperture ring.

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Exif Video Resolved DR adds Fujifilm Support for EXIF Metadata Import in DaVinci Resolve

As you might know DaVinci Resolve can’t read the metadata of many DSLRs and Mirrorless cameras. A solution to this problem is now offered by Exif Video Resolved DR.

Exif Video Resolved DR is a plugin for ExifTool, that allows you to import camera EXIF metadata such as ISO, Aperture, Shutter, Lens Type, Gamma, Color Space, Focal Point, etc. to Davinci Resolve, giving you the ability to see a lot more metadata info in your Media Pool with just a few click.

The good news for Fujifilm users is, that on March 14, Exif Video Resolved DR ver. 1.1 added support for Fujifilm X-T30, Fujifilm X-T3, Fujifilm X-H1, Fujifilm X-T2, Fujifilm X-T20, Fujifilm X-E3 and Fujifilm X-A5.

Exif Video Resolved DR is not free, but very affordable. You can get the Fujifilm version for €5 and the version with all cameras supported for €14 (or €20 if you buy Windows and Mac version together). Future updates should be free.

You can check all the details at evrapp.cloud and here is the online instruction manual.

It’s my pleasure to break again the news here on FujiRumors, and if you want to be always and consistently the first to get the news and rumors around the Fujifilm world, here is what you have to do:

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Screenshots & Tutorial Videos

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Fujifilm Managers Q&A: Canon is Wrong, Full Frame only 1/3 of Market, X-T3 sold 40% Better than X-T2, Fast Lenses for GFX and More

Fujifilm Managers Interview

Just yesterday we shared a CP+ interview with Fujifilm managers here. Today it’s already time for another one, this time with Toshihisa Iida (the manager who said Fujifilm will never go full frame) and Makoto Oishi.

It’s again an interesting one, that also becomes very technical when it comes to analyzing the autofocus system and lets imaging-resource conclude that Fujifilm’s PDAF technology is arguably the most advanced on the market.

Down below you can find the key points and some images of the interview. The complete one can be checked out at imaging-resource here.

Market Future & Canon Predictions

  • Fujifilm totally disagrees with Canon’s prediction, that ILC business is going to contract by half over the next two years
  • Market will depend on innovation that will come
  • Fujifilm believes there is room for further grow
  • Some markets will decline, but other markets have still potential to grow (Asian market)

Full Frame

  • Customers should have different options
  • Currently full frame has 1/3 of the market by value
  • 2/3 of market is predominantly APS-C, Micro Four Thirds, and some medium-format
  • other manufacturers focus on full frame, this might open opportunities for Fujifilm as long as they keep up innovating APS-C and MF
  • mainly X-T3 and GFX 50R helped Fujifilm to grow by 10% total volume growth
  • APS-C vs FF is not just about sensor size, but also the lens size, lens weight, overall cost, or the speed, the 4K movies
  • people judge the system more on the overall package

Fujifilm X-T3 vs X-H line

  • sold better than expected
  • Fujifilm X-T3 sold 40% better than X-T2 if you compare to same period since launch
  • X-T3 and X-H1 have cannibalized each other
  • with the new lower X-H1 price tag, X-T3 and X-H1 sit nicely next to each other
  • H-series and T-series will coexist for the future, but we need to clearly differentiate the lineup without confusing customers

Lenses

  • XF200mmF2 is not only for sports, but also for portraits for very creamy bokeh and concerts for example

GFX System

  • Fujifilm GFX 50R sales are above expectation and factory is very busy
  • Fujifilm GFX 100 design is almost final, very early firmware, and IBIS still does not work
  • GFX 100 megapixel autofocus: same sensor structure as the X-T3
  • GFX 100 has almost zero competition, because FF is only at 50MP and other medium format cameras are very expensive
  • Fujifilm thinks at multi-shot high-res shooting mode for GFX100, but has not decided yet
  • designing IBIS is a real challenge for big MF sensor
  • Fujifilm has no idea about how many stops IBIS they will achieve [FujiRumors leaked internal press sheets that show they aim at 5 stops]
  • Fujifilm is still improving image quality via firmware
  • GFX100 launch in first half 2019 for around $10,000
  • Fujifilm GFX 50S most popular lens is the GF 32-64mmF4
  • Fujifilm GFX 50R most popular lens is the GF 45mmF2.8
  • GFX 50S owners have more lenses than GFX 50R owners
  • GFX owners complaint about the lack of more fast lenses for the system and Fujifilm is taking into consideration their feedback
  • Fujifilm listens to customers and tries to make their wishes happen, but sometimes their wishes become reality is very difficult and challenging
  • As bright as possible, as small as possible, as affordable as possible…
  • same team works on GFX and X. One R&D budget and depending on needs they are flexible to shift their focus

Autofocus

  • X-T30 has improved algorithm which will come to X-T3
  • CMOS sensor is always reading by lines. So it isn’t very suitable for horizontal phase-difference […] technically we can make a cross-type system but normally, subjects are more… and horizontally-arranged PDAF pixels support them better
  • Fujifilm could do vertical AF correlation, but hasn’t felt the need to do it
  • 8% of pixels are phase detection pixels (high density), good for low-light and high-frequency subjects
  • signal and phase pixel are read separately
  • we used to have like 60 regions within each AF point, but now 240
  • depending on the light level, the X-T3 can “bin” PDAF pixels together (basically just adding their contents) to get a better signal/noise ratio, and so be able to determine focus even in very dim lighting. Depending on how you do this, you’ll trade-off some ability to see the finest details, but it can really help in very low-light conditions

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