When you shoot full AUTO, the camera records only JPEG files.
Some say this makes sense, as the AUTO mode is supposed to make it all for you and simplify your life.
And although I never shoot AUTO on my X-E3, it happens sometimes that I handle the camera to a friend or relative (or even to one of my little students). And since they are not familiar with photography, the AUTO switch comes in very handy.
The problem: it will write only JPEG files on the SD card. But even if it’s not me taking the pictures, it’s still my camera and my SD-Card, and I want always both, RAW and JPEG on my SD-card, as you never know, maybe there is some nice image there that could need a little tweak.
Also, here is another example a FR-reader made, and that shows how useful RAW capability in Full AUTO would be.
The FR-reader did set up the camera for long exposures, all full manual, and suddenly a beautiful bird came and rested shortly on a stone nearby. Without messing around with the settings, the FR-reader quickly switched the camera to AUTO and grabbed a picture of the bird before it flew away. And while in this case the Auto mode allowed him to capture the decisive moment, he would have loved to have the RAW file of that image too.
I strongly hope other Fujifilm cameras having the AUTO capabilities will get the AUTO-RAW capability via firmware update in near future. It would make the AUTO mode more useful for me.
Fujifilm X-S10 mockup by FujiRumors (not the real camera)
According to our sources, the Fujifilm X-S10 will have a nice deep grip, which I know many of you will love to hear.
It will be Fuji’s first mid-range camera with a deep grip, as the X-E3 and the X-T30, but also the X-T200 and X-A7, have none to very small grips only.
The only other Fujifilm X series camera with a deep grip is the Fujifilm X-H1.
When we shared the first rumors of the upcoming Fujifilm X-S10, many of you predicted it would have a selfie screen (or let’s call it “vary-angle screen“, which sounds more “professional“).
Well, you were absolutely right.
The Fujifilm X-S10 will indeed have a selfie screen, and to be more precise, the X-T4 selfie screen (not the unique X-T100 screen).
In my opinion, unless you shoot selfie video/photos, the 3-way tilt screen of the X-T3 is the better way to go, as it will always stay nicely centered to your camera and never go in the way of your strap (I wrote about how annoyed I am that my Peak Design strap always covers the X-T4 selfie screen when I tilt it out).
The real advantage of the selfie screen is one, and only one: when tilted inwards, the camera looks even more vintage. And I like that :).
But if you stand behind the camera, and not in front, a regular 3-way tilt screen is just better.
To be fair, as a teacher during COVID-19 times, I must admit the selfie screen on my X-T4 served me very well. But if it wasn’t for that, I’d see no point in selfie screens.
he prefers to be very light during his wedding shoots using very small lenses (he uses the Fujicron f/2 lenses a lot), and the XF50mmF1.0 is a bit too heavy
he prefers the 50mm focal length over the 56mm
XF50mmF1.0 has more contrast and is way sharper than the 56mm
Especially considering the current huge deal on XF56mmF1.2 lenses, the 56mmF1.2 is great value for money (a lens I own and love). But from all I could see so far, if you do not mind the extra weight and size, the Fujinon XF50mmF1.0 is the way to go.
Fujifilm really put magic into that lens, a magic best described by Jonas Rask here, when he says:
My all time favorite lens from Fujifilm is the XF35mm f/1.4R – In my eyes it’s the perfect lens. There have been many wordings about that lens, and one thing that keeps on popping up in discussions is that it has a certain something that no-one seem to able to define. It always end up being labeled as “magic” which is silly.
The reason for its look is found in the optical design, a design that Fujinon decided to continue into the XF50mm f/1R WR. And that makes the images coming from this lens extremely appealing to those who like the look of the XF35mm f/1.4.
The images coming from XF50mm f/1 R WR has those exact same undefinable traits that makes me love my XF35mm f/1.4 so much. The sharpness that is sharp, yet not overly sharp. A flattering kind of sharpness that seems more rounded, organic and less digital/clinical. A bokeh rendering that is soft, delicious and very calming to the eye, and a color reproduction that gives a very lovely depth to especially warm color tones.
In other words, the XF50mm F/1 R WR is the portrait lens version of the XF35mm f/1.4 R!
When we first published that Fujifilm would launch a new mid-range camera called Fujifilm X-S10, many of you thought this could be the successor to the forgotten Fujifilm X-S1.
But it’s not!
The Fujifilm X-S10 will be an APS-C mirrorless interchangeable lens camera.
And most interesting, the Fujifilm X-S10 will be Fujifilm’s first camera in that mid-range segment to feature IBIS, a privilege until now reserved only to the high-end Fujifilm X-T4 and Fujifilm X-H1.
I hope this dissipates some of the confusion I was perceiving about it. :)
Back in June we told you Fujifilm would launch two new mid-range cameras within March 2021.
Later on, in early August, we told you that at least one of the two cameras will be a completely new line (the other one could be a new one too, or a successor to an already existing line).
Today we will talk about the mysterious new camera and unveil its name: Fujifilm X-S10.
Could this be a successor to the forgotten Fujifilm X-S1? Well, according to preliminary information I have, it’s not.
Soon more details will be shared. Stay tuned on FujiRumors.
