7Artisans 50mm f/1.8 Released

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7Artisans 50mm f/1.8

The 7Artisans 50mm f/1.8 has been released and is now availbale at BHphoto, AmazonUS and Adorama.

“A 75 mm equivalent (APS-C) middle telephoto lens suitable for portraits. You can enjoy shooting taking advantage of the beautiful blur by the brightness of the open F-number 1.8, and the stepless aperture ring without a click feeling is also useful for movie shooting. The exterior is made of aluminum alloy and has a high-quality finish.”

Product Highlights

  • X-Mount Lens/APS-C Format
  • 75mm (35mm Equivalent)
  • Aperture Range: f/1.8 to f/16
  • Multi-Layer Coating
  • Manual Focus Design
  • Depth of Field and Distance Scales
  • Rounded 12-Blade Diaphragm

via stbk

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Fujifilm X100V (X200) with New Lens, but still 23mm

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Fujifilm X100V/X200

When I shared the rumor about the Fujifilm X100V (or X200) having a new lens, many of you wondered if Fujifilm would change the focal length.

Would Fujifilm go with an 18mm lens like on the Fujifilm X70 / XF10? Or maybe even a 35mm lens (50 FF equiv.)?

According to our sources, the lens will be new, but keep the 23mm focal length.

I remind you that the Fujifilm X100V (or X200) will be released in 2020 only.

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Adobe Warning About Potential Legal Action for Using Older Creative Cloud Apps

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Last week, Adobe announced that older version of Creative Cloud Apps such as Photoshop and Lightroom, will no longer be avaialble to its subscribers.

Now Adobe is sending out warning emails to customers who are using older versions of Creative Cloud apps, letting them know those older versions are no longer licensed.

“Please be aware that should you continue to use the discontinued version(s), you may be at risk of potential claims of infringement by third parties,“

Adobe suggest to update to the latest Creative Cloud version.

Many customers might feel like Matt Roszak now (read below):

via macrumors

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Tony Northrup Fujifilm GFX 50R (not Error-Free) Review: “Fujifilm GFX 100 Will Fix All Our Concerns”

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Fujifilm GFX

Tony Northrup took a Fujifilm GFX 50R for his Barcelona trip and now published a review about it (video above).

I will sum it up for you below, but I would quickly like to correct a few errors he made.

He says the GFX sensor surface area is 30% bigger than Full Frame, but it is actually 70% bigger. This is not correct, and Tony makes the MF sensor sound smaller than it really is.

He complaints that there is only one lens with OIS, but there are actually 3 lenses with OIS, the GF 250mm F4, GF 120mmF4 and GF 100-200mm f/5.6.

Since we like percentages, basically Tony claims that about 12% of all GF lenses have OIS, when reality is that almost 40% have OIS.

Rather big errors, I hope Tony will correct soon, and I wonder how they could even slip into his review in the first place.

For the rest, you can read his findings below.

  • not a sports camera, not good at tracking
  • not a video camera
  • great landscape camera, but Fuji needs more lenses, and more astrophotography lenses
  • decent walk around camera
  • no huge difference in IQ compared to FF
  • soon GFX 100 will be here with IBIS, and should address all concerns they have with GFX 50R
  • corner placement of viewfinder is great
  • does not give the joy, that Fujifilm X-T3 gives him
  • small flat buttons
  • grip to small for big medium format lenses
  • screen is small compared to overall size of camera
  • design of Hasselblad X1D is better
  • eye detection AF is not accurate
  • sensor has 30% more surface area
  • if you crop to standard 35mm aspect ration, the surface area advantage is almost gone as well as image quality difference
  • Cropping 8×10 gives about 50% more surface area
  • he complaints that it has not IBIS and only 1 lens has OIS
  • Fujifilm GFX has much better lenses than Hasselblad X1D
  • Sony A7rIII is better overall camera
  • Fujifilm GFX 50R is a specialized camera
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