Fujifilm X-T4, X-E4, X-T30II Discontinued at Major Japanese Stores: So Let’s Talk Fujifilm X-T5, X-E5 and X-T40

Several major Japanese stores like MapCamera, BicCamera, and Yodobashi have now marked the Fujifilm X-T4, X-E4 and X-T30II as discontinued.

Map camera still has it in stock, but they won’t be receiving anymore units for sale after their stock is depleted. There’s a note on the pages that says “在庫限り(生産完了品)” which translates to “Limited stock (discontinued item)“.

So let’s talk about it.

Fujifilm X-T5:

In the past, especially when it comes to the X-T line, once a successor was released, the older model was still manufactured for a while, simply because they remained very popular. So discontinue the X-T4 even before the Fujifilm X-T5 arrives would be very unique.

But hey, we also live unique times with the massive parts shortage.

Since the Fujifilm X-T5 will be announced shortly, Fujifilm could have decided to stop Fujifilm X-T4 production in order to use some of the X-T4 components for the Fujifilm X-T5 production. A unique, drastic but maybe necessary move. But that’s just a mere speculation of mine, trying to make sense on why it is marked as discontinued at some Japanese stores.

Fujifilm X-E5:

It usually takes Fujifilm almost 4 years to update the X-E line. So a Fujifilm X-E5 coming so soon (X-E4 was announced in January 2021), would be extremely surprising.

If Fujifilm really discontinued the X-E4 as some Japanese stores write, then I believe the most likely reason is not because a Fujifilm X-E5 is about to drop, but because Fujifilm needs some of the parts to manufacture newer and more important cameras (in terms of revenue for Fujifilm) as the Fujifilm X-H2S, Fujifilm X-H2 and the imminent Fujifilm X-T5.

Fujifilm X-T40

Fujifilm needs about 2 years to update the X-T** line.

The Fujifilm X-T30 was released in February 2019. It’s successor, the Fujifilm X-T30II came in September 2021. So one might think we might have to wait late 2023 or early 2024 for an X-T40, but consider that the Fujifilm X-T30II is a last second emergency product of Fujifilm: they run out of parts and in order to keep the manufacturing process of the X-T30 alive, they needed to use new and slightly improved hardware parts (such as a better LCD screen).

Not even Fujifilm sees the X-T30II as a true successor to the X-T30. So I guess a Fujifilm X-T40 in not too distant future could be a possibility.

But the problem here is: I have zero rumors or ever so slight hint and whisper about it, which makes me believe that the Fujifilm X-T40 won’t come that soon.

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Fujifilm Says X-H2 Might Offer Automatic In-Camera Combination of 160MP Pixel Shift Files

Just as we rumored, the Fujifilm X-H2 turned out to be Fujifilm’s first X-Trans camera to offer pixel shift multishot.

The Fujifilm X-H2 takes 20 images, which you must then combine using Fujifilm’s pixel shift combiner software to create 160MP images.

Now, in an interview with the Japanese youtube channel of Gizmomo, when asked if it will ever be possible that the camera will combine the files internally without any need to use an external software, a Fujifilm representative answered:

[google translated] It’s very hard… (laughs). There are 40 million pixels, and the range of image processing is packed from one to here to here, so there may not be anything that can be technically impossible, so if there are so many opinions from everyone in the future, I may do my best.

So if all Fujifilm needs is pressure from us, so be it… let’s start it in the comments.

via dclife

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Johnnie at CineD: “Fujifilm X-H2 is Fuji’s Best Video Camera Ever Made and I Prefer it over X-H2s”

When I shared the first rumors about Fujifilm launching two X-H cameras (over 1 year ago!!!), many concluded that one will be the video centric and the other the stills centric camera.

But I insisted that this is not the difference to make.

We must think in terms of “speed” and “resolution”, as both X-H cameras are excellent hybrid cameras, and the depending on your needs you might want more speed or resolution in your videos or stills.

Incredibly though, even after the release of both cameras, many still insist that the X-H2S is the video camera and the X-H2 the stills oriented body.

So you know what I’ll do?

I’ll give the word to a videographer we all know, appreciate and trust: Johnnie Behiri from CineD (one of the very few youtubers I trust for being honest in their reviews, but also honest with how they present themselves to their audience… you know what I mean).

Anyway, after filming short documentaries with both, the Fujifilm X-H2s and the Fujifilm X-H2 (hence after really using both cameras on the field rather than just in a basement), he decided that the best video tool for his needs is the Fujifilm X-H2.

Why? Well, he explains it this way:

“Personally, the X-H2 is the best camera for video FUJIFILM has ever made! I’m sure it will also cater well to those who need to produce video next to photo content as the 40.2MP sensor is sufficient for such a “dual task”. With so many resolution options (Full HD – 8K), next to a robust internal recording 4:2:2 10- bit codec (ProRes), good IBIS, and good autofocus performance, I predict that this camera will be a hit, especially considering its attractive price ($1999). Add good audio and lowlight capabilities and there you have it – a very versatile working tool! So the bottom line is, after filming with both, the X-H2S and X-H2, the latter is my preferred option. Not because I don’t appreciate Open Gate, High Frame-Rate recording, or fast sensor capability, but I can simply live with those shortcomings and in exchange earn greater recording flexibility and good IBIS performance (which is essential for my documentary work).“

He ends up calling the Fujifilm X-H2 the “Swiss Army Knife” in Fujifilm’s lineup.

It is interesting to note that he mentions the vastly improved IBIS on the X-H2 over the X-H2s, which can make huge hopes to Fujifilm X-H2s shooters to get an improvement via firmware update.

And despite the high-density pixel sensor, the noise performance on the Fujifilm X-H2 is really good. He writes:

“One of the things that caught my attention is how well the camera records in lowlight situations despite having a 40.2MP sensor.”

To me it looks like Fujifilm actually did quite a miracle here. At least for stills, everybody was sure the Fujifilm X-H2 would perform worst than the X-T4 or the X-H2S, but that does not seem to be the case at all. No idea how the heck the Fuji engineers were able to achieve that and I hope that down the road some Fujifilm manager will give us a more technical explanation for that.

Make sure to read the full CineD X-H2 first look here.

Fujifilm X-H2 Look Up Table (LUT) for F-Log and F-Log 2 Now Available

This LUT file is to edit the movie data below when the data is edited by a movie editor on your PC or Mac.

<LUT file for F-Log>
* F-Log movie data recorded with GFX100S, GFX100, X-E4, X-S10, X-T30 II, X-T30, X-T2, X-T3 , X-T4, X-Pro3, X-H1, X-H2S, X-H2 and X100V
<LUT file for F-Log2>
* F-Log2 movie data recorded with X-H2S and X-H2.

Download

F-Log 3D-LUT file / F-Log Data sheet

Last updated: 9.9.2022
F-Log_LUT_E_Ver.1.23.zip [10.9MB]
*Decompress the “F-Log_LUT_E_Ver.1.23.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log_DataSheet_E_Ver.1.1.pdf [192KB]

F-Log2 3D-LUT file / F-Log2 Data sheet

Last updated: 9.9.2022
F-Log2_LUT_E_Ver.101.zip [1.7MB]
*Decompress the “F-Log_LUT２_E_Ver.1.01.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log2_DataSheet_E_Ver.1.0.pdf [120KB]

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