DPRTV Reviews Fujinon GF45-100mm F4 on Fujifilm GFX100

DPReview TV has published their Fujifilm GF 45-100mm F4 OIS review. Here is what they think about it:

  • basic general purpose everyday professional lens
  • it’s rugged and has OIS
  • it’s like a 35-80mm on full frame
  • Chris would like something wider
  • for landscape he prefers the GF32-64mm
  • the 35-80mm full frame rage however gets into portraiture territory, too
  • but overall there is a lot of crossover between the GF32-64mm and the GF45-100
  • what Fujifilm needs to release is something that goes from 20 to 35mm in full frame terms
    [NOTE: FujiRumors leaked an old internal GF lens roadmap, and it showed a GF 20-36mm F3.5-4.5, which would be a 16-30 in full frame]
  • at 100mm he can handhold shots at about 1/30 of a second and still get very good and usable resolution. That’s very impressive
  • build quality feels excellent. Well build high quality lens. The weight is acceptable
  • excellent in containing chromatic aberration. No real chromatic aberration even in high contrast scenes
  • great job in controlling flair issue
  • optically a fantastic lens
  • sunstars are OK, but not great. But that’s classic for zooms
  • bokeh exhibits a little bit of onion rings, maybe a bit harder on the edges of the bokeh balls. Not as much cats eye in the corners wide open as he would have thought he’d get, and completely goes away if stopped down a bit
  • he shot handheld with the Fujifilm GFX100 IBIS, and he got very usable resutls at 1/15 of a second. So Chris is impressed
  • this lens would be awesome also for the Fujifilm GFX50R. It has OIS, and makes it a great walk around lens
  • has linear motor and focus incredibly fast paired with Fujifilm GFX100
  • easily delivers the sharpness you need even on 100 megapixel body
  • very consistent and high sharpness
  • in video, there is a fair amount of focus breathing. But besides breathing, it’s a nice lens for video
  • Chris says it’s still not the most versatile lens for him. He can’t rely just on this lens. He feels he has to take with him some other lens too, like the excellent 23mm prime lens or the 32-64 zoom
  • if you go with larger format zooms, this is a compromise you need to do. You can’t get same focal range easily like you get on a smaller sensor
  • depth of field equivalent of a f/3.2 on full frame. Gives you a lot of nice soft background
  • fantastic general purpose zoom

Fujinon GF 45-100mm f/4: BHphoto, AmazonUS, Adorama, Focuscamera
Fujinon GF 32-64mm f/4: BHphoto, Adorama, AmazonUS
Fujinon GF 23mm f/4: BHphoto, AmazonUS, Adorama
Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera

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Review of the Steelsring Nikon F to Fujifilm GFX Smart Autofocus Adapter

 

After a long wait, the Steelsring Nikon F to Fujifilm GFX Smart Autofocus Adapter started to be available towards the end of 2019.

You can find it here on AmazonUS.

No Dylan published his review, which you can see below. Here are the main points:

  • it’s not the cheapest adapter
  • allows you to autofocus with the more modern Nikon G and E type lenses
  • good build quality
  • mounting on GFX mount does not sound quite as smooth as mounting a GFX lens on the body or a Laowa lens. On the other side, the Nikon mount part feels good
  • ability to control aperture
  • you have an aperture ring on the adapter for G type lenses, and you can set it to AUTO for E type lenses
  • E type lenses with magnetic aperture can be controlled electronically via the GFX body
  • G type lenses are not really fully supported. Aperture control is purely mechanical and the adapter doesn’t actually know which position it is in. Aperture value is not send to the camera. The lens can only communicate to the body what its widest aperture is, but if you stop down, it is unable to tell you who much it stopped down
  • loose aperture ring
  • aperture stops are very close together, hence not easy to be accurate
  • autofocus speed depends a lot on the lens.
  • you will see wobbeling of the contast AF detect system
  • GFX100 phase detection system is not supported
  • You won’t get Nikon level focus speed, because the GFX system is not capable of that
  • if you accept an autofocus speed a bit slower than native GFX lenses, then it can work for you
  • there is more or less strong vignetting depending on the lens
  • wide open, sharpness is not quite as high as on Nikon cameras, as the Nikon lenses where not designed to resolve over such a large sensor. If you stop down, things get much better
  • for more sharpness better use GFX lenses

This is the summary of the video below. But Dylan posted an article about it also on fstoppers, that you can read here.

  • Steelsring NK-F/GFX smart autofocus adapter: AmazonUS / eBay

Fujifilm GFX 100: B&H Photo, AmazonUS, Adorama, Focuscamera

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Review of TTArtisan 11mm F2.8: a Fisheye for your Fujifilm X and GFX

Hi, I’m Nathan.

I’ve written here before. I’m a still life advertising and event photographer based in Japan. I do weddings, embassy powwows, corporate events, audiophile meet-ups, and shoot everything from jewellery to headphones. If you want to see, read, or listen to my opinions on lenses, cameras, and audio doo-dads, by all means hit me up at my blog: ohm image, and my YouTube channel: Fauxtaku Lounge.

Disclaimer: TT Artisans sent this lens to me for the purposes of review both here and at YouTube. I paid nothing for it. It goes for 255$ USD and can be found here. Many thanks TT Artisans for the opportunity.

The video portion of this review along with a different selection of photos and short videos can be seen in this video: TTArtisans 11mm f2.8 fisheye on Leica M10 Fujifilm X-T3 and GFX

Let’s clear the air: I’ve never before used a fisheye lens. In fact, so lost and daunted was I by the prospect of using one that time and time again I delayed publishing this review. Prior to it arriving I boned up on how to shoot a fisheye lens. Hints came from the general internet as well as from the comments section of Fauxtaku Lounge. I’m still not confident that the examples I shot really get the picture across, but I hope I’ve learned a thing or two and that this review will help someone. Thanks to everyone for the advice and help.

Whatever the limits of my abilities, the fun-factor of using a fisheye is unlimited. This bad boy covers 180º, with a bright 2,8 maximum aperture. Talk about fun. I’m sure loads of you out there know what it’s like to shoot fisheye lenses. Move a little and the entire frame changes. Sag a shoulder slightly and the horizon bolts down. Because it covers 180º and does the bulbous fisheye thing, you have to remember a few things:

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Viltrox 33mm f/1.4 Quick First Impressions and Comparison

Mattias Burling started its coverage about the Viltrox 33mm f/1.4.

He just shared his very first impression about the lens. Here they are:

  • all metal lens hood
  • pretty small but long. Would feel a bit long on something like an X-E camera
  • it can’t cover full frame, which is why size is contained (compared to the Viltrox 85mm f/1.8, which also fits on full frame cameras, hence the lens is bigger than it would be, if designed only for APS-C)
  • autofocus: it’s good. Single AF is quick and snappy. It’s much more quiet than the XF35mm f/1.4.
  • continuous AF seems to work well too. At least in bright conditions, which is where he tested it
  • aperture ring is step-less. He’d have preferred 1/3 stop clicks on aperture ring. It does not feel very smooth, unlike the focus ring, which is smooth like butter.
  • nice image quality. Fringing is under control but present. Vignetting behaves very well. Decently sharp at f/1.4 and of course much sharper when stopped down
  • it can easily catch haze when shooting strongly backlit subjects (also Viltrox 85mm f/1.8 behaves like that)

He then compares it to the Fujinon GF63mm f/2.8 mounted on the Fujifilm GFX 50R as well as to the cheap Canon 50mm. The Viltrox 33mm f/1.4 was the fastest focusing lens in the test.

The Viltrox 33mm f/1.4 AF is the second AF lens for Fujifilm X by Viltrox. Other two lenses, the Viltrox 23mm f/1.4 and Viltrox 56mm f/1.4 will follow later on.

We remind you that Tokina will also launch a 23mm/1.4, 33mm f/1.4 and 56mm f/1.4 lens in 2020, as we reported here. They look like re-branded Viltrox lenses. It will be interesting to see, though, if also the Tokina lenses will have a clickless aperture ring, too.

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Fujifilm GFX: Teardown, Full Spectrum Conversion, Why I Chose the GFX System, Leaving Sony FF for Fujifilm GFX & Much More

It’s time for a massive Fujifilm GFX roundup. There is really A LOT to see and read below. Have fun.

From Kolarivision, that disassembles the Fujifilm GFX and offers full spectrum conversion, to stories on why photographers pick the Fujifilm GFX system leaving Sony FF or other systems.

Ready? Then check it out all down below.

GFX Roundup

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