Fujifilm GFX 100 vs Salt Water Teardown: Weather Sealing Could be Better Around the Dials, but IBIS Unit Could Stabilize a Small Child

Fujifilm GFX100 Teardown

Lensrentals made a teardown of a water damaged Fujifilm GFX100 (it was used in an underwater housing for GFX100 and some water went in).

The main criticism:

The outside part of the camera could be better weather sealed. They write:

Did you notice all those weather resisting barriers and gaskets in the teardown? Yeah, me neither. I did notice some wide-open areas around the command dials you could shine a light through, and pour water in if water happened to be around.

That’s interesting, as Fujifilm managers clearly said that one tricky point to weather seal are the areas around the dials, which is why Fujifilm said here they removed some dials on the Fujifilm GFX100, so it’s better weather sealed. Looks like the dials, that remained, could need an additional sealing.

A $10,000 camera should be better weather sealed, period.

But other than that, the construction is top overall notch. Lensrentals writes:

A medium format camera has a big-ass shutter and shutter slap happens. Fuji has advertised a shock-absorbing shutter, but I hadn’t realized they mounted the entire shutter assembly on springs, it’s not mechanically attached to the body at all.

everything in here was as well supported and robust as you could ever hope. The IBIS unit looks like it could stabilize a small child, and certainly is strong enough to support this big sensor.

Make sure to read the full story and check out all images at lensrentals here.

The GFX Community

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Fujinon XF Lens Roundup: The Travel King, The Pancake Experience, Best Astrophotography Lenses and More

One of the privileges I have running FujiRumors, is that I get to (virtually) meet thousands of Fujifilm X shooters every year.

I get all sorts of questions, feedback, ideas, feature requests and more.

I really try to do my best to answer you all, and one of the things I really enjoy, is that I can give additional exposure to Fujifilm X and GFX shooters out there, by sharing roundups like this.

Sure, it’s a hell of a work, but I feel it’s a nice way I can give back something to the FujiRumors community, which is always so numerous and wonderfully active here.

The content to share is still massive, so I stepped a bit on the gas, and, in addition to the mixed zone I have shared recently, here is another dedicated Fujinon lens roundup… and more will come.

Fujinon Roundup

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Why I Love Fujifilm, My Professional Switch to Fujifilm, 5 Reason to Choose Fujifilm, Sell All Sony to go Fujifilm? and More – miXed Zone

This Saturday I have a mixed roundup for you, dedicated to switch stories, love declarations, letters to Fujifilm and more.

So, if you are having a rainy day like we have here in my home, and hence decided to stay at home, then you might enjoy spending a bit of your time checking out the content down below.

The Big Roundup

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Fujifilm X-T4 vs Sony A7R IV Comparison with Fujifilm Manager Warwick Williams

Josh from Georges compares two cameras the Fujifilm X-T4 and the Sony A7R IV to see what they are like for both stills and video.

The curious thing about this comparison, is that he is assisted by Warwick Williams from Fujifilm Australia.

The gear used, beyond the Fujifilm X-T4 (26 MP) and the Sony A7rIV (61 MP):

Of course, when zooming in a lot into the image, the 61 megapixel have an advantage in terms of resolution. But I guess if resolution is what you need, then why just be happy with 61 MP when you can get 102 megapixel with the Fujifilm GFX100 ;).

Then they compared the depth of field between the XF56mmF1.2 and the FE85mmF1.4 and the Sony blurs the background a bit more. Warwick says he should have used the XF56mmF1.2 APD version to get results even closer to the ones you get with the Sony 85mmF1.4.

Let me add a comment: get the upcoming Fujinon XF50mmF1.0 if you really want the ultimate background blur.

A bit more dynamic range for the Sony, but the APS-C sensor hold up very well.

APS-C systems are generally smaller and more affordable.

Georges ends up saying that after looking at the samples, there is a difference between FF and APS-C, but it is a lot smaller than he would have expected.

Warwick ends up saying that Fujifilm wants to keep the APS-C system smaller and lighter, and for that purpose APS-C is better as it allows for smaller lenses. He also speaks for X-Trans, which he says has advantages over Bayer (which FujiRumors explained here, but we also talked about disadvantages in the same post).

Warwick concludes that “smaller and lighter means you are going to use it also more“.

George ends up saying, it all comes down to personal preferences as each system as its Pros and Cons (which we highlighted in this article).

Nobody talks about the price difference ;).

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Bags for Your X: Lowepro Backpack MEGA DEAL of the DAY and DPReview Big Camera Backpack Comparison

BHphoto has a flash deal running on the Lowepro HighLine BP 400 AW 36L Backpack (save 69%). It expires in a few hours. You can get it here.

Speaking of bags, DPReview tested and compared the following camera backpacks.

The video can be seen below.

I don’t know you, but I kind of miss that they did not add the brilliant Mindshift Rotation Backpack to the comparison.