The NP-W126S Battery is Here to Stay… and the llano Dual NP-W126S Charger is Now up to 50% Off

At the time of this post you can save up to 50% on the llano NP-W126S Dual Battery charger at Amazon US.

The amount of rebate depends on which color you chose, with the biggest rebate being on the green color.

There is also a 20% rebate on the llano NP-W235 Dual Battery charger.

Now, I know that many would like to have the NP-W235 battery on every Fujifilm camera. But fact is: the NP-W126S battery is here to stay, because it allowes certain cameras to have the smallest size possible.

Fujifilm 5th generation cameras with NP-W126S battery

Fujifilm 5th generation cameras with NP-W235 battery

Fujifilm X-T30 III Performs a Miracle: FujiRumors Comment Section Turns Positive!

It looks like the brand new Fujifilm X-T30 III just did something I thought was almost impossible: it made people happy, even on the comments here on FujiRumors 😊

Because, let’s face it — over the last few months (or even years), there’s been a lot of critiques in the comments on FujiRumors every time Fujifilm launched something new (often I feel rightful critiques, but often I think also not).

In short: Fujifilm has faced its fair share of criticism with almost every recent release.

So, when the X-T30 III dropped, I braced myself before opening the comment section — expecting yet another wave of disappointment.

But much to my surprise… that didn’t happen.

In fact, the more I scrolled, the more positive reactions I found (with some negatives here and there).

Let’s quote a few:

OreganoSpliff: Well, I’m finding it hard to talk s**t given what you get for the money

Marcio K: xactly what I tought to be – the X-M5 in the X-T30 body. For the price, very interesting.

Stefan: £829 in the uk is super cheap. Just £30 more than the XT30ii was at launch

italianbreadman: This is the best thing they’ve done in years

If I were to judge only from the comments, I’d say Fujifilm did a lot of things right with the X-T30 III — mainly by holding the price around that magical 1K mark.

As I said before, the X-T30 III finally closes a huge gap in Fujifilm’s lineup — and it seems that most people appreciate exactly that.

Will it be a best-seller?
Only time will tell.
But honestly — it has all the potential to become a big hit.

I’ll leave you with a bunch of new hands-on reviews and podcasts below.

Leaked Fujinon XC 13-33mm F3.5-6.3 – Surprising Specs and the First XC Lens to Truly Tempt Me!

We can now share the main specs of the upcoming Fujinon XC 13-33mm F3.5-6.3 OIS.

And we are going to compare them to the XC 15-45mm F3.5-5.6.

There are a couple of nice surprises: the XC13-33mm is more compact, lighter, yet has a more sophisticated lens design (hence likely a better image quality). It comes with 9 rounded aperture blades instead of 7 (better bokeh?). It also has a more powerful optical image stabilization and a mechanical zoom instead of a powerzoom. I also like that the minimum focus distance is fixed at 20cm through the entire range.

That’s quite a nice set of improvements!

Below you can see the specs comparison.

I guess for many this could be an ideal ultra-portable kit zoom lens for many X-M5, X-E5 and X-T30III or X-T50 owners.

This is actually the first XC lens that has truly caught my interest and I can’t wait to finally see it unveiled on October 23 at 1AM New York time.

If the image quality is good, it could be an ultra compact alternative to my XF10-24mmF4.

I feel like Fujifilm has made lots of correct choices when it comes to developing the XC13-33mmF3.5-6.3.

Don’t forget: we will have a nice live blog only on FujiRumors.com ;).

But just out of curiosity, I will also share the estimated specs that Fujifilm itself mentioned in what some (erroneously) consider the hidden Fujifilm X mount lens roadmap:

  • Affordable Wide Zoom Lens – XC Lineup
    – Size 40-50mm
    – 60-70mm diameter
    – weight 130-170g

We can see that Fujifilm made the final lens even smaller and lighter than they initially estimated.

The Best Fujifilm Communities

XC 13-33mm F3.5-6.3 OIS

XC 15-45mm F3.5-5.6 OIS PZ

Size

Φ61.9mm x 37.5mm (Collapsed position)

Φ61.9mm x 55.6mm (Wide)

Φ61.9mm x 57.2mm (Telephoto)

Φ62.6mm x 44.2mm (Collapsed position)

Φ62.6mm x 65.2mm (Wide)

Φ62.6mm x 62.1mm (Telephoto)

Optical Design

10 Elements in 9 Groups
(4 aspherical, 3 ED elements)

10 Elements in 9 Groups
(3 aspherical, 2 ED elements)

Minimum Focus Distance

20cm – ∞ (Wide)

20cm – ∞ (Telephoto)

13cm – ∞ (Wide)

35cm – ∞ (Telephoto)

Zoom Mode

mechanical zoom

electornic powerzoom

Number of Apeture Blades

9

7

Weight

125g

135g

Filter Size

ø49mm

ø52mm

OIS

4 stops

3 stops

Fujifilm X-T30 III vs X-T30 II – Here are the Main Differences

According to our sources, the upcoming Fujifilm X-T30 III will have lots in common with the Fujifilm X-T30 II: same body, so much so that at a first glance one might not see any difference at all.

However, there is one exterior and one internal difference.

On the outside, instead of the drive dial, you’ll get the film simulation dial with the FS1 to FS3 position, in which you can also store your personal film simulation recipes.

On the inside, you’ll still find the trusted X-Trans IV 26MP sensor, but this time coupled with the new X Processor 5.

Of course this means a certain performance boost for the X-T30 III, such as 6K 4:2:2 10bit recording (X-T30II shoots 4K max), the better autofocus algorithm with all sorts of subject detection modes, more film simulations (all 20 currently available) and more.

I guess those are the main differences: not many, but relevant ones.

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VOTE: Fujifilm X-T30 III vs XC 13-33mm F3.5-6.3 – What Are You More Interested In?

→ My Vote: I am most interested in this

Very soon Fujifilm will announce the Fujifilm X-T30 III and the Fujinon XC13-33mmF3.5-6.3.

I was just curious which of the two announcements is more interesting to you (if any).

Hence, here is a little survey.

VOTE

I am more interested in the...

View Results

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RUMOR: New Firmware Might Finally Bring the Fujifilm Feature I’ve Been Begging For

Now, usually I’m not the kind of website that publishes unconfirmed rumors… or worse, makes them up just to drive traffic.

And while I’ll never start inventing rumors, I’ll make a small exception today when it comes to publishing an unconfirmed one.

Why?

Well, with a rumor accuracy close to 100%, I think I’ve earned the right to take a tiny risk once in a while.

Now, I really, really hope this rumor turns out to be true — it’s one of the features I’ve been vigorously requesting from Fujifilm for quite some time (see video above).

So, here’s the rumor:

According to an anonymous source, Fujifilm is working on a firmware update that will bring the wide panorama mode also to 40MP cameras!

Now, I truly hope this source is accurate — and not just playing with my feelings 😉.

But if it is true, then a huge thank you to the anonymous tipster! Sadly, I won’t be able to recognize you next time (no nickname given), but if you’re reading this, feel free to reach out again anytime you’ve got something exciting to share with the Fujifilm community.

Ricoh GR IV Monochrome Camera Development Announced

Ricoh GR Goes Monochrome

Back in 2024 I told you that Ricoh would announce the Ricoh GR IV monochrome in 2025.

The rumor was instantly declared a fake clickbait by the “rest of the internet” (as you pointed out). But it looks like it was not a fake – so huge thanks to our source for sharing, once again, accurate information with us.

In fact, Ricoh just announced the Ricoh GRIV monochrome development, with shipping possibly still in 2025, just as our sources told us.

Also the Ricoh GR IV HDF (high diffusion filter) has been announced, but unlike the Monochrome version, which is a first for the Ricoh GR series, the Ricoh GR HDF version already existed in previous iterations of this line.

Here on FujiRumors wer are very strong supporters of a monochrome Fujifilm camera.

I’m confident the new Ricoh GR IV Monochrome will be a huge success. It’s a pity that Fujifilm doesn’t seem to recognize the enormous potential a monochrome Fujifilm camera could have.

Press Releases

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Fujifilm X-T30III and XC13-33mmF3.5-6.3 Coming October 23 – Everything We Know So Far

Hey guys, just in case you forgot about it: soon the Fujifilm X-T30 III and Fujinon XC 13-33mm f/3.5-6.3 will be announced.

And we now have also the time (thanks to Fujifilm itself):

  • October 23 at 1AM New York Time
  • October 23 at 7AM Berlin Time

And since I never did it so far, here is a recap of all the rumor shared so far in the last few weeks and months.

Fujifilm X-T30III

Fujinon XC 13-33mm f/3.5-6.3

At the moment we have no further information. But stay tuned on FujiRumors in case there are further leaks.

Coming SUPER SOON

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A Forgotten Fujifilm Camera Shines on Netflix — and Teaches a Hard Lesson

A Moment of Glamour for a Forgotten Fujifilm Camera

Anyone remember this camera?

Nope?

In fact, even Fujifilm itself might have forgotten about this little beauty — so much so that it never got a successor.

That’s why we had to include it in our list of the Top 10 Fujifilm camera flops of all time:

But to be fair, it didn’t flop because it was a bad camera. Far from it. It was compact, stylish, and wonderfully portable, earning praise from many photographers for its looks and design.

What really doomed it was its overly complicated manual lens ring — that pull, twist, click dance nobody really wanted to perform every time they turned the camera on. Elegant design met awkward usability… and sadly, usability lost.

Did you guess the camera before I said it?

** CLICK HERE to Read the Rest of the Article **

About My Fujifilm X-E5, Therapy Sessions, and the Art of Letting Go!

Yes guys, I own the Fujifilm X-E5.

And many have already reached out to me asking why I haven’t reviewed it yet on FujiRumors or if I ever will share a review about it.

Well, I’ll tell you below why I don’t think it makes sense to review it.

But if you want my opinion, let me share the three main problems I encountered with the X-E5.

Problem 1.

I needed half a day to convince my Fujifilm X-E3 to let go of the XF27mmF2.8 R WR — her lifelong companion.

After a complex psychotherapy session (yes, we talked it through), I gently explained that sometimes we just have to let go and move on. Sometimes growth requires change. And if she truly loved the XF27mmF2.8, she’d set it free — let it explore new resolutions, new autofocus algorithms, new X-Trans relationships that would help it grow in ways she never could if always stuck on the X-E4

Problem 2.

The Fujifilm X-E5 looks so perfect — clean lines, flawless build, an aura of quiet confidence — I was honestly terrified to scratch it. It felt like holding a piece of art instead of a camera.

But then my X-E3 gave me a therapy session. She reminded me that the marks we carry are proof of a fully life lived. She said: “you can’t protect your X-E5 from scratches without also protecting yourself from the joy of using it“.

I knew my Fujifilm X-E3 stole that line from one of the best books I’ve ever read, Extremely Loud and Incredibly Close by Jonathan Safran Foer, in which Jonathan wrote “you cannot protect yourself from sadness without protecting yourself from happiness“. But I somehow forgot about it, and it is nice that my X-E3 reminded me of that.

Problem 3.

Problem 3 required a group therapy session with a secret Fujifilm community — a place where we meet only to discuss and cry about the nonsense things Fujifilm does.

You’ll find people there who still haven’t emotionally recovered from last year’s autofocus firmware fiasco (finally fixed after months of collective suffering). Others are still clinging to hope for an X-Pro4 or X80, wondering why on earth Fujifilm poured tons of R&D into “GFX Eterna” instead. Then there are those waiting since 65 months for their pre-ordered Fujifilm X100VI and even a special support circle for those permanently traumatized by years of using the old Fujifilm Camera Remote app. We’ve all endured our share of pain.

My personal breaking point? Discovering that my new favorite EVF display setting — the “Classic Display Mode” — had simply vanished. Gone. For hours I frantically searched menus, reset settings, questioned reality. Nothing.

Only through the combined wisdom of the Fujifilm group did we uncover the truth: if you enable “Semi-Transparent” in the “Surround View Mode”, the Classic Display Mode disappears.

Why? No idea.

Some things in life just defy logic… and this is one of them.

So Why No Review?

It makes no sense to review perfection. ;)

Or as a fellow Fujifilm brother wrote in his Amazon X-E5 review, it deserves six out of five stars. I couldn’t have said it better myself — that’s exactly my rating, too.

So I’ll leave the formal reviews to those who make a living dissecting specs and pixel-peeping at 300%.

Honestly, I haven’t even watched a single X-E5 review since I own it. I couldn’t care less. Whether people praise it or tear it apart doesn’t matter to me. I own it. I love it. And that’s my review.

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