Kodak Struggles — Should Fujifilm License Its Legendary Film Names?

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image by @fabiofrosio

Kodak is sending out mixed messages these days, first saying it isn’t sure it can survive further, then saying that they have a plan to make sure that they will continue to stay in the business.

Once the fiercest rival of Fujifilm, Kodak now serves as a stark reminder of how differently two giants handled the digital shift. Fujifilm reinvented itself and thrived. Kodak, sadly, struggles to survive.

I hope Kodak will find a way to survive, but if they were to close operations, then I think it would be wise from Fujifilm to license Kodak’s legendary film names and styles —Portra, Ektachrome, Tri-X— and add them to their arsenal of Film Simulations, before other brands do that.

SonyAlphaRumors for example is already pushing Sony to purchase them. Fujifilm should come first and not miss out on that opportunity.

What’s your take on this? Do you think it would be a good business move?

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The Fun Fujifilm X-E5 Exceeds Expectations — And Real-World Use Crushes EVF Complaints

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One of the huge critics to the Fujifilm X-E5 was the LCD screen that, at least on paper, did sound disappointing and made some people outrageously upset.

Well, that was at least until we found out that the on paper superior LCD screen of the Sony A7CR is actually worst than the on paper weaker screen of the Fujifilm X-E5, for the reasons we reported here.

Another spec on paper that triggered anger among the community was the EVF, which is the one of the Fujifilm X-T50 but many got mad about it not being bigger and having a higher resolution.

Well, that’s the same concern that Rumle Skafte had (first video below), as he wears glasses and uses the EVF 99% of the time, especially when he works in theater.

So, how did the EVF perform?

Not only he had no issue with it even wearing glasses, but he even loved some aspects of it, namely the new classic display mode (an instant favorite).

You can read the summary of his video and watch his creatively edited video below.

And there will be more reviews below.

X-E5 In Stock in at:

STOCK CHECK

Fujifilm X-E5 Reviews

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RAW FILE CONVERTER EX 3.0 adds Fujifilm GFX100RF Support and X-E5 Compatibility is “Under Preparation”

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RAW FILE CONVERTER EX 3.0 ver. Ver.8.1.18.0 – download here
The software update Ver.8.1.18.0 incorporates the following issue:

  • “RAW FILE CONVERTER EX 3.0 powered by SILKYPIX” becomes compatible with the new GFX100RF camera

NEWS: RAW FILE CONVERTER EX3.0″ compatible with FUJIFILM X-E5 is under preparation.

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List of Fujifilm Instax Gear Price Increase Effective August 30

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We told you which Fujifilm X and GFX gear will get a price increase on August 30. You can check out the full list here.

But also Instax gear will get a price jump in USA due to tariffs. Here is the list with the new price:

INSTAX NEW PRICE STARTING AUGUST 30

Fujifilm X/GFX NEW PRICE STARTING AUGUST 30

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Fujifilm CEO FY2025 Q&A: “We Have Several New Products in the Pipeline – X100VI and X half are Doing Very Well”

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Recently Fujifilm presented its Q1 results for the fiscal year 2025.

Now also the Q&A has been published at Fujifilm, and here is what Fujifilm CEO Teiichi Goto hat to say about the imaging division.

To give you a concrete example from the supply chain side, Imaging was the segment most affected by U.S. tariffs. We used to produce in China, but we also have manufacturing facilities in the Philippines and in Japan, plus we use some contract manufacturers in Southeast Asia. So, we reallocated production across those locations, basically shifted manufacturing away from China, and that was one of the key responses.

[…] Q1 was indeed a very strong quarter for us. The reasons include solid performance from the instax line, WIDE 400, WIDE Evo, and also Link 3, which we launched in the previous fiscal year, all performed well. In April, we launched the mini 41, which has a classic design, and that product also generated solid numbers.

As for digital cameras, the X100VI, an X100 series, and the half-frame X half model are both doing very well, with a significant backlog of orders building up. Demand continues to be strong. We still have several new products in the pipeline, and we expect the upward trend to continue.

Now, we know that Fujifilm is going to launch at least two more cameras in 2025, the Fujifilm GFX Eterna and the Fujifilm X-T30II successor. There will also be this new GF lens.

But keep in mind that the fiscal year in Japan ends March 31, so when the Fujifilm CEO talks about “several new products in the pipeline” for this fiscal year, he means everything that will be launched between now and March 31, 2026.

Could that include also the launch of the new 6th generation platform?

Well, recently, we analyzed Fujifilm’s sensor refresh cycle. If the company were to maintain the same pace as in the past, the 6th-generation platform would likely arrive around late 2025 or early 2026. Of course, this isn’t a rumor—just speculation based on Fujifilm’s historical timeline.

Whatever the CEO ment with “products in the pipeline“, he is definitely confident that those products will contribute to the “upward trend” Fujifilm is experiencing all over the world. Sure, maybe he means just new Instax cameras or maybe some other bold X half alike experiment. But from our humble point of view, we believe that a Fujifilm X-T6 or Fujifilm X-Pro4 would not hurt the positive trend either ;).

As far as the tariffs goes and their impact on the imaging division, the CEO has to say this:

Even if inflation in the U.S. leads to weaker demand or consumer hesitation, we believe there are still plenty of other markets globally where we can absorb that impact. We can shift focus to those areas, and if we do that well, we expect the strong performance to continue through the rest of the year.

This sounds like Fujifilm is willing to accept a sales decline in the U.S., while aiming to compensate for it by strengthening its market share in other regions.

via Fujifilm

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