Recently Fujifilm has released firmware updates for the Fujifilm X-T4 and Fujifilm X-S10 to add support for the Tascam CA-XLR2d-F XLR.
Now the Fuji Guys show you how to setup the TASCAM CA-XLR2d-F with your compatible Fujifilm camera.
Later on, also the Fujifilm GFX100S will get support for the TASCAM CA-XLR2d-F.
Fujifilm has patented the following lenses:
You know what I think about patents. 99,999% of them will remain forever on paper.
Back at the Fujifilm X Summit in September 2021, Fujifilm made several announcement which included a new G mount lens roadmap as well as a new X mount lens roadmap.
The X roadmap included the XF18-120mm, which FujiRumors was able to compare in size to other Fujinon XF lenses thanks to the technical sketch Fujifilm gave us during the X summit.
The only hint Fujifilm gave us about this lens, is that it will be “great for stills and video” and that it will come in 2022.
What Fujifilm did not tell us, was how fast Fujifilm would make this lens.
Well, that mystery has now been solved by our top trusted sources, who told us that it will be a Fujinon XF18-120mm f/4 lens.
Take a deep breath guys, as you are now entering a rollercoaster of rumors ;).
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In March we share a curial rumor: the Fujifilm X-H2 in its 26MP version won’t use the current 26MP sensor, but a new 26MP sensor.
So no surprise that this huge rumor made the top of the list.
But there is definitely much more you should not have missed in March. So here are the top 10 articles.
Hint: make sure to read FujiRumors in April and May… huge rumors on the way ;).
Did I already say that the next few weeks will be huge?
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For the April edition of the #10YearsOfXMount theme, Fujifilm wants to know which one is your favorite film simulation.
So, if you want to let Fujifilm know which one is yours, make sure to share an image on social media, tag it with #10YearsOfXMount and with a bit of luck your image will be featured all over Fuji’s social media channels.
What is my favorite?
Well, that’s a tough question, as it kind of depends on my mood and what I shoot.
Overall, if I’d have to pick one, I’d go for Astia as it has the best balance between vivid colors and nice skin tones. But I also love to use Classic Chrome, or Acros, Velvia, Nostalgic Negative, Provia… the more film simulations I have, the better.
And sometimes it happens that I fall in love with film simulations that I mostly ignored so far.
It was the case with the ProNeg film simulations, which I rarely used overall, at least until I photographed the wedding of my best friend. Out of the 129 images I delivered to him and his wife, the majority of them were in ProNeg Standard or ProNegHi. They just worked so nicely for all the indoor shots.
And that’s actually the point.
I mean, I didn’t use ProNeg a lot before. But having access in post to the film simulation profiles, was a game changer for my editing. It drastically reduced my editing time as all I did was to scroll over the various profiles in Capture One and I could quickly see which film simulation gave me the best colors for each photo. And in many cases, I just noticed that ProNeg was the winner for indoor low light images.
Fuji colors can be a blessing also for RAW shooters sometimes.
Long story short: I shoot mainly Astia, and you?
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Sieh dir diesen Beitrag auf Instagram an
It’s the first of the month which means a new #10YearsOfXMount theme!
This month, we want to know which is your favourite Fujifilm Film Simulation?
Let us know below and tag us in your images by using #10YearsOfXMount. We’ll be featuring some of our favourites on our feed. pic.twitter.com/aHnHUFhovw
— FUJIFILM UK & Ireland (@FujifilmUK) April 1, 2022
Fujifilm has purchased won 20 Red Dot Awards, including an award for a camera that won it already last year, the Fujifilm GFX100S. Isn’t that amazing?
In terms of photographic gear, the winners are:
My opinion (and some facts) about these joke awards here (I guess that’s why Fujifilm published the news on April 1st).
Down below the press release, the full list of winners and more details about each awarded product.
There is a lack of long and fast primes in the Fujinon world. A lack on the market, but not on paper, as Fujifilm has patented a few of them:
Now we have new additions in terms of patents, as Fujifilm patented:
Particularly the Fujinon XF400mm f/4 seems interesting to FujiRumors readers, as it won our huge telephoto primes survey.
99% of patents remain forever on paper. But it’s good to know Fujifilm keeps looking at long prime options.
Down below you can find the details on both lenses.
If you want to, you can check out our previous “long telephoto primes” related articles.
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Outside of technical stuff like image quality and autofocus, there are some cameras that just make you happy when you hold them. To celebrate great ergonomics, Chris Niccolls runs down his top five handling digital cameras of all time.
DPRTV ranking:
Of course these kind of rankings are extremely subjective. Let us know in the comments what your favorite Fujifilm camera is in terms of ergonomics.
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Fujifilm is going to increase prices by 20-60% on its film products starting April 1 as reported by Printkoubou0209 on Twitter.
The currently available Fujifilm film stock is:
Photons to Photos has published its Fujifilm X-T4 dynamic range measurement data.
The Fujifilm X-T4 basically performs identical to the X-T3. The Fujifilm X-Pro3 seems to be superior, but as Blill Claff from PTP explained to us:
The X-Pro3 appears to have improved PDR but it is an illusion.
It’s well known that Fuji implements the ISO setting in an unusual way.
In this case they have given ISO 320 to ISO 12800 an addition 1 stop boost.Fuji uses a proprietary Exif tag called “Raw Exposure Bias” to indicate how much they have shifted the raw data from “standard”.
Adjusted in Excel for Raw Exposure Bias we see that the X-Pro3 and X-T3 are essentially identical. (They shift to dual conversion gain at a slightly different point).
You can access the chart here.
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