Fujifilm Manager: “Full Frame? Users Want Choice, and We Chose APS-C and MF. Smaller IBIS Needed”

Fujifilm Manager Interview

Just yesterday DPReview published their Fujifilm CP+ interview, with lots of interesting topics to discuss. Make sure to check it out here (including the hundreds of comments).

Now the Thai youtube channel กล้องกล้วยกล้วย interviewed Fujifilm manager Mr. Makoto Oishi.

It’s a 49 minutes interview in Thai and constantly translated into English. Too cumbersome and no time? Don’t worry, it’s all summed up down below for you :)

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Fujifilm Managers Q&A: Canon is Wrong, Full Frame only 1/3 of Market, X-T3 sold 40% Better than X-T2, Fast Lenses for GFX and More

Fujifilm Managers Interview

Just yesterday we shared a CP+ interview with Fujifilm managers here. Today it’s already time for another one, this time with Toshihisa Iida (the manager who said Fujifilm will never go full frame) and Makoto Oishi.

It’s again an interesting one, that also becomes very technical when it comes to analyzing the autofocus system and lets imaging-resource conclude that Fujifilm’s PDAF technology is arguably the most advanced on the market.

Down below you can find the key points and some images of the interview. The complete one can be checked out at imaging-resource here.

Market Future & Canon Predictions

  • Fujifilm totally disagrees with Canon’s prediction, that ILC business is going to contract by half over the next two years
  • Market will depend on innovation that will come
  • Fujifilm believes there is room for further grow
  • Some markets will decline, but other markets have still potential to grow (Asian market)

Full Frame

  • Customers should have different options
  • Currently full frame has 1/3 of the market by value
  • 2/3 of market is predominantly APS-C, Micro Four Thirds, and some medium-format
  • other manufacturers focus on full frame, this might open opportunities for Fujifilm as long as they keep up innovating APS-C and MF
  • mainly X-T3 and GFX 50R helped Fujifilm to grow by 10% total volume growth
  • APS-C vs FF is not just about sensor size, but also the lens size, lens weight, overall cost, or the speed, the 4K movies
  • people judge the system more on the overall package

Fujifilm X-T3 vs X-H line

  • sold better than expected
  • Fujifilm X-T3 sold 40% better than X-T2 if you compare to same period since launch
  • X-T3 and X-H1 have cannibalized each other
  • with the new lower X-H1 price tag, X-T3 and X-H1 sit nicely next to each other
  • H-series and T-series will coexist for the future, but we need to clearly differentiate the lineup without confusing customers

Lenses

  • XF200mmF2 is not only for sports, but also for portraits for very creamy bokeh and concerts for example

GFX System

  • Fujifilm GFX 50R sales are above expectation and factory is very busy
  • Fujifilm GFX 100 design is almost final, very early firmware, and IBIS still does not work
  • GFX 100 megapixel autofocus: same sensor structure as the X-T3
  • GFX 100 has almost zero competition, because FF is only at 50MP and other medium format cameras are very expensive
  • Fujifilm thinks at multi-shot high-res shooting mode for GFX100, but has not decided yet
  • designing IBIS is a real challenge for big MF sensor
  • Fujifilm has no idea about how many stops IBIS they will achieve [FujiRumors leaked internal press sheets that show they aim at 5 stops]
  • Fujifilm is still improving image quality via firmware
  • GFX100 launch in first half 2019 for around $10,000
  • Fujifilm GFX 50S most popular lens is the GF 32-64mmF4
  • Fujifilm GFX 50R most popular lens is the GF 45mmF2.8
  • GFX 50S owners have more lenses than GFX 50R owners
  • GFX owners complaint about the lack of more fast lenses for the system and Fujifilm is taking into consideration their feedback
  • Fujifilm listens to customers and tries to make their wishes happen, but sometimes their wishes become reality is very difficult and challenging
  • As bright as possible, as small as possible, as affordable as possible…
  • same team works on GFX and X. One R&D budget and depending on needs they are flexible to shift their focus

Autofocus

  • X-T30 has improved algorithm which will come to X-T3
  • CMOS sensor is always reading by lines. So it isn’t very suitable for horizontal phase-difference […] technically we can make a cross-type system but normally, subjects are more… and horizontally-arranged PDAF pixels support them better
  • Fujifilm could do vertical AF correlation, but hasn’t felt the need to do it
  • 8% of pixels are phase detection pixels (high density), good for low-light and high-frequency subjects
  • signal and phase pixel are read separately
  • we used to have like 60 regions within each AF point, but now 240
  • depending on the light level, the X-T3 can “bin” PDAF pixels together (basically just adding their contents) to get a better signal/noise ratio, and so be able to determine focus even in very dim lighting. Depending on how you do this, you’ll trade-off some ability to see the finest details, but it can really help in very low-light conditions

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Fujifilm Managers Interview: IBIS in Smaller X-T Body is Necessary, XF Video Lenses, Why No Full Frame, XF 33mm f/1.0 and More

Fujifilm Managers Interview

The French site Phototrend interviewed Fujifilm Managers Shinichiro Udono, Jun Watanabe and Takuya Noguchi at CP+ in Japan. Here are the key points of the interview. For the full interview check out phototrend (google translated).

Hybrid Market

  • hybrid market had already reached 48% of annual sales (in value)
  • in the second half of 2019, the hybrid market has already exceeded the 50% mark
  • the managers think in 2020 year it we will be around 55 or 60%
  • Fujifilm launched first hybrid in 2012
  • now Fuji has already has 31 XF lenses + 10 GF lenses (roadmap lenses included), so the Fuji system is well established in relation to new entrants, both in terms of lenses and a very wide range of products

Why many lenses close or same in focal length (for example XF35mmF1.4, XF35mmF2 and XF33mmF1.0)

  • we want to offer different options to photographers, not only in terms of focal length, but also according to the shooting style. That’s why we have many fixed focal lengths with different focal lengths and apertures. It’s our concept

XF Cine Lenses

  • when Fuji launched X-Pro1 seven years ago, focus was on still images, hence lenses for stills
  • Fujinon XF 16-55mm f/2.8 R LM WR and Fujinon XF 50-140mm f/2.8 R LM OIS WR zoom lenses are very good lenses for video
  • maybe in the future Fujifilm will offer XF zoom and prime lenses with a mechanism optimized for video shooting
  • The current Fujinon MKX lenses cover alreary most of the needs of professional videographers
  • Fujifilm thinks of making XF lenses with better video performance, and not more MK lenses

Fujifilm X-H2, IBIS in Fujifilm X-T3

  • with the XH series, Fujifilm targets professional users, while with the XT series they focus on enthusiasts
  • IBIS: Fuji does not want to compromise on image quality so they need a bigger package for now to get excellent image quality and image stabilization
  • IBIS is currently not possible in cameras of size of Fujifilm X-T3
  • But in the future, Fujifilm believes that it is necessary to offer IBIS technology on more compact cameras (X-T line).
  • Fuji X-H1 size is not only due to IBIS, but because Fujifilm wanted to create larger body with better grip and ergonomics for Pros. Even without IBIS, the X-H1 would have the same size/style

Full Frame Fujifilm?

  • we do not really know what’s in our customers’ heads (laughs). But in our case, we also have the GFX medium format camera system
  • we believe that the combination of medium format and APS-C is the best option
  • Canon, Nikon or Sony offer great full format products
  • Fujifilm had an internal discussion on the sensor format they had to use
  • they did a lot of simulations with engineers. They decided not to go FF, because APS-C allows for a smaller system, also lenses are smaller and lighter
  • Fujifilm is a photography company and they really want customers to take more photos. If the camera is bigger and heavier, they will not necessarily want to take it all the time with them and we do not want that
  • we want our customers to take their camera everyday and enjoy photography. This is the concept of our APS-C system
  • but Fujifilm knows that some customers want a system with a higher resolution and a larger sensor. For them, we have a system with a larger sensor than the full format and it’s the GFX

Fujifilm X-T30

  • Fuji does not intend to stop X-T20 production. The X-T20 will be sold cheaper than the X-T30

Fujinon XF33mm f/1.0

  • the goal is to deliver a lens with the most beautiful bokeh effect
  • at f/1.0, the manual focus is very difficult and that’s why we made this lens with autofocus
  • we already had this idea in mind, but we needed the technology to integrate an autofocus system on such a bright lens

Fujifilm GFX 100 Megapixel and GFX50R

  • the GFX100 will have much faster autofocus than current GFX50S and GFX50R
  • it will have IBIS
  • Our development team is working very hard on IBIS, because the sensor is much larger and it is very difficult to control the movements of the sensor
  • 4K 30p without cropping
  • GFX100 target are professional photographers, especially in the world of fashion, advertising and portraiture. But since this camera is faster, we may be able to extend the audience
  • Fujifilm GFX 50R sales are bigger than expected. Many advanced amateur photographers are buying the GFX 50r, especially for landscape or street photography

Modular GFX (Report & Images & Videos Here)

  • The modular GFX body was of course only an idea, there was no technical research on how we could achieve this result
  • For the moment, we have no plan to develop a modular GFX. But once we have the right technology to produce this type of device, maybe we will consider that option
  • Fujifilm was surprised by the huge reaction there was about the modular GFX. Some customer misunderstood, and thought it’s an actual prototype and future product

Kaizen Firmware

  • software technologies evolve on a daily basis, and new features are developed
  • we are always looking for the benefit for the consumer, it’s our way of thinking
  • when a new feature is developed for latest sensor/processor, it is very hard to bring it to cameras with older sensor/processor. It requires much more complex work. It’s not impossible, but it depends on situatuin and development resources

Market Trend

  • SLR market, each year this market will shrink, by 10 to 20%
  • Fujifilm is in the hybrid market for 6 to 7 years, it’s a good thing more manufacturers are coming up with more products because it creates a strong message for the hybrid with customers

A few product images from the interview below.

 

Fujifilm GFX XG Concept vs Panasonic S1R, Sony a7iii, Nikon Z7, Canon EOS R Size Comparisons

Fujifilm GFX XG vs Panasonic S1R
Fujifilm GFX XG vs Panasonic S1R

Fujifilm GFX XG

Fujifilm has recently shown a couple of early Fujifilm GFX concepts. You can see them all here.

Amongst the others, there was the Fujifilm XG, an X-T styled Fujifilm GFX.

I was curious to compare its size to the one of current mirrorless full frame cameras, so I took the image shared by dpreivew, threw it into camerasize, and manually made accurate size comparison with the Panasonic S1R, Sony a7iii, Nikon Z7, Canon EOS R as well as the Fujifilm GFX 50R.

Fujifilm obviously designed all the early concepts keeping in mind that they have to accomodate a rather big shutter mechanism. The arrival of the global shutter should allow Fujifilm to make the camera sensibly smaller.

  • Size Comparison – Fujifilm GFX100 vs Sony A7III, Nikon D5, Canon 1DX, Canon EOS R, Nikon Z7, Nikon D850, Fuji GFX 50R

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Fujifilm X Summit: Recap of A Unique Event and One More Reason to Fall in Love with Fujifilm!

Fujifilm X Summit

What crazy days we had, triggered by the wonderful Fujifilm X Summit.

Fujifilm managers, engineers and designers explained their work, gave interesting insights and answered live questions of their customers.

Fujifilm even publicly asked us which lenses and firmware we would like next, letting us vote on various options (with overwhelming response by the FujiRumors community).

The X Summit shows, that the way Fujifilm interacts, listens and follows to customer needs, is more unique than rare, and it’s one more reason to fall in love with Fujifilm!

In case you missed it, make sure to check out our compact Fujifilm X Summit summary.

Fujifilm did an amazing job, customers answered in the best way possible, and for what it’s worth, I’ve also tried to honour the event by working restlessly and publishing 14 articles over the last weekend.

However, it seems that not everybody was able to keep track of it all, since I start to get emails from readers notifying me about news I have already published.

So I thought a quick recap could help:

Fun fact: at the X Summit Fujifilm said they will cooperate with Adobe for better X-Trans support, and four days later came this news:

  • click here – First Looks at ADOBE’s New Enhance Details Feature for Sharper Fujifilm X-Trans files
  • click here – ADOBE Improves Detail Rendering for FUJIFILM X-Trans RAW Files in Camera RAW 11.2

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Fujifilm GFX 100 Media Slides: 50% faster AF with Phase Detection at -2 EV @ F2, Why Only One Shooting Mode Dial Explained and More

Fujifilm GFX100

The Fujifilm GFX100 removed all dedicated dials except for one “Shooting Mode Dial“, which will allow you select between stills, multi or movie mode.

We had a huge debate about the Fuji GFX100 dial removal here on Fujirumors (includes a poll) and mostly people were not happy at all about it, because they feel that dials and retro-controls are part of the X series DNA.

Well, it seems that Fujifilm was not insensible to the mostly negative feedback that came from the FujiRumors community and they now felt the need to explain why they removed the dials. Check the “new shooting mode switch operation” section below.

I will add all the screenshots to all the media slides below, but I also write them all down here on FujiRumors, just in case you are watching this on a smartphone and you don’t want to open the slides and keep up zooming in and out to read them… we like to take care of our readers here on FujiRumors ;).

You will also find the hands on images by dpreview, who also said:

  • textured finish similar to that used on the GFX 50S
  • integrated grip provides more space for shutter mechanism and IBIS
  • about the size of Nikon D5 or Canon EOS-1DX II – comparison here
  • lacks the retro-style dials
  • large 3-position dial on the left is used to switch the camera between movie, stills and multiple exposure modes
  • ‘drive’ button at its center
  • large top screen won’t make miss the large shutter speed and ISO dials of its predecessor too badly
  • EVF clarity and resolution excellent. Free from the pixelation and noticeable lag which affected the finder of the 50S
  • viewfinder unit is removable, but when the GFX 50S finder is attached to the GFX 100, they won’t get the benefit of the greatly improved resolution of the newer EVF
  • all-new OLED ribbon display on the back, below the main LCD will serve to show the status of key camera settings
  • tilt and touch screen
  • While the main shutter dial has an on/off switch collar, the same control on the secondary shutter release serves to lock/unlock the button
  • Battery life: ~400 shots (CIPA) per single charge
  • dual SD-card slot
  • next-generation XQD/CFexpress media in the GFX 100 is being discussed for future products in the GFX lineup
  • microphone and headphone jacks, plus HDMI and USB, courtesy of a USB 3.0 Type C port
  • possible to charge the GFX 100 over USB
  • 4K/30, 10bit, 4:2:0 video internally and 10bit 4:2:2 externally via HDMI
  • GF 45mm F2.8 delivered plenty of sharp images at 1/20sec and a couple of acceptably sharp shots at shutter speeds as low as 1/6sec
  • GFX 100 could support sensor-shift features in future [already rumored on FujiRumors]
  • AF speed appears very good, and certainly greatly improved over the original GFX 50S
  • available on-time, in late spring or early summer.
  • price around $10,000

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GFX Zones

Media Slides

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Fujifilm Publicly Asks Which X and G Lenses to Make Next, Shows Video Demo of New Fujifilm X-T3 April Firmware, Modular Compact GFX Body and More – X Summit

Fujifilm X Summit

Fujifilm hold the first X summit at the GPP in Dubai, an event aimed to listen to customer feedback in the best Kaizen tradition and discuss about the Fujifilm future.

For example, Fujifilm asked people which X and GFX lenses they should make next and which firmware update should come next.

Sadly there was not much participation (hardly 50 comments), so let’s see what happens if I share the same polls here on FujiRumors, the only Fujifilm community that can collect several thousands of votes within a few hours ;).

You find Fujifilm’s future X and GF lens survey down below.

Big news: just as we rumored a few days ago, the Fujifilm X-T3 will get a major firmware update, centered on autofocus improvements. It will come in April. Fujifilm showed a video demo of the improvements, and it was fairly impressive. Better face and eye tracking.

Here is the entire 1 hour and 48 minutes video summed up in key points for you. You’re welcome :).

X and G Mount – starts 27:48

Why no Full Frame

  • All brands go to mirrorless, and to different mounts and sensor sizes
  • Medium Format makes it easier to design lenses for higher resolution. But also needs more power
  • Barney from DPReview says there is no perfect format. It depends on what the customers wants
  • Every format has Pros and Cons
  • Focus is APS-C size. Provides fast system and enough resolution
  • For higher resolution, go GFX
  • Fuji’s R&D challenge is to make APS-C quality better and GFX smaller

X mount

  • X-mount design: sensors are getting better and so sensitive, that they have to deliver light through the lens in a very precise way
  • More light, less digital correction
  • Value Angle: Long technical explanation. In short: the wider the value angle, the more precise and easier they can send light to the sensor
  • Fujifilm compares the value angle of X-mount to full frame, and they show that X-mount has much wider value angle (screenshot below)
  • Canon and Nikon full frame mirrorless have smaller value angle
  • The Value angle of Sony full frame is very narrow
  • Wider value angle gives more flexibility for lens design. Allows for more light and less digital correction

FUTURE CONCEPTS – starts 41:57

XF33mm f/1.0

  • XF35mmF1.4 vs XF33mmF1.0: the XF 33/1 needs to be twice as big, since it needs to let in and correct twice the light
  • XF33mmF1 has more than twice lens elements than the XF35/1.4
  • to correct aberration on the XF33mm f/1.0 you need around 7-10 glass front elements
  • the XF35mmF1.4 has only 7 elements overall
  • the backside of the XF33mm f/1.0 has about 8 to 10 glass elements
  • overall the XF33mm f/1.0 has more than twice the lens elements
  • the 7 to 10 glass elements on the front of the 33/1 weight about 200 gram
  • challange is to move heavy lens elements precisely during autofocus
  • Toshi was not satisfied with the size of the lens, but he understands the challenges of developing it. However, he invites engineers to make it still as small and light as possible

XF16mm f/2.8 and XF 16-80mm f/4 working protoypes

  • XF16mmf/2.8 announcement soon
  • XF16-80mmf/4 will follow. Launch later this year. Lens feels really light

Future X and GF lenses

  • Fujifilm asks people which lenses Fujifilm should develop next – FujiRumors added the polls down below
  • Tilt shift lens is very likely to come next for G mount system
  • Zack Arias agrees with FujiRumors and he does not want a 35/1.4 MK II because he does not want the 35/1.4 magic to go lost
  • development costs of new lenses are very high

FUTURE GFX CONCEPTS and GFX CAMERAS – starts 59:39

GFX Concepts

  • Mirrorless should be free from all legacy
  • Fujifilm shows design mock-ups of GFX
  • they show a very small cubic and modular GFX, where you can attach a grip unit and viewfinder unit. So you can build the GFX according to your style (full video here and original full video here)
  • the modular GFX is just a mockup, but Fujifilm hopes it won’t take long to create such a small device
  • Medium format size can be reduced a lot, but there are challenges, for example a smaller shutter unit and better battery efficiency
  • with global shutter Fujifilm can make it smaller

The clear message here is: don’t worry, we are going to make the GFX system a whole lot smaller. So invest into GFX, and we will deliver you also a super-compact body one day.

GFX 100

  • Fujifilm shows a working prototype of GFX100 and they take a sample on stage, including pixel peeping
  • at 100MP the benefits of medium format shine, because it’s easier to design lenses that resolve 100MP for MF than for full frame or APS-C
  • hand-holdable medium format camera thanks to IBIS
  • GFX100 will cost around $10,000, but final decision has not yet been made
  • Coming before June

COLORS and IMAGE QUALITY – starts 1:17:46

  • They explain their color science.
  • The steps are: signal, measure, calculate, tune, target color
  • there will be new film simulations and they asked people which should come next (FujiRumors has already expressed its opinion)

FIRMWARE – starts 1:27:25

  • 250+ total firmware updates made since the original X100 has been introduced
  • They show upcoming firmware of X-T3 with significant autofocus improvement. Better face detection, better tracking, better eye AF. Coming in April. Check it out in the video embedded above or on youtube at 1:28:35
  • Fujifilm also said they will give us the opportunity to switch between faces with the new firmware
  • survey about which firmware should come next
  • they official mention Kaizen as their philosophy

Q&A

  • Fujifilm is studying the rating system
  • Adobe X-Trans support: Adobe says that for them to get good results with X-Trans is difficult, it’s a lot of work. Fujifilm will support Adobe for better processing
  • People ask for complete Camera Remote App redesign
  • Fujifilm is working on improved camera remote app

There will be more X summits, and you can interact at slido here, and of course you will be the first to know, if you follow FujiRumors on Facebook, Instagram, RSS-feed and Twitter.

Which Fujinon XF Lens Should Fujifilm Make Next? - max. 2 selections

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Fujifilm GFX Modular Camera Concept Unveiled

Fujifilm just unveiled a Fujifilm GFX modular system concept (in Ricoh GXR/S10 style) at their Fujifilm X Summit here.

We thought it is worth to dedicate to this mock up an own article, so that you can discuss it properly.

The message Fujifilm is sending is clear: we are going to make medium format small!

The arrival of the global shutter will help, since the shutter design is one of the challanges Fujifilm faces to minimize medium format. Then there is the battery life efficiency as well as the heat dissipation and more.

Also, a modular system allows for flexibility. For example you will be able to chose your grip size and attach it to the camera. Full video of the prototype in here our GFX facebook group.

And guys… that modular GFX100 I rumored on April 1st last year… the idea for that “joke”… well, now you know it ;).

Full and detailed report in this article (includes video demo of future X-T3 autofocus improvement firmware)

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RUMOR, NEWS and COMMUNITY
Fujifilm GFX facebook group
Fujifilm GFX facebook page

 MORE MODULAR GFX IMAGES

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Fujifilm 2019 Camera and Lens Release Timeline (and a bit of 2020)

Fujifilm 2019 Timeline

It’s time to put some order in the myriad of rumors, and give you guys a timeline of the Fujifilm products that will come in 2019, as well as give a quick glance at 2020.

This is just an approximate timeline, that I will update as soon as I get new information.

January/April 2019

  • Fujifilm X-T30*
  • Fujinon XF16mm f/2.8 R WR*
  • Fujinon GF 100-200mm f/5.6 R LM OIS WR*

* based on our rumors

May/August 2019

  • Fujinon GFX100*
  • Fujinon XF16-80mm  f/4 R LM OIS WR**
  • Fujinon GF 50mm f/3.5 LM WR***

* based on our rumors
** our sources say XF 16-80 will not come in early 2019
*** just an educated guess by FujiRumors, but it could make sense to announce it along with Fujifilm GFX100

September/December 2019

  • Fujifilm X-Pro3*
  • Fujifilm X100F Successor*

* based on reports at techardar. I place them in the second half of 2019, because I do not think their release is imminent (if techradar is right about 2019 release)

Top Possible Bonus Gear in 2019/2020

  • Fujinon GF 80mm f/1.4 R LM WR*
  • Fujifilm X80**
  • older XF lenses refresh***

*based on rumor
** wishful thinking based on XF10 disappointment :)
*** no rumors. but please, FUJI, PLEASE!!!

Coming 2020

  • Fujifilm X-H2*
  • Fujinon XF33mm f/1.0 R LM WR**
  • Fujinon GF 45-100mm f/4 R LM OIS WR**

* our sources say it will not be released in 2019, hence must be sometimes in 2020, since I don’t think Fuji will wait until 2021
** based on official Fujifilm roadmap

Probably Not Coming in 2019/2020

  • Fujifilm X-E4

TOP DEALS

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FujiRumors 2018: Most Read Articles, My Most Used Gear, Top & Flop Blogger Moments and HAPPY NEW YEAR 2019!

? Are You Guys Crazy? ?

I don’t know where the heck you find the time to do all this, but here is what you guys did in 2018:

  • 53,889 comments on FR-articles (147 comments a day – average 53 comments on each article)
  • 327,831 votes in 86 polls
  • 698,112 hours spent on FujiRumors (all of you combined passed 80 hours a day on FR)

Your incredible participation explains very good, why Fujifilm reads us with greatest care, as proven multiple times such as here, here and here.

? Am I Crazy? ?

I feel so privileged to host such a wonderful community here on FujiRumors, that I’ve tried honour your fantastic participation by delivering you in 2018:

I gave my best in my communication to you also in 2018:

  • about 4,500 emails written [fujirumor@gmail.com]
  • well over 1,000 private messages written on Facebook and Twitter
  • 1,214 replied comments in FujiRumors articles

Phew!! :)

? The Impossible is Possible Thanks to… ?

FujiRumors is FujiRumors, only thanks to…

  • ALL SOURCES who helped me also this year with the rumors. Your support was once again incredible. Being a Fujifilm X shooter is so much more fun thanks to your help, and in a world with strong competition from SONY, CaNikon and Co, you help to keep the eyes of the internet world glued also on the Fujifilm X world
  • ALL READERS who decided to support FujiRumors by commenting the articles, by dropping me a link to interesting content, news, deals and by sharing our content on social media and forums. You make this community unique on the world-wide web.
  • ALL SUPPORTERS who decided to purchase products using our affiliate links and who clicked on the banners on our website. I do put heart and soul into this blog, but without your support, I would have to close FujiRumors tomorrow morning.
  • ALL CONTRIBUTORS who decided to write a guest post for FujiRumors. You do enrich the FR-experience with your great content
  • ALL PEOPLE AT FUJIFILM who worked hard to keep up designing, developing and crafting wonderful cameras and lenses and for covering us also in 2018 with Kaizen love

? Top Blogger Moment 2018 ?

The moment I realized, that the new XF lens roadmap disclosed by Fujifilm Japan featured exactly the top prime and top zoom lens we wanted back in February 2017. We explained how we influenced Fujifilm Japan in this article.

Now, I keep my feet well set on the ground, and I know we can’t always influence Fujifilm’s decisions. But the fact that in this case Fujifilm “copied” our Fujinon XF lens wish list and made it become reality, filled my heart with joy.

It’s a recognition that Fujifilm listens closely to what the lively FujiRumors community says and wants. So, dear readers, thanks for your immense participation, it means everything to me, and it makes everything possible :).

Runner Up: My photokina 2018 visit. It was once again super busy, but fantastic.

? Flop Blogger Moment 2018 ?

The moment I realized that Fujifilm would have made several announcements during my European road trip with my grilfriend in July (some images on my Instagram).

So it happens that I was on the road through France and Italy, trying to figure out the exact announcement dates, changing my travel schedule and hostel bookings, cancelling some day trips and so forth.

But that’s how it is. FujiRumors is a one man show. If I don’t write on it, nothing happens here.

At least the July announcements were hot! A new lens roadmap, new lenses, new cameras. So the blogging itself was exciting for me.

And regarding my girlfriend, well, a few romantic dinners later on fixed everything ;).

 ? Most Read on FujiRumors ?

Most Read Article

Most Read Category

Most Read Non Rumor Article

Most Read Guest Post

Day with most Contacts

? Most Used Gear ?

Most used camera:

It’s game over for my lovely Fujifilm X-T1. I have maybe used it for 5% of my images since I own the Fujifilm X-E3.

I got an offer from a friend to buy my X-T1, but I am still hesitant to sell it.

My X-T1 followed me on my travels, snapped my all time favorite image, climbed the highest peaks and so much more, that I just still love it, and it’s hard for me to get rid of it.

Rationally speaking I should sell, emotionally I still can’t.

Most used zoom lens:

The Fujinon XF18-135. My copy is astonshing good. It’s the swiss army knife in my line-up. And the excellent OIS helps for low light handheld shots.

I rarely travel without my XF18-135. For example, this is one of my favorite images of 2018, and it’s taken with the XF18-135 during my road trip in France.

And since I own it, I basically never used my XF55-200 and rarely used my XF18-55, and at some point in 2019 I might sell them. The only zoom lens that I still use fairly enough to justify to keep it, is my Fujinon XF10-24.

Most used prime lens:

In late 2017, I bought the Fujinon XF27mmF2.8, probably the most underrated lens in Fuji’s line-up. At the beginning I used it all the time.

But at some point during 2018, my good old Fujinon XF 35mmF1.4 pretended its attentions, and ended up to be still my most used prime lens. That lens has some magic, I can’t explain. And that’s why it’s still my most use lens.

But I still use and love the XF27mmF2.8 quite a lot, and it’s in fact my Nr.2 prime, well ahead of my Nr.3 lens, the Fujinon XF23mm F1.4.

 ? Happy New Year 2019 ?

2019 is here…

Now you guys promise me to keep up having fun with your photography, and I promise you to put my best into FR also in 2019.

A wonderful, healthy and fun 2019 to everybody out there reading these lines.
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