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Earlier today Fujifilm dropped a bunch of firmware updates, some more substantial, some just bug fixes. You can see the full list here.
The biggest changes come for the Fujifilm GFX100S and Fujifilm GFX100, which get Blackmagic RAW support.
This required Fujifilm to update the Owner’s manuals for those two cameras.
But there are firmware updates also for Fujifilm X-T4, X-T3, X-H1, X-T30, X-E4, X-Pro3, X100V, Fujifilm GFX50S and Fujifilm GFX50R. Make sure to check out all the details and download the latest firmware at our dedicated article here.
And even though I am not into video with my Fujifilm GFX100S, I will update my camera anyway, because who knows what Fujifilm fixed with that “fix of minor bugs” phrase. Sometimes they fix major bugs actually.
Don’t ask me why they do it. It’s a great news if Fujifilm fixes a major bug. No need to hide it behind a generic “minor bug fix” phrase.
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Fujifilm has released firmware updates for lots of Fujifilm X and GFX series cameras. A highlight is definitely the Blackmagic RAW support for Fujifilm GFX100 and Fujifilm GFX100S.
Down below you’ll find all the details.
And now back to sleep for me, as I wrote this article at 3AM Italian Time. FujiRumors is always happy to serve you 24×7 ;).
It’s over.
According to reports at digitalcameraworld, the Fujifilm GFX50R is now discontinued.
As a huge Fujifilm X-E line lover, the Fujifilm GFX50R would have been my most natural step into Fujifilm medium format.
However, as I don’t switch from X-Trans APS-C to Full Frame because the difference is negligible (and with lots of advantages on the APS-C side, too), I also thought that sure, going from 26 to 50 MP is OK, but at this point I prefer to go all-in and grab a 100 megapixel medium format Fujifilm GFX100S.
If there was a Fujifilm GFX100R, I’d have grabbed that one. But it looks like all I can do is to hope that one day in the future Fujifilm will give us either a Fujifilm GFX100R or an X-T styled GFX100 (as shown in these official Fujifilm prototypes).
But don’t get me wrong.
A camera with a PSAM dial, a dedicated custom settings dial and top LCD is stupidly easy and fast to operate. The total opposite of the original GFX100, which is the only Fujifilm camera I’ve ever hold in my hands where I thought “WTF, need to grab that owners manual“.
But I can’t really fall in love with cameras that are stupidly easy to use, I prefer those who are FUN to operate. Like my X-E or X-T cameras.
So, my wish for the GFX future are a GFX100R and GFX100T. But so far, I have absolutely zero rumors about it. And for the records, I have also zero rumors about a Fujifilm GFX50RII.
In any case, if you are also attracted by the rangefinder styled medium format Fujifilm cameras, then better grab yours now, as who knows for how long we will find the Fujifilm GFX50R in stock now that it is discontinued.
Good bye, Fujifilm GFX50R. I was one of the very first people to touch you, back then, at the photokina 2018, where I even illegally smuggled into the fair one day ahead of its official launch to meet you. May your heritage continue to live in the GFX lineup.
Latest Gear:
Virtually all cameras of the Fujifilm X series are ISO-less (also known as ISO-invariant). This refers to cameras with sensors for which the ISO setting doesn’t matter in terms of image quality. Only the set aperture and exposure time (shutter speed) are decisive. It’s all about the actual amount of light that reaches the sensor. I have written about this before (German version, English version).
You can find out yourself to what extent the sensor in your camera is ISO-less. Here’s an example with a GFX 50S: I first shot a consistently lit test subject at f/13, 1/50 sec. and ISO 1600. The result was a correctly exposed image. I then shot the same subject again at aperture 13 and 1/50 sec., but this time I reset the ISO to ISO 100. This is the base ISO value of the GFX 50 series, i.e. its baseline sensitivity. Of course, the second image appears four stops darker. After all, it was taken at an ISO setting that was four stops lower than the first shot, with otherwise the same exposure. To make our second image (captured at ISO 100) appear as bright as the first, we need to boost it four stops in the RAW converter (in our case, that’s Adobe Lightroom). This we do by moving the converter’s exposure slider 4 EV to the right from its zero position.
The same subject shot twice with f/13 and 1/50 sec. – on the left with ISO 1600, on the right with ISO 100 and a subsequent brightening in the RAW converter by 4 EV.
Please click on the image for a larger version.
To better assess whether the GFX 50S used in this example really works ISO-less, let’s take a closer look at enlarged details of the two test shots:
