At that time, Nissin planed to release the Sony version in April, followed by Fujifilm & Co versions in the following months, but it seems there will be a delay.
In a press release of April 28, Nissin says that the launch of Sony version has been postponed to July “and the other models will gradually be released to the public in the following months.”
You can pre-order the Fujifilm version of the Nissin Air 10s at BHphoto, where it is currently still marked as available on Jul 18, 2017, but I guess this will change soon.
Product Highlights – More detailed product description and images at BHphoto
As many of us, also Pete loves the Fujifilm film simulations. And as some of us, also he likes it to fine tune the in camera film simulations settings to taste.
But as an avid reader of photography books and inspired by the work of great photographers of the past and present, Pete tried to adjust the film simulation settings in a way that they resemble the main characteristics of their images.
So Classic Chrome becomes “Chrome Eggleston“, Provia becomes “Provia Sternfeld“, Acros becomes “Acros Ellen Mark” or “Acros Moriyama” (depending on the settings) and so forth.
Pete writes:
“It may seem a little arrogant, invoking these names. Honestly, I don’t think I’m anywhere near their level.
But what it does provide is an idea as to what to shoot for. For example, it’s a rainy summer’s Saturday night in the city. I’m working a project on nightlife on the streets. I reckon Daido Moriyama has the right idea – inky blacks and clipped highlights. And I stick with that look, for the duration of the project.
These custom titles are little messages to myself, when I raise the camera and scroll through them, wondering… what if I shot the nightlife like John Bulmer shot gritty Northern industrial landscapes? What if I shoot the beauty of the Gower Coastline like Daido Moriyama shoots the city streets of Tokyo? It becomes an exciting question, one as equally valid as wondering what lens to screw on the front of the camera. “
So how exactly are his film simulation settings? And how do the images look like? To discover that, read “Film & Vision – Making Fuji-X Simulations Work For You” at petetakespictures.
Get inspired. Check out the photography books of the masters mentioned in Pete’s article at Amazon:
This second version of the WCL and TCL are optically identical to the first generation. What changes, though, is that inside the WCL and TCL ver.2, there is a little magnet, placed in different positions. These magnets allow the Fujiiflm X100F to automatically recognize if the WCL or TCL is attached, since they are designed to match one of to two magnets placed inside the 23mm lens of the X100F.
That’s handy :)
Now, if you already own the first generation WCL or TCL, you might not have to purchase the second version WCL or TCL, to enjoy this feature.
Another one Hacked it too, using the magnet that comes with the X100F box and a gaffertape. You can’t do it cheaper :)
DIY Fuji X100F Conversion Lens Fix (WCL + TCL) at Kyle Johnston youtube
The Fujifilm XF10-24 is one lens I always lusted after. I also almost bought it, but at the end went for the smaller and much cheaper Samyang 12mmF2.
Regarding the XF10-24, I remember how it was launched just a two months before Fuji’s first weather sealed camera, the Fujifilm X-T1. At that time, here on FujiRumors I already told you that a the WR X-T1 would come in January 2014. So, when Fujifilm decided to launch the XF10-24 in November, we all hoped it would be weather sealed… but it wasn’t.
Now, I know that there are tons of X-shooters out there enjoying this lens day after day. But if you are like Jim, and bring it out into some really tough conditions, then you might be interested to read to rest of the story :)
Why That Fujinon XF 8-16mm WR Can’t Come Soon Enough
Now, Jim is completely in love with the X-system. He loves the image quality, the form factor, the size, the usability, the dials… just everything. He says it “fits my style of photography”
But he also says that “photography is adventure” and that it is “completely unaccetable” that the only wide angle zoom lens in the Fuji system is not weather sealed.
In fact, after a while shooting in the very wet and humid waterfall envoriment, he couldn’t take pictures anymore, because “the lens gets wet and causes a lens communication error“. He says this is not the first time it happens to him. That’s why he owns two of these lenses and changes them, when one stops working. And once at home, he has to dry the lenses.
Jim apparently reads FujiRumors, since he knows about the XF 8-16mm F2.8 WR lens, which will come in early 2018 (I’ve shared the first rumor back in May 2016 (!) here). But he said he’s not sure he can wait that long for the XF 8-16. Hence, despite him loving Fujifilm’s image quality and usability, he is considering to switch to another brand.
At our immense future APS-C lens poll, with over 11,000+ voters, the XF 8-16mm F2.8 WR is the most wanted out of the 30 lenses in the voting-list.
Just a curiosity, on the way back, he uses a Beta version of an App, called “The Really Good Photo Spots“, which I think he’s developing right now. Based on your location, it shows you the best spots to photograph in your area.
Of course, Jim is using the XF 10-24 in an enviroment it is not planned to be used (rainy/wet conditions). But if he wants to get the shot he wants with a Fuji camera, then he currently has no other choice than to go with the XF10-24. The next widest weather sealed lens in the Fuji line-up is the XF 16mmF1.4…. and evidently not wide enough for certain landscape photography.
So, Jim might do well to switch, because Fujifilm currently does not offer the lens he needs the most… unless he is willing to dry his two XF 10-24 for a few more months, until the XF 8-16 will be out.
Or, maybe, just use a plastic bag around your lens in the meantime ;)
And What About You?
So what about you? Do you own the Fujinon XF 10-24mm F4 OIS? Did you have the same experience as Jim? Are you also waiting for the weather sealed XF 8-16mm F2.8 WR or are you just fine with the Fujinon XF 10-24?
Feel free to drop you thoughts and considerations in the comments :)
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