Today I decided to take a look at the refresh rate of the top/mid range Fujifilm cameras and tried to make a guess (NOT A RUMOR) about when the Fujifilm X-H2, Fujifilm X-Pro3, Fujifilm X-E4, Fujifilm X-T4, Fujifilm X-T30 and Fujifilm X200 (or X100V) can be expected.
Overall we can see how the Fujifilm X-E and X-Pro line are gravitating towards a 4 years refresh time, whereas X-T and X100 line are close to a 2 years refresh time.
WARNING
This is not based on rumors, and it’s not said that Fujifilm will always keep the same product refresh rate. Everything can change anytime.
All 2/3 sensor cameras are not included, since the won’t ever get any successor (not even 1 inch sensor cameras, no matter what old patents say)
X70/XF10: XF10 is not the X70 successor. It’s unclear if there will be a Fujifilm X80 at some point
X-A line has a high refresh rate, but the FR community is for the most part not interested in this camera line
GFX 50S, GFX 100S, GFX 50R: According to our rumors, the GFX 100 comes 2 years and 3 months after the GFX 50S. It’s unclear if the Fuji GFX 50R will also get a 2 year refresh rate or a 4 year refresh rate like its rangefinder brothers the X-Pro and X-E
One of the big questions I got recently was if the Fujifilm X-E5 will adopt the Fujifilm X-S20 solution (26MP + X Processor 5) or the X-T50 solution (40MP + X Processor 5).
And look, I know this is something I can’t get wrong, so I have waited to have mulitple confirmation from several trusted sources before sharing it.
Last week, Fujifilm UK launched significant rebates on nearly every 5th-generation X-Series camera—excluding the new X-M5 and the wildly popular X100VI. Now, the rest of Europe has followed suit, with similar discounts rolling out across the continent.
But keep in mind: rebates might vary by country, and even within the same market, prices can differ between retailers. The discounts listed here (in €) reflect current German store promotions, but your local deal might be slightly different.
And don’t forget to compare prices across multiple stores as there might be differences. For example:
ATTENTION 2: AmazonDE is not listed among the authorized reseller for these particular cashback deals. However, I will list AmazonDE below, because in some cases they have better or same prices. Please compare prices. Fotokoch, Fotoerhardt and Calumet are all eligable for cashback.
So we have 4 cameras coming for sure in 2025, which matches Fujifilm’s best years in terms of number of cameras released. And while we can always hope for a 5th camera, it is also possible that in terms of cameras, this is all we get. What is sure: the Fujifilm X-Pro4 will not come in 2025.
If you look at lenses, Fujifilm has pretty much consistently released 4 lenses a year. So far we know of one coming for sure, the Fujinon GF32-90mmF3.5, and one being rumored, the Fujinon XF23mm pancake. If Fujifilm were to match the previous years, then there could be still 2 more lenses coming in 2025.
At this point in time, I have no idea which additional lenses could come, but I hope that maybe sources will reach out to us and give us a hint of what’s to come. And if that happens (and if sources agree), I will share it will all of you here on FujiRumors.
Moreover, it is one of those cards that has no compromise in performance, meaning it unlocks the full potential of the Fujifilm X-H2 and X-H2S in terms of bursts shooting.
Fujifilm Equipment for Wildlife Imaging: An Evolving and Compelling Choice for Serious Photography
My photographic journey began many years ago with Fuji’s GX617 6x17cm panoramic and GSW690 6x9cm cameras, using ISO 50 medium format 120 Velvia film. I then moved on to Canon EOS equipment for several years. However, in 2016/17 I moved back to Fuji and have been using their equipment ever since the X-T1. You can find out more about me and my photography at www.marklucock.com
Up until recently my photographic life was very straightforward, I used Fuji gear for all my landscape photography of the natural and urban worlds, but fell back to my Canon equipment for wildlife photography. The Canon 300mm, 400mm and 100-400mm f/4.5-5.6L IS USM II lenses were my staple for birding.
Welcome swallow in flight; Fuji XF 150-600mm f/5.6-8 R LM OIS WR lens, XH2, 600/900mm, f/9.0, 1/2500sec, ISO 1250, pre-shot mode at 13 FPS
Photographic life for me and many others has now changed thanks to Fujifilm’s new repertoire of high-end telephoto optics, and I’m really grateful to Patrick at FujiRumors for inviting me to write this Guest Post on how Fujifilm has adapted its equipment portfolio to arm nature and wildlife photographers with some truly remarkable glass.
From the inception of the Fuji-X system, the company has succeeded in producing some really high-quality, industry leading lenses. The acid test is always how good large prints are and while Fuji-X is only APS-C format, prints can be astoundingly good and are as good as you are ever likely to need. Add to this that the X system is a small and light weight set up, unobtrusive, and unashamedly retro, and you have a winning combination. BUT, while this kind of set up is ideal for lifestyle (portraits, weddings etc), landscape, macro and certain other genres, it is quite a departure to use this system for bird photography, a genre that is associated with huge, ridiculously expensive, heavy white lenses. True, the Fujifilm XF 100-400mm f4.5-5.6 R LM OIS WR is a great lens for birding; however, it is also a big, fairly heavy lens, and 400mm (even on APS-C) can be limiting in terms of reach for smaller birds.
Superb fairy wren; Fuji XF 150-600mm f/5.6-8 R LM OIS WR lens, XH2, 600/900mm, f/8.0, 1/100 sec, ISO 500White-faced heron; Fuji XF 150-600mm f/5.6-8 R LM OIS WR lens, XH2, 600/900mm, f/8.0, 1/500 sec, ISO 500
Everything changed for Fujifilm users who have a passion for wildlife/bird photography with the release of the Fuji X-H2 and X-H2s bodies and the Fujifilm XF 150-600mm f/5.6-8 R LM OIS WR lens followed more recently by the remarkable Fujifilm XF 500mm f/5.6 LM OIS WR lens. These four items are “manna from heaven” for serious wildlife photographers. Suddenly, Fujifilm was offering a true, fully fledged professional system that takes seriously good images. Most importantly, the pre-shot mode and electronic shutter (40 FPS) made Birds in Flight (BIF) photography reasonably simple. My aim with this article is therefore to show how these four items are a game changer for bird photographers and therefore through being a compelling choice for serious wildlife/bird photography, are in themselves a game changer for Fujifilm itself. You can read my individual reviews on the Fujifilm XF 500mm f/5.6 LM OIS WR lens and Fujifilm XF 150-600mm f/5.6-8 R LM OIS WR lens on my website.
The 500mm lens clearly shows the exquisite detail on a red-browed finch; Fuji X-H2S, f/5.6, 1/500 sec, ISO 500, 500/750mmGreat cormorant portrait; Fuji X-H2S, f/5.6, 1/680 sec, ISO 500, 500/750mm
One of the main objectives of this article is to compare these two amazing Fujifilm optics- the XF 150-600mm f/5.6-8 R LM OIS WR and XF 500mm f/5.6 LM OIS WR lenses. I can imagine many people will be scratching their heads trying to decide which one they need for their particular type of photography. I have now been using both for several months and hope that I can offer some useful advice. I have already done a direct field and technical comparison of the XF 150-600mm f/5.6-8 R LM OIS WR lens with the Canon EF 100-400mm f/4.5-5.6L IS USM II lens for those that are interested, but I feel sure that the biggest appeal is likely to reside in a direct comparison of the two Fujifilm lenses.
Down below is the list for the UHS-II type memory cards validated by Fujifilm for the Fujifilm GFX100RF (as well as for GFX100II, GFX100SII, X-H2S and X-H2).
*1 Model name could be different depending on the market.
*2 Where xxxx is “JNJIP/GHJIN” in Japan, “ANCIN” in the U.S.A., “CNCIN” in Canada, “ZN4IN” in China, and “GN4IN” for Global.
