Zeiss deal at BHphoto here and Adorama here

IRIDIENT

– Brian released Iridient Developer 2.4.1 with a number of improvements and bug fixes. One Fujfilm specific bug fix was for the X100S when shot in 1:1 aspect ratio in-camera which resulted in Iridient Developer 2.4 using an incorrect crop origin when loading these RAF files with the default options. This issue may have effected other models too, but Brian only had reports of problems with the X100S. The full release notes for 2.4.1 can be viewed here. The new version can be downloaded here.

TRAVEL

Travel Lite, Travel Smart, Travel X at michaelmcqueen: “if your looking to travel some place in the distant future I can most definitely recommend you think about what you want out of your travels in terms in making images, do you need to pack lite? do you need that bulky DSLR? there are better solutions out there and I highly recommend the X.”

X-T1 or DSLR

– Is the Fuji X-T1 as good as my 5d3 / D800? at mikecroshaw: “I’ve seen some pretty outrageous claims from the pro DSLR crowd about how bad the Fuji autofocus is.  One guy claimed he could only shoot still life with the fuji, for everything else he needed his DSLR.  Well I’m sorry, but that guy just fails at using the XT-1.  Of course its not as fast as a pro DSLR..people expecting it to be are, frankly, deluded.  But unless you are a professional sports or wildlife photographer, or just suck at taking photos without machine gun speed autofocus, its fast enough.”

–  Can the Fuji X system replace my DSLR system? at gambofoto: “In most of the comparison shots I prefer the look of the Nikkor 85mm.  Possibly because of the extra focal length.  Carrying the cameras around definitely goes to Fuji.  Handling- Fuji.  Enjoyment in use goes to Fuji.  Confidence while doing a paying job?  Well that depends.  I truly love the quietness and stealth of the Fuji cameras and had a lot of success in the last weddings I shot.  However the Nikon provides one of those intangibles by seeming to be faster in AF and thus more confidence inspiring.  Notice I say seemingly.  In the past I have experiences plenty of problems with AF and the Nikons.  And where I feel I miss shots with the Fuji, because of AF, I also get shots I don’t think I would gotten with the Nikons.  So I guess the answer to the original question is not clear cut, at least not for me.  With that said the rest of my Nikon kit will remain for the immediate future, but for how long?  It might not be clear in the above text, but I must say the [shoplink 21554]56mm[/shoplink] is one great lens.  It has been over a month now that I have had this lens and the longer I use it the more that I have come to appreciate it.  It just continues to surprise me how exactly sharp it is, even wide open.  Of all the fast lenses that I have owned, I will say that, this one is the best at wide open.”

– Fuji X-T1 and the ‘mirrorless inferiority complex’ at soundimageplus: “Yet again there are more recent posts about how people sold everything, bought a mirrorless camera and achieved photographic and personal nirvana, how the DSLR is dying, dead or really rather poorly and a heavily touted current Camera Store video that comes up with the staggering discovery that us idiots who don’t work as assistants in camera shops couldn’t possibly have discovered for ourselves, that mirrorless cameras have really quite fast AF. To me all this smacks of a ‘mirrorless inferiority complex‘.”

 Fujifilm X-T1
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– Fuji X-T1 for wedding photography at phildweddingphotography. There review includes a nice list with the Advantages of the X-T1 compared to a full frame DSLR and the Disadvantages of the X-T1 compared to a full frame DSLR.

“Over the next few years, with the right camera body, I think they can take a large part of the DSLR market. They have the viewfinder. They have the lenses. They have the sensor. They just need to concentrate on the list above and also speed of use for common actions like exposure changes (not a deal breaker for me, but it is for others).

For me, I’d happily pay an extra 20-30% on top of the price of the X-T1 to get everything I need and I suspect may pro photographers will feel the same, having been used to DSLR prices.”

– Fuji X-T1 vs Nikon Df: which is the best retro-style camera? at digitalcameraworld: “It may not be quite as versatile as the Nikon camera, but the Fuji X-T1 is capable of very high quality results. Modern features such as tilting touchscreen, the ability to shoot video, the electronic viewfinder and built-in Wi-Fi connectivity (for remote control and speedy image-sharing) make it a real winner. The Fuji X-T1 is the winner in our Nikon Df vs Fuji X-T1 comparison.”

– X-T1 does fashion at johncaz: “Overall, I was really impressed by the X-T1 and its ability to not only do what my Nikon’s had offered in the past, but actually offer me new ways of creating images. Placing the camera on the ground with face detection ON and the screen flipped out was such a treat, look at the image of Michalis doing pushups with granny walking past! That was wide open and face detection nailed him.”

– Fujifilm X-T1 – Does it make a good travel camera? at richardberryphotography: “So does it make a good travel camera? I definitely think it does! Especially for those wanting creative options and convenience through the use of zoom lenses. With the added bonus of weather sealing and the rugged magnesium alloy body you can’t really go wrong.”

– Fujifilm X: gestalt or bust at ohm-image: “What I appreciate about Fujifilm’s X series is cohesiveness. There isn’t another camera manufacturer in Japan that cares as much about operational design, about physical layout, or about culling specific users from the larger customer base. Their cameras polarise. That is how it should be.”

– Fujifilm X-T1 from my X-Pro1 – how does the upgrade hold up? at kwaibun: “Overall, the X-T1 is one of the best you can get for street photography and vast variety of serious usage. Fuji has done it right in just 2 years. The only direct rival will be Olympus OMD-EM1, which i found equally, if not more, attractive as well: primarily its unbeatable, close-to-DSLR snappy focus and responsiveness. its 5-axis IBIS which effectively allows you to use lower ISO, compensating the higher ISO noise and lower resolving power disadvantage of m43 sensor. (some reviews said it’s similar but I still quite convinced Fuji is better, and for sure better in terms of high ISO performance)”

– Fujifilm X-T1 Mirrorless Camera Review at digital-photography-school: “I can confidently state that a student with this camera system would probably find learning the basics a bit easier than with a standard digital SLR camera system if for no other reason than the live histogram available in the electronic viewfinder and the easy to access, logically laid out controls. Further, for the seasoned user, the X-T1 body and lenses make a great combination for producing high-quality professional results.”

– Fujifilm X-T1: Technology in a Headlong Rush at jjsemplephotography: “Fuji, among all the leading brands, seems to understand the customer very well. And that’s why I like the closed loop of camera bodies, lenses and accessories being made by the same company and sold at a reasonable price. Guess it comes with being an Apple devotee. In the meantime, I’ll go back to making myself a better artist, now that Fuji has given me some of the best tools available.”

– Trusting the Fuji X-T1’s Panoramic Mode at macleancomms: “The new X-T1 also has a panoramic mode which is on the drive selector, located on the top panel under the ISO dial (see top image).  I have tried this function on several occasions and I can report that this is a lot more user friendly than the function on the X-Pro1 and X100.  More importantly I haven’t had a misaligned shot yet and I have found myself trusting the system more and more.”

– photographymonthly: “The fact that the X-T1 looks as good as the pictures it takes is part of the attraction. It’s the perfect blend of new technology and old school charm. If the thought of giving up your beloved DSLR scares the pants off you, don’t worry, it does me too. But I’m seriously thinking of investing in an X-T1 to run alongside my professional Nikon gear. I’ve dipped my toe in the water with the X-Pro1 and I’m finding I’m using it more than I thought I would. The more time I spend with the X-T1, the more I’m convinced it’s the way forward.”

–  The Palouse – A Visual Journey with the Fuji X-Series – Part 2 at olafblog: “the Fuji X-T1 large viewfinder was such a joy to use. Being able to see the final composition, colours and exposure makes a huge difference. The days when I had to look at the back of the camera to check the photo are gone.”

– Fuji X-T1 Review: The Best X-Series Camera at ishootshows: “it’s simply fun to shoot with the X-T1. It’s well built without feeling like it’s made out of precious metal mined from space rocks. The camera does what you want, when you want it. It’s fast. The RAW files are gorgeous. The lenses in the X-Series lineup are the kind of glass that beg to be shot wide-open.”

– Fujifilm XT-1 review at danielbader: “Pound for pound, the X-T1 is one of the most enjoyable cameras I’ve ever used; whether it’s the most practical is another story, but I think it’s worth the price of entry.”

– Gianni Galassi: “I’d just like to inform you that the third chapter of my in-progress Fuji X-T1 review is online“. Read it here at giannigalassi.

– Is the Fuji XT-1 as good as my 5d3 / D800? at mikecroshaw: “kept my DSLR until I was sure I could rely on the fuji for all my work, and I think if you can afford it, this is the way to go.  It’s not a complete system or a DSLR killer..yet.  But for me, and for a lot of people, its now good enough to use without having a DSLR there as a backup.”

– Sigma DP2 V Fujifilm X-T1 at christianfletcher: “And to let you know, I paid for my X-T1 and I paid for my Sigma. Also I am no expert so don’t think this is a fair test of both cameras. I shot a toy dinosaur with both cameras, the focal lengths are slightly different but I tried to get everything else as similar as possible. I still think in this crude test the Sigma came out on top. Saying that you will not use it for lots of things you would use the Fuji. The Fuji loves low light, the DP2 Merrill is scared of the dark (so I have read, not tested that theory myself yet)”

– Fuji X-T1 in the hands of a woman and a Boudoir Photographer at fabyandcarlo: “I could honestly go on and on, but the moral of the story is that I have not touched a Canon camera since buying my new Fuji T-X1. I have not even looked at it. I have ditched Canon forever and I just know that I will never look back again. I Love love love my Fuji X-T1.”

– Review: Fuji XT-1 camera neilvn: “The images looked superb, even with my misgivings about over-sharpened JPGs and the aggressive noise reduction. Even though Fuji is known for excellent skin tones, I would still recommend shooting in RAW to be able to fine-tune the images.”

– AF-test at mirrorlessons: “A couple of weeks ago, The Camera Store released an interesting comparison video between the four MILC cameras that claim to have the fastest AF in the world. The Fujifilm X-T1 proved to be the least efficient of the four. Is it bad? Well, we actually found that the X-T1 is very capable. And if we analyse it a step further, the next models could be terrific regarding AF.”

– Toronto beach model shoot with Fujifilm X-T1 & SLR Magic 35mm T0.95 lens at kittle: “You should try to select lenses that compliment your personal style and help you create photos that you love.  I really value shallow depth of field above all so I’m super happy buying this hyperprime.  If you don’t need the speed and value sharpness above all else, Fuji’s 35mm f1.4 is likely a much better fit for you and is a lot cheaper, smaller and lighter as well.”

– Tip – Andrew Van Beek Reviews Fuji X-T1 at fundysoftware: “With all of the cons listed above one might get the impression that the X-T1 is not that great. Truthfully, there are people who don’t like it and have returned it. I’m on the opposite end of the scale where none of the quirks really bother me. If I had to pick one area that would be great to improve it would be everything to do with focus. This would include the focus speed as well as how to choose a focal point. That said, the X-T1 is currently my favorite camera of the over 30 that I have ever owned. Despite this, I don’t feel like I can get rid of my full-size DSLRs, so the X-T1 strongly complements rather than replaces my other cameras.”

– Jonas Jacobsson: “This time I have some great street photography from a very special event here in my hometown of Gothenburg, Sweden. The event is called “Andra Långdagen” and it’s just a melting pot with all kinds of people, all kinds of cultures and a everything in between coming together for one day of complete mayhem! It’s kind of hard to explain in words – it must be experienced! Or via my images of course! I rarely praise my own work – but this time I’m very happy with the results. Do have a look! (All photos taken with the X-T1 and the XF 35mm)” jonasjacobsson.

ZEISS TOUIT

The Zeiss 32 and 12, save $800, at BHphoto and Adorama.

– Zeiss Touit 12mm & 32mm First Impressions at street-photography-workshops: “I really enjoyed my time with the Zeiss Touit twins. Both exemplify outstanding image quality, high-quality build, great feel and excellent balance. The 12mm manages distortion astoundingly well–probably better than any super-wide lens I’ve ever used, and it’s very sharp wide open. The 32mm has a beautiful, almost classic rendering that tempted me greatly. But since I already owned the Fuji 35mm f/1.4, I didn’t buy it. But with the current deal on these lenses, they are a must-buy! Whether you own the Fuji X system or the Sony NEX/Alpha (E-Mount) system, you cannot go wrong.”

 Samyang 12mm
BHphoto

– Rokinon 12mm f/2.0 NCS CS Review at lonelyspeck: “Optically, the Rokinon 12mm f/2.0 NCS CS is very good.  It’s very sharp at almost all f/numbers, even sharper than the much more expensive Zeiss Touit 12mm f/2.8. I have no reservations recommending it to anyone looking for a nice sharp lens. For astrophotographers, its excellent coma performance, fast aperture and an ultra-wide field of view make it a prime tool for shooting the stars.” the reviwer mention an “astrophoto lens rating system”. Le link is this one.

– Samyang 12 mm f/2.0 NCS CS at lenstip: “The Samyang 12 mm f/2.0 NCS CS of course can’t be called a flawless lens; still you can forgive a lot a trailblazer. If you take into account its very sensible price you would be hard pressed not to recommend it. In fact I personally found the Samyang so good that, instead of sending it back to the distributor, I asked for the invoice and bought it. The lens will stay in my arsenal and I am going to use it for landscape photography and wide-field astrophotography. I don’t doubt it will perform very well. ”

 XF 56mm f/1.2
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–  Review: Fujifilm XF56mm vs XF18-55mm? at bigheadtaco: “The XF56mm F/1.2 prime lens is a beautiful lens for those who need this focal length and wants shallow depth of field for portraiture or subject isolation. I wish it had OIS (optical image stabilization), and a manual focus and DOF scale like other Fuji primes. Other than these two small complaints, the lens is perfect for what it is. If I had a studio and used the X-series cameras as my primary tool (the X-T1 has a built in PC terminal for studio fash triggering), I would definitely have the XF56mm in my arsenal of lenses. The XF18-55mm zoom is the do-it-all lens. It’s not specialized, but it can pull anything off with very good image quality. You won’t get the bokeh that you can get with a F/1.2 lens, but you do get OIS and also a compact and light package. I enjoyed my time with the XF56 and wouldn’t hesitate to shoot with it again. If you need a portrait lens with decent bokeh, this is the lens for you.”

XF 10-24
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 – First Impressions of the Fujinon XF10-24mm f4R OIS at macleancomms: “The price reflects the premium quality of this lens and at £849 it cannot be considered cheap but it is good value for money. By comparison Nikon’s two f4 wide angle zooms, the full frame 16-35mm and the crop frame 12-24mm, both have a street price at around the same level and, while the Nikkors are capable of producing top quality images, neither of these offer the same angle of view or build quality of the Fujinon.”

–  Review: Fujifilm 10-24mm f4 R OIS at arnyzona: “Likes:finally an ultra wide in the x-mount, the all-metal construction, Image quallity, no barrel distortion, no chromati abberations, no vignetting. Dislikes: Heavy, The max aperture isn’t the best for low light / night photography, Expensive, Flimsy plastic lens hood, 72mm filter threat (most wide angles use 77mm filters, but nothing a cheap adapter can’t fix)”

– Fujifilm XF 10-24mm f/4 R OIS Wide Angle X-Mount lens – First Impressions at photomadd: “this is yet another fantastic lens from Fujinon and when I can afford one I’ll be adding it to my collection.  It is certainly one that I can highly recommended to anyone wanting to fill that ultra-wide angle gap in the Fuji range, especially landscape and architectural photographers.”

– “I had a fifteen minute opportunity to capturing the castle during a family visit to the coast. I was only able to capture six images in total so I am considering these photos to be test shots given the extra struggling of capturing during the mid afternoon sun. Using the Fujifilm X-T1, the 10-24mm lens and the lee filter system I decided to try some long exposure photography.” Read more at flixelpix.

– Fujifilm XF 10-24mm f/4R OIS Zoom Review at mikemander: “The chromatic aberration is actually very minimal and for landscape photos, I rarely feel the need to correct for the slight bit of barrel distortion it shows at the wider focal lengths. I still feel it is a bit weak at the long end (over 21mm) and definitely recommend shooting with the amazingly good XF 23mm f/1.4, if you own one.”

– More X-T1 + 10-24mm samples at upperplayground.

X-E2
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– Brian: “We had a very pretty day in Chicago – sunny, 80 °Fs , and low humidity. I walked around for two hours with my gear (X-E2, 12 mm, 23 mm, and 50-230 mm glass) and snapped a bunch of photos. Here are my favorites.”

– Fuji X System Wedding Review at jessejamesphotography: “I have always shot weddings with a 2 body system. Im proud to say I haven’t taken 1 single photograph with my D600 this wedding season. The X series has completely replaced my need to use a DSLR as a 2nd body. And honestly, I enjoy the files out of the XE-2 more then what my Nikon D3s produces. When it comes to portraits I grab the Fuji and the XF56 lens now and leave the D3s in the bag. Just amazing!”

– The Fujifilm X-E2: a Landscape Photographer’s Perspective at michalography: “The X-E2 is a pretty good little camera, albeit with a number of annoying handling nags. I would be willing to forgive some of the handling problems if the image quality were up-to-par for my landscape work, but ultimately the X-trans sensor is unacceptable for me. Sadly, my landscape work has turned me into an obsessive pixel-peeper: I demand good detail from my RAW files, and the X-E2 doesn’t deliver in that regard.”

– 6 Months of Mirrorless Photography at lightwith: “Wrapping up here, I’d say I have no regrets ditching my big guns and moving to a mirrorless platform. After only six months I have such a sentimental attachment to my camera now I couldn’t imagine taking pictures without it. I simply love my X-E2 and the amazing images it gives me every time I use it. Even when I’m not shooting, I’m thinking about shooting and I can’t wait to pick up my camera and point it at somebody.”

 X100S
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  – Cactus V6 With Fuji X100s at jasonpitcher: “At the end of the day, these are probably my favourite triggers. My PW setup is good. Very good. But I’m keeping that dedicated to my Nikon system. PW of any type, on an X100s, are just radio triggers and these offer more flexibility. No TTL, of course, but to be honest, I don’t like TTL much anyway.  They are a bit cumbersome, I wish they were half the size for portability. If (when) I add an X-Pro 1 to my arsenal, these will suit perfectly – especially as the X-Pro 1 doesn’t have a built in flash to use as an optical trigger. I hate wires between the camera and flash, so these will add some interesting abilities to that system.”

–  Fujifilm X100s Review at roninphoto: “I’ve been more than pleased with my purchase of the X100s.  I would even go so far as to say this camera has changed the way I view photography and make images.  I’ve since spent time with the X-Pro1 and have purchased the X-T1 and a few fast primes.  My DSLR’s have been collecting a lot of dust as of late and it feels great not to be hauling around a boat load of gear!”

– First hands on experiences with a Fuji X100s at mattevansphotography: “overall this is a fantastic camera. Sure there’s a few niggly bits like the short battery life, soft images when shooting wide open and weird skin smoothing at high iso when shooting jpegs. But nothing that would seriously put me off this camera. All the important things are there, high iso performance, fast lens, image quality is excellent once stopped down beyond f4, the images are sharp and its a devilishly good looking camera.”

– Review of the Fujifilm x100s for Street Photography at erickimphotography: “The Fujifilm x100s is the ideal companion for street photography, travel, and just taking with you on a regular basis. In terms of the value, you can’t beat it in terms of bang-for-the-buck.”

– San Francisco and an Amateurs review of the Fujifilm x100s at folkloredesign.

– Review of the Fujifilm x100s and Tips for Street Photography of Eric Kim at youtube.

X-E1
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– Bradley Hampson: “Hi Patrick. I see lots of tests of our favourite gear, but I took it to an extreme last April. I was waiting for my X-T1 (in transit) and thought, heck, why not see what it takes to make my trusty X-E1 retire? I did not want to break it, I love it, but I wanted to really see its limits… Check it out, if you think it’s of interest feel free to share as you see fit. http://bradleyphoto.ca/projects.”

– Wonderful Copenhagen, part 2 at lightpriority: “The great thing about the Fuji system for travel photography is that it’s so compact and lightweight compared to even a small DSLR setup – crucially while still producing top notch results. It’s taken awhile for mirrorless cameras to reach this point, but now I know there’s no going back.”

X-PRO1
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– Two Years on a Bike With the Fuji X-Pro1 at theradavist: “It has been over two years since I switched over from Canon DSLR to the Fuji X-Pro1 and I haven’t looked back. I’ve traveled all over the world with this camera. I road from Paris to Lausanne with her slung around my back. I’ve shot photos for commercial clients and for publications. This little camera has more than met my expectations as a professional use camera.”

lenses

– Fuji XF35 f/1.4 and XF60 f/2.4 – A Street Photography Review . . . at streetphotographyblog: “The biggest and most unexpected revelation though was the XF35. Sure I was well aware of the superb image quality, but for me the speed with which focus could be achieved, the overall tactile feel and all round usefulness of the focal length, means this lens will be mounted more often than first imagined. Previously I had anticipated that the XF60 would account for 90% of my shooting. It now looks as though this figure could be more like 50-50.”

– Review: Fujifilm 60mm f2.4 Macro (X series) at thephoblographer: “Fujifilm’s 60mm f2.4 X series lens isn’t really a macro lens per se due to the fact that it doesn’t focus down to a 1:1 ratio; but it can surely focus closely. Besides checking out little things under the lens, you can turn it into a kick ass portrait lens when the right lighting is applied. Its sharpness isn’t spectacular, but it isn’t at all horrible either. Overall though, we’ve been more excited about other lenses from Fujifilm. And this one isn’t particularly making us drool as much.”

– Carlo Milani: “I want to share with our Fuji friends a portrait shooting taken with XT-1 and the 55-200“. See it at milani.info.

– Fujinon XF 23mm f/1.4: Great ‘Xpectations at betterphotography: “There is absolutely no doubt that the Fujinon 23mm f/1.4 is a stunning piece of optics. It does sound a little repetitive to say this—almost every Fuji XF lens we’ve tested has had us searching for new adjectives. But in a growing lineup of excellent lenses, the 23mm seems to be one of the very best.”

RAW-conversion

 – Michael:

“Hey… This in no rumor. You are talking a lot of iridient developer. This is a good raw converter, for sure. But you should give a look to apples aperture. This a also a very very good raw developer and storage solution for the fuji x-t1.

After the mess with adobe lightroom i am very happy and satisfied with aperture. The colors are very nice and natural, just with standard settings. i don’t have to adjust something, for making good pictures. sure, you CAN adjust anything you like, but you don’t have to. ;)

You have to do just one tiny step:

In Raw-Adjustment of the Camera you should adjust the controller “Details” from 0 to 50 to get that very sharp and crispy images, that the fuji x-t1 can deliver. save this setting as standard setting for that camera and you are good! You have to do it just one time.

I deleted lightroom from my hard drive after getting familiar with aperture. the workflow is fantastic! The pictures are also very natural and crisp, even without provia, velvia etc. settings. You don’t have to switch between your library and developing, as you have to in lightroom. that makes my workflow much easier. You have a good database, you can share to fotostream, flickr, Facebook and smugmug, you can even access and edit this online storages. Database is library based, so aperture creates a big library with original (Masters) and working copies of your pictures. nothing can be deleted or lost!

Maybe you can take a look at Aperture by Apple an recommend it to your readers… I am fascinated by that app!

The fuji x-t1 rocks!”

– A Look at Replichrome II from Totally Rad at thomasfitzgeraldphotography: “In my opinion VSCO gives a much stronger effect than Replicrome. In someways it’s probably more like what people are expecting, but I’ve always found the contrast a little much on it. I would often have to adjust the shadow and highlight levels. Which you prefer is kind of a subjective choice though and it depends on your tastes. Personally I do prefer the look of VSCO film, but then I’ve been using it a lot longer and that’s just my personal opinion anyway. You may prefer Replichrome’s more subtle approach.”

 switch to the X

– Fuji X series, how I got here! at smithographer: “The fuji’s are light and compact, have exceptional image quality, have extremely sharp lenses that are very well built, and are simple and easy to use free of gimmicky features. Most importantly though, I actually want to shoot again. The X-PRO1 actually brought back that feeling I had when I was studying photography. Its impossible to put into words what that feeling was but there is a certain excitement and sense of wonder. This was in the days of film mind you where you were not certain of your results, you didn’t have that instant feedback we have in the digital era.”

– Going mirror less – Switching to Fuji X at sftwins: “Wow. Big news. Still can’t believe that I actually did it. A few weeks ago I sold my entire Nikon DSLR equipment and have switched to the Fuji X system. After 20 years of being a loyal Nikon customer I finally decided to take a step into the future. Over the years, I had amassed a collection of lenses, flashes and small tools such as remotes, batteries etc.. Nikon had never let me down. As a matter of fact, I simply loved my Nikon D800. It is an amazing camera with probably the best possible image quality out there in the market. But it was time to move on and I am actually very happy that I switched to the Fuji x system. In this post I want to share a few thoughts about making such a drastic switch.”

tips

– Tips for street Photography at artphotofeature.

Do you have some favorite X-shots you’d like to share with other X-shooters? Then feel free to share them on the FR facebook wall here. The most liked ones will be featured in the next X-shooter facebook zone here on the Fujirumors blog.

enjoy your day,
facebook, google+, RSS-feed and twitter

THE END OF DSLR IS NEAR

– Over 2 months with the X-T1 at johncaz: “The end of the DSLR is near. The X-T1 is the first mirror less camera that can compete with a DSLR in most but not all situations. It’s so close though that pros around the globe are switching like never before. […] For me the X-T1 is a game changer (I and plenty of other pro photogs have already switched)  and I personally believe that it will go down in history as the camera that first rocked the boat – and if Nikon and Canon don’t answer soon, the next Fuji incarnation may actually sink both giants!”

– Mirrorless cameras and the war with DSLRs youtube video.

– Question via FR-facebook wall by Timothy Buerck: “Jumping ship to mirrorless. My question: Hi everyone. I’m leaving the dslr behind and moving to fuji. I’m currently looking at the fuji Xt1, xf 56 and an x100s. Any thoughts or suggestions would be great.Or should I replace the x100s with the xf 23 f1.4?”

–  A year with the Fuji X100S and no DSLR  at rifqisphoto: “My old camera was a tool that got the job done, the X100S is more of a photographic experience. I simply love it more every time I pick it up. In other words there are no regrets about getting this camera and it’s going to stay with me for quite some time to come.”

X-T1 vs X-E2 and X-E2 vs X-E1

– Two weeks on the Camino with Fuji’s X system at photocamino: “I make this comparison (X-T1 vs X-E2) under the conditions of walking the Camino with a full backpack and walking poles, in variable weather. This is a personal comparison, and anecdotal. If you want a technical studio comparison, then there are other sites you can visit for that info.”

– Fuji X-E1 vs Fuji X-E2 – Focus Speed + General Use at colinnichollsphotography: “Why not the X-T1? In short I’ve taken this somewhat smaller step to the X-E2 over the newer X-T1 for a few reasons, cost is a massive factor for me and I feel from what I’ve read that the X-E2’s focus sped and now [thanks to firmware] faster EVF puts it in the same level as the X-T1, I have no need for a tilt screen, weather sealing or a bigger viewfinder and as such just couldn’t justify the upgrade. Also a little thing but the shape is something that puts me off the change, I really like the rangefinder look and a few things online about spongy buttons on the XT-1 were enough to put me off. For now. […] If you want speed of focus and processing and are shooting things like weddings, sport, fast moving subject then get the upgrade for sure, you’ll find it much much better and more responsive.”

Fujifilm X-T1
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image courtesy: Jonas Jacobsson

– Jonas Jacobsson: “I have been out traveling with the X-T1 along with a the Fujinon lenses of 18-55, 35 and 55-200 mm lately and have put together an album from my latest trip.  The trip went from Zürich in Switzerland through the alps to Milano, Italy. The Exposure narrative that I put together was featured by Exposure themselves on their Travel-page as well as featured  on their Facebook-page and Instagram also. I visited some amazing places along the way and found the camera and equipment to perform incredibly well in all situations – from street to dramatic landscape it always responded positively. The trio of lenses that I mentioned was also a perfect “travel-combo”, covering almost all of the situations I found myself in. The feedback has been amazing from all corners and truly inspiring to hear/read. I think that the readers of your site and Fuji-community would appreciate the album and narrative. For the narrative that was featured on Exposure, please visit this link. If you “just” want the images, go directly to my website.”

– ‘Stuff’ to know about shooting weddings with a Fuji X Camera ~ Part 2 at the-owl: “For me, moving to a CSC has made me think more about my images, made me slow down but made me produce (I think) some of my more memorable images.  I moved away from DSLRs because they were affecting the way I wanted to shoot – not because they weren’t good enough.  In some cases, in extreme low light for the first dance it may even be right now that’s the thing to use, but the fact of the matter is using the small mirrorless systems (and I’ve nailed my flag to the Fuji post, but there are others too) allow me to be better.  Simple as that.”

– fotoland (website): “Hi Patrick, Yesterday, I have en assignment here in Holland. I use to schoot with my trusty Nikon D3S and 24-70 mm 2,8 lens. But this time I take also my Fuji X-T1 with kit lens as second body. But, meanwhile I decided to schoot only with Fuji and Nikon stayed in my photo bag as second body. It was not my intention, but Nikon, footbaal speaking stayed in my bag. I wanted to test Fuji X-T1 as pro camera, and I am not disappointed at all. I was delight to used this camera as pro camera. I am only worry about continuous AF because I don’t know how to manage properly this With picture kwaliteit I am very happy.”

– Subtle Revision to the Fuji X-T1 at admiringlight: “Having just obtained a second X-T1 with a 42A##### serial number, I can confirm that Fuji has indeed made a change to their manufacturing on the D-Pad from the early batches.  The X-T1 in my possession now features 4-way buttons that have a nice positive click to them.”

– Why the Fuji X-T1 is Now My Favorite Camera! at concreteshadows: “So, would I recommend this camera to people? You bet! It’s light, but weather sealed and there hasn’t been anything that it wouldn’t do for me. There is a lot more to explore on the camera, like consecutive shots, (8 fps) and the intervalometer but that’s for later. All I can say is if you’re thinking about getting into the mirror less world, get this camera. Buy prime lenses and definitely check out Voigtlander lenses for manual focusing. Excellent lenses at very excellent prices.”

– Is the Fuji X-T1 the sharpest APS-C camera out there? You be the judge: Image comparison tables posted at imaging-resource.

– Rob: “I have used the X-T1 for skiing: http://www.pbase.com/robk47/ski  High school basketball and old timers hockey. Last night I shot my first concert with it using primarily the 56 1.2. Three of those are attached. Again, I love it, but am slightly concerned about the back focus with the telephoto lenses. I am thinking that I am going to have to focus at the longest and pull back and recompose. The focus point is somewhat less than as accurate as I would hope. The primes seem fine, though. It could just be me, of course. Fuji posted on their Facebook page out of Japan some of the basketball stuff.”

– X-T1 Focusing performance at johncaz: “Overall, the focusing is excellent and in some cases surpasses anything I have ever used (sports and wildlife excluded). It’s unbeatable for people photography, very capable for action, though limited to 200mm, and offers some of the best manual focusing aids I have ever seen. Way to go Fuji!”

– Silent-Product-Update an der Fujifilm X-T1 at digitaler-augenblick (tranlsation): “The keys to the I are clearly the same as the were delivered even in the very first X-T1’s, but they now have a real pressure point and click when pressed. You get in the new series, I’ll call “the secret X-T1 V2,” a really noticeable tactile feedback when you press one of the 4-pad buttons, which are so arranged in a circle around the menu button.”

– X-T1 test at popphoto: “Minor gripes aside, the X-T1 is a wonderful camera to use and we don’t look forward to having to send our test camera back. But as consolation, there are always more cameras waiting to be tested.”

– Hiking with the Fujifilm X-T1 at ohm-image: “Thanks to the excellent focus aids in the X-T1, focusing wide-open adapted lenses is breeze. In fact, as long as the action isn’t too intense, it is faster and more accurate to use the X-T1 than it is to use the D800 and magnifying eyepiece. And because you are looking through an EVF rather than a reflective optical tunnel, you can shoot straight into the sun without hurting your eyes. I now shoot more sun-in-frame photographs than ever. […] For hobby hiking photography with manual lenses, my experience with the X-T1 has been a dream. It is easy to use, compact, and fast on its feet. It is more robust than the X-Pro1. […] The X-T1 is sexy to look at, and, for the most part, it is sexy to shoot. The complaints I have regarding EVF lag in low light may disappear as technology progresses. The flappy doors, and the slippy, sloppy, drive mode and metering dials should never have surfaced. My hope is that the next X-T camera will right all the hardware wrongs of the XT-1 while keeping the size, feel, and basic handling elements that make it an simple camera to operate.”

– A wedding with the X-T1 at tomleuntjensphotography: “When the house filled up with people Inge took refuge in the back room, not much elbow space there, the size & unobtrusiveness of the XT1 make this the perfect camera for these situations. The focus was only hunting a little bit when shooting the bride in backlight, but since make-up isn’t exactly fast-paced: manual focus came to the rescue. This is the first time for me with any camera ever that I actually use manual focus and have success with it. The focus peaking (introduced a while ago) and the new split image view are great tools to have.”

– Fuji X-T1: Gallery expanded with high ISO, long exposures and more at imaging-resource.

– Is the Fuji X-T1 a viable camera for music photographers? at musicphotographer: “I was sincerely shocked how good this camera behaved in the pit, way better than I thought, and apart the controls which maybe are not the best, I’m pretty confident to affirm that the Fuji X-T1 is definitely a viable option for a music photographer, and while someone can point out that the price tag for this camera is higher than entry-level DSLR, it’s also true that this camera has insanely good ISO performances for a cropped sensor, possibly the best performance you can find, and  if the weight and size of the camera is important, it’s definitely a good reason to choose this camera over a DSLR.”

– Markus Worsdorfer: “Hello Patrick, attached a link to some new images I shot with the X-T1 and 14,23 and 56mm lenses“. See them here.

– WiFi range on X-T1 – problem/solution by John Muehlhausen: “Well, I am disappointed with the X-T1 WiFi range.  I could not even use it to take a (telephoto) family photo with an iPad remote control in my hand!  The signal fade was just too great even at relatively close range.  This was in a rural environment, outdoors/line-of-sight. I started trying WiFi extenders, and my second try appears to work.  I am using the Linksys RE2000.  Upon initial startup I was able to access the web interface at 192.168.1.1 (and holding down the reset button on the unit should re-enable this if there is trouble).  From there, the only thing I did was switch to the wireless tab and select the X-T1 access point, which must be on and listening.  The unit reboots and thereafter should look for the camera WiFi. To confirm functionality, I left the camera pointed at a moving subject (my son :) ) and tried to take the iPad into the garage.  It only works with the extender! My suspicion is that my first try (Netgear WN2500RP) did not work because there is a layer of NAT/DHCP within the extender itself.  But maybe it will work and I just didn’t rub it the right way. Also, the external power coupler does NOT require the vertical hand grip as long as you can live with the battery hatch hanging open (which does make tripod mounting a challenge).  It seems a shame to spend $250 on the accessory if that is the only reason for it.”

– New Fuji X-T1 has arrived at canadianloon: “I have no regrets selling all my Nikon gear.   This kits is great!  I am definitely and Fuji X-shooter now.   More to come …..”

– A Boudoir shoot in The Hague with the Fuji X-T1 at richardhurstphotography: “Kit wise as you may be aware I have now fully transferred over to the Fuji X system from Canon so with me on the day I had the X-T1 along with the 14mm, 35mm and the 56mm lenses. I shot purely in black and white and all the images I’ve posted below are virtually SOOC with the utmost minimal editing. I wanted to keep Rosalinde’s natural beauty without the need for heavy skin softening which I think can look false when used incorrectly. The beauty of the Fuji system is that it produces such wonderful jpegs straight from camera that you really don’t need to do a lot to them.”

– Sony A7Regret and Fuji XT-1 Uncertainty at andygallacher: “whenever I am packing for another trip I go through the same dilemma – Fuji or Sony. It’s most definitely a first world problem but the fact that I lose sleep over which of these small and highly capable cameras to take with me is a testament to how much choice and quality mirrorless shooters have these days!”

– So where did I put that little X-T1 flash again? at aboutphotography-tomgrill: “The Flash accessory for the X-T1 does cannot be tilted back to bounce the light from a ceiling or wall. I rarely like using a direct light right off the camera so I devised a simple reflector to bounce the light from a ceiling or wall. Using tinfoil instead of a white card to serve as the reflector provides a bounce light with more intensity.”

– In the Pitlane at Imola: Another X-T1 Auto Focus (AF-C) Test at macleancomms: “On Sunday morning at Imola I had another opportunity to test the continuous AF function on the Fujifilm X-T1 […] using the Fujinon XF55-200mm lens […] While the Fuji did struggle when people cut across the frame, the focus zipping in and out (this is the same with ANY camera not just with the Fuji), once the focus was locked on a subject the AF worked very well and wasn’t distracted by people on the edge of the frame.”

– Fujifilm X-T1 vs. the Leica T at lavidaleica: “Fujifilm is one of the few companies in this market that truly understands (and listens to) what photographers want with the most mature system of the three – and offers the products at a very hard to beat price. Also, unlike the other two – nearly every review of every component is glowing. From the X-T1 body itself to the prime and zoom lenses. It’s no small wonder that the camera is such a hot item since its launch at the end of January. If you’re in the market for a CSC, M lens alternative or just a fun shooter… You owe it to yourself to give the Fujifilm X-T1 a serious look.”

– Markus Schwarze: “I’m a weddingphotographer from Hamburg/Germany. Since 1th Jan 2014 i shoot all my weddings with Fuji stuff. Its great. I Love the new X-T1 Cameras!! Here is my newset Wedding. Gear: 2 X-T1, 14, 18, 23, 35 and 56”

– All the grips for the X-T1 here at the Japanese site camera.itmedia.

– Horsing Around with the Fuji X-T1 at joshmcleodphotography: “Last week I was lucky enough to have the opportunity to photograph Justine and her beautiful horse Random Blue (with the Fuji X-T1)”

– Fujifilm X-T1: good enough to thrill the most jaded photographer at afr: “Of course the image quality is excellent, just like on all compact interchangeable lens cameras in this price range ($1650 for the body only), and the very fast prime lenses that Fujifilm makes (we tested it with a 55 millimetre f1.2 lens and a 23 millimetre f1.4 lens) allow you to take shots with very shallow focus, despite the less-than-full-frame image sensor.”

-The Palouse – A Visual Journey with the Fuji X-Series – Part 1 at olafblog: “For a few days Kasia and I woke up at 4:00 AM and drove around this visual paradise with the Fuji X-T1, Fuji X100S, XF 14mm F2.8, XF 55-200mm F3.5-4.8 OIS lenses. Here are a few images, mostly JPEGs (Velvia film simulation) straight from the camera (only minor contrast adjustments). We have also included some photos using the new Fuji film profiles in Lightroom 5. They are identical to what the X-series cameras produce, but offer some extra room for adjustment.”

image courtesy: olafblog

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TCL-X100
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– Closer: the TCL-X100 Conversion Lens at laroquephoto: “So, will I be purchasing the TCL-X100? Well, I can be pragmatic at times believe it or not (I know… It doesn’t happen very often). Considering a) the gear I’m currently working with (X-Pro1, X-T1 and the older X100) and b) the quality of the Fujinon 35mm f/1.4 (same 50mm equivalent), this teleconverter would be redundant. At least for the time being. That being said: with both converters now available, it’s hard not to make the case for an exclusively X100S-based kit: 28, 35 and 50mm are all classic reportage focal lengths. Combined with the appeal of the X100S as a street/documentary shooter and its crazy flash sync capabilities it’s certainly something to consider if you haven’t yet invested in the interchangeable lens lineup of the X-Series or don’t need anything wider or longer. If I was headed for a trip around the globe I could pack this insanely compact kit and roam my brains out without the slightest concern. Of course I’d feel the same way about carrying nothing but the X100S ;)”

– Fujifilm TCL-X100 Teleconverter for X100(S) Cameras at soundimageplus: “The above are 100% blow ups from unsharpened OOC jpgs. and as you can see it’s optically very good, even at f/2. It is in fact just like buying a ‘real’ lens. […] So another example of Fuji lens excellence and coming out with a product that is stylish, high-quality and (very) reasonably priced. Just further evidence that they really are turning into the classiest camera company out there.” For his real world shooting click here: “If I was shooting just for myself everything else would be going, but I take pictures to make a living as well. It is going to be hard however to forget just how good using the X100s and it’s three lenses felt. Is this THE ONE? It just might be.”

Zeiss Touit 50mm
Pre-order at Adorama and BHphoto

 – Zeiss Touit 50mm macro lens first impressions at photomadd: “Is it sharper / better than the XF 56mm? I have no idea!  The XF56mm is a fantastic lens, no doubt.  I’ve played with one, but I don’t have one so I have no way of doing a side-by-side.  What I can say is that the Touit is sharp from wide open at f/2.8 and more than sharp enough for anything I’ll use it for.”

– Review: Zeiss 50mm f2.8 Touit (Fujifilm X Mount) at thephoblographer: “Zeiss’s 50mm f2.8 Touit Macro lens is overall quite a great lens, but it is surely a lens that could have been better. While we don’t have much complaint about the image quality, we feel that if you’re using a Zeiss branded product that you’ll want only the best sharpness–and we don’t feel like we quite have that. When it comes to other aspects of image quality though, we have nary a complaint. It yields some of the best color rendition that we’ve seen for a mirrorless camera lens.”

Samyang 12mm
pre-order: Amazon / BHphoto

– Marcello Parini: “I’ve recently bought a brand new Samyang 12mm f/2 NCS CS for my Fuji X-E1. Here is a set on Flickr dedicated to this lens. Images are direct JPEGs straight from the camera! I’ve decided to to share it ’cause the lens is very new and I know a lot of people are looking for it. Regards from Italy.”

 XF 56mm f/1.2
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 – International Workers’ Day in Oslo, shot with the Fujinon 56mm f1.2 at kjetilkvienmadsen: “Finally got my back-ordered Fujinon 56mm f1.2 about a week ago. What a better way of testing this lens with some street portraits at the International Workers’ Day. I went f1,2 all day to see how the 56mm and X-T1 would hold up. Both with AF-C and AF-S depending on the circumstance. Compared to my DSLR and 85 f1,4 i think the success rate what quite high. I would guess 85% keepers.”

– 2 AM, FujiCreate and X-T1 at draigphotography: “The whole project was shot with my X-E2 and 35mm f/1.4 and 56mm f/1.2 lenses. What! I hear you exclaim, 56mm for documentary? A lens is a tool, no more no less. Yes different focal lengths have different characteristics but for the most part the choice of lens is a practical and personal one, not some decree etched in stone. Imagine it is not practical to stand in the middle of the street to frame a scene, or get so close to the subject that they have no question that you are taking their photograph and the ambiance surely changes. So, worry less about what tool and more the right/appropriate tool to create with.”

– Ben Anderson: “I recently purchased an X-T1 and am on the lookout for a portrait lens. With rumors of a full frame X camera in the future, I was a bit hesitant to commit $1,000 to the XF 56mm, which lead me to consider how any of the comparably priced 50mm M-mount glass would compare.  I couldn’t find much information online, so I spent a couple weekends with rented copies from lensrentals.com and the Fujifilm M-mount adapter.  I finally got a chance to post sample images and write up my thoughts here and here. Bottom line – only the 50mm Leica Summilux ASPH could even keep up! At 1/4 the price of the Leica the Fujifilm XF 56mm ties for sharpness, provides autofocus, an extra 6mm and a wider maximum aperture.  Fuji’s got a real winning formula here.”

– Streets of May with the 56mm at jonasraskphotography: “This lens is fantastic. Bokeh is so amazing. Focus is fast. And it works so damn well for Narrow DOF street photography. Enjoy.”

– Fujinon XF 56mm f/1.2 review at mirrorlessons: “Both logic and sentiment tell me that the XF 56mm f/1.2 is probably the best lens Fujifilm has ever released for the X system. The main reason for this is that it gives its best result at f/1.2, which is the primary reason you’d be interested in owning it.”

– Fujifilm XF56mm f1.2 Lens review at fstoppers: “The quality of image just left me pretty incredulous at times. If i didn’t have access to my Canon gear, I would not hesitate to shoot an event with this set up and a couple of other lenses. From one event for a client, I provided her with both images out of this lens and those shot with my Canon. The couple she posted to social media? Both shot with the 56mm Fuji.”

– Henry Smith: “I have just posted a review of the XF 56mm from the viewpoint of a landscape/street shooter. It can be found as always at Henrysmithscottage.com” From the article: “Longer lenses have a great advantage in this situation [street photography], as they allow you to frame scenes  from a longer distance than you would for instance with the classic street shooting 35mm focal length. This allows you to shoot more discreetly, and capture spontaneity.”

XF 10-24
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– Fujifilm is going WIDE; IN THE FIELD with XF 10-24 mm f/4 Fujinon lens at bjornmoerman: “What is noticeable, is how sharp the lens remains to the corners of the image. Clearly noticeable in this image of the Meydan bridge in Dubai below.”

– Poinsettia Fire – Carlsbad CA – X-T1 & 10-24mm at f-sunny: “All shots X-T1 and 10-24mm Lens – Velvia film profile.”

– XF 10-24 review (4 out of 5 stars) at thephoblographer: “As a solidified Fujifilm shooter with the recent acquisition of an X-Pro1, the 10-24mm f4 was a good lens to work with in that it forced me to get close. If given the choice, I’d have the 35mm f1.4 on all the time because of the stunning image quality and the 50mm field of view. The 10-24mm has pushed me to reconsider composition because a lot more can fit in the frame. It is, however, a heavy lens that will take up a decent amount of space in your bag, and it’ll weigh down on your neck.”

X-E2
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– Fuji X-E2 Test Norwich Castle at mgiddings-photography: “This was very much a hands on test just to see how the camera handled. I handles perfectly. With regards to auto-focus, it failed to focus once. I released the shutter button, pressed it again and it focussed instantly as it did throughout the hour and a half I was using it. That was it, the rest of the time it was instant and accurate. I thought trying to focus on the silver pot would cause a problem but again it focussed instantly.”

– [shoplink 23936 ebay]Leica T[/shoplink] (Type 701) versus Fujifilm X-E2: Modern Art vs Retro Cool at l-camera-forum.

– Sergio Tricanico: “I’m a photographer from Rome completely in love with the X system (just switched from a full Canon FF equipment to the X-100s and X-E2). I regularly follow fujirumors.com and I’d like to share my first editorial completely made with the X system. Here’s the link.”

– New York Trip with My Fuji X100s and X-E2 – Day 2 at theyellowbelt.

X100S
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 – Street Photography with the Fuji X100 at colinnichollsphotography: “I’ve been out recently on the streets of Cardiff with the aim to get some more street photography done with the Fuji X100, as I’ve mentioned before this has got to be one of the best cameras for street photography as the silent shutter, small size and retro look mean you don’t draw attention to yourself and can get very close to your subjects.”

– “the Fuji X100s is capable of turning it’s hand to whatever is asked of it. It is a fine, light and small camera for sunny days shooting landscape / location pictures for example and the W/A adapter came in very useful. I’m still waiting for the teleconverter to appear to give me my faux ’28mm’ 35mm’ ’50mm’ classic outfit. And when I do get my hands on one, I’m sure it will get used for all sorts of photography.” Read more at soundimageplus.

– Magical forest with the Fuji X100s at wimarys: “A disadvantage is that RAW converters are coded to the traditional 2×2 Bayer layout, and some internal processing needs to be rewritten for the more complex 6×6 pixel array. Capture One was one of the first to optimise their code for this type of sensor, and I used it for all image editing on this page.”

– Working on Layers: Manila Street Photography GoPro POV with the Fujifilm x100s at erickimphotography: “In this video I shot with the Fujifilm x100s and pre-focused my lens to around 5-10 meters (manual focus), shot at f/8, ISO 800, aperture-priority mode, optical viewfinder, and worked on trying to get more layers in the shot. The technique I used here was trying to get someone in the extreme foreground in the photo, and the subject in the background sharp. You can read more about this approach in my “Multiple Subjects” composition lesson.”

– Fuji x Nature x Tamsin at sandbox-photos: “This is what the Fuji X100s is made for and what i bought it for! I left my big DSLR at home when i left the house to wander around with my girlfriend. The light was cool and the location was unexpected and also cool (and of course, there was this beautiful lady with me ;-) ). Good thing there was this small, lightweight, really powerful and useful tool in my pocket. ALWAYS!” For his photos A short stay in Hamburg click here.

– The X100S at deansherwood: “I can honestly say, I love this camera. The operation is near perfect to me, the feel and look, again even nearer to perfect, and the image quality is Fuji, say no more :)”

– Capturing the Flow of Water with the X100s at henrysmithscottage.

– A tale of two churches with two cameras, the Olympus E-PM2 and Fuji X100S at atmtxphoto: “What’s a trip to Europe without shooting some of these wonderfully ornate structures. I had my [shoplink 14917]Olympus E-PM2[/shoplink] with a wide-angle lens for this purpose and luckily both places seemed fine with me using a tripod. I also shot my Fujifilm X100S but in a different way. I knew the 35mm equivalent lens on the X100S would not capture the entirely of the place. Rather, my purpose with that camera was to concentrate on details.”

– Fuji X100 for your London wedding, any wedding? Yes at the Goring Hotel at bigday-weddings.

X-E1
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 – Grzegorz Żuchowicz: “I’m happy X-E1 owner, i use this camera mainly for personal projects and as my travel camera.
It is quite common to say that X-system isn’t suitable for shooting sport events, I decided to check it by myself and I shot local amateur rally event almost entirely with X-E1, 18-55 and manual, old Minolta telephoto lens. I also used DSLR for few shots (10-12 from set below), but only because I filled up memory card in Fuji. Here are the results.”

– Voyage dans le Nord du Viet Nam at alhanoi.

image courtey: alhanoi

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X-PRO1
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 –  Complete wedding with the Fuji X Pro1 at adamrileyphotography: “I used the X Pro 1 at this wedding alongside my trusty Canon 5d Mark III, and I would say about a 3rd of the images handed to Lydia and Michael were shot with the X Pro 1, nearly all using the 35mm lens (approx 50mm equivalent).”

– Splitting the Slate: Exploring North Wales with the X-Pro1 at veritymilliganphotography.

– FREELENSING WITH FUJI X-PRO1 at pauliusmusteikisphoto: “So first of all I tried modified Olympus 42mm f/2.8 Zuiko lens on my DSLR. And it didn’t work. And I would assume it didn’t work because of large gap between handheld lens and the camera sensor. So then I picked up my Fuji X-Pro1. And that was it! I peaked through viewfinder and saw world turning into an awesome abyss of blur. And I was sold.”

– Back to the streets with the X-Pro1 at gaborimages: “What to do now, I had a few photo shoot coming up where I was going to use the X100s, but I had only 3 fully charged batteries left, so there goes my little friend back to the bag and I grabbed my old friend, the Fuji X-Pro1 with the 35mm lens. Uh, I missed this beast. And shame on me because of thinking of selling it and get a new X-T1 instead.”

– Sailing in Vietnam… with the X-PRO1 (14+35) and [shoplink 13349]Ricoh GR[/shoplink] at littlebigtravelingcamera: “I shot with my Fuji X Pro-1 all the time until I thought of my new Ricoh GR that I just bought before the trip.”

– Wales and the X Pro at suberashi.

X100
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– Nicholas Dunning (website): “I have been loving using the Fuji X100 for infrared photography while the sun has been out for the last few days! Such a pocket monster that camera. Maybe some of your readers will enjoy the photos.” See them here.

lenses (with phoblographer 55-200 review)

image courtesy: Avneet Mangat (wildplacesofindia.com)

– Avneet Mangat: “Hello Patrick, I would like to submit some real-world images for the readers of your real-world website.   I am sure readers will enjoy these exotic images and appreciate real world analysis of photography in the field. I went on short trip to India and I took along the Fuji X-E2 with 55-200 lens. All these images with a telephoto on a mirrorless camera illustrates that it is possible to use a telephoto lens on a mirrorless camera and get good results. The images were taken before Fuji released the v2 of the firmware.  All images were captured with Fuji XE2 with 55-200 lens. The RAW images were post-processed with Capture One.   My experience with Fuji X system is that it has a unique rendering to the images which is pleasingly soft, lower contrast and optimized for skin tones and early morning and late evening photography.  It is not good for mid-day and bright sky photographs – it is not suitable for the proverbial blue skies and white sands of a beach.  It is hard to get good color to the sky in mid-day. Please publish my short report with images if you like it.  Please include a link to my website if possible.” Check out his website here.

– Trouble in Paradise – the Fujifilm 14mm/2.8R and Lee Big Stopper produce(d) awful reflections at redcentphotography.

– XF23mm review at kenrockwell: “This is an extraordinary short normal lens. Its extreme sharpness and freedom from optical imperfection render it wonderful for any kind of photography. […] I’m very impressed. Fuji has created a set of real lenses for use by pro photographers for its mirrorless system, while other brands like Sony have little to nothing. Let’s be serious: with Sony when you use a $30 adapter to use an $8 lens on a $2,000 camera, you wind up with an $8 camera. With Fuji, you’ve already got a full system of brand-new pro grade lenses not available on any other brand mirrorless system.” He also tested the 55-200 here and the 10-24 here.

– 4out of 5 stars for the XF 55-200 at thephoblographer: “This lens produced great results, and while it is a little bulky, it’s worth the weight with what it can give you out of the camera. On the street, in the studio or at an event, you’ll find that this lens can give you what you’re looking for. Granted, we can only guess at what this lens would be like with a constant aperture, but we’ll have to wait and see if Fujifilm will engineer that.”

RAW-conversion

– Fuji X-E2 – Iridient Developer update at soundimageplus: “For Mac users there is a new update to the Fuji X-Trans sensor cameras raw processing in Iridient Developer Software which includes the in-camera film profiles. IR is an excellent converter and brings out the full sharpness of the Fuji X files. However, sometimes the colour can be a little ‘off’. Particularly with regard to blue skies giving a rendition that has too much cyan. These profiles correct that and mean less work in Photoshop for me.”

– Tom Grill: “Hi Patrick. As you know, Adobe recently released a new camera RAW with Fuji X profiles in it.  I just did a demo of RAW images from the X-T1 to show the results of each of the new Adobe Camera Raw Fuji X profiles. They are all hi res downloadable files.  Your readers might be interested in seeing them as a reference.” Read and see more at aboutphotography-tomgrill.

– Fuji Colour Profile and Sharpening Presets for Camera Raw at thomasfitzgeraldphotography: “Since I’ve previously posted my sharpening presets, and colour profile presets for Lightroom, I’ve had lots of requests to do the same for Camera Raw. Well, I’m happy to say that I’ve finally done it and they’re available now from the download below. I’ve combined the colour profile presets and the best of the sharpening presets into one download.”

– Fuji X-Tran RAW Processing Done Right at fstoplounge: “As you can see from the comparison above, the Fuji sensor is quite capable of resolving fine details on its own. Reports say that Adobe is working with Fujifilm on improving their RAW conversion process for Lightroom. Hopefully we will get to see improvements down the line at some point. Until then, Iridient Developer is a small lightweight application that fits nicely into my RAW processing workflow (I use Lightroom for cataloging, and ID for processing RAW’s). Give the trial a shot and let us know your findings.”

image courtesy: fstoplounge

a little bit of everything

– Weddings-with-Fuji. ‘Stuff’ to know about shooting weddings with a X100S and X-T1 at the-owl: “So for me, the thing about the Fuji X-Series in particular is that they do, quite simply, allow me to get images I would struggle to get with my old DSLRS.  Many shots throughout bridal prep are taken with the totally silent X100S.  You know, I’m a gruff, hairy, grumpy looking thing and it’s difficult to “blend in” at this stage of the day.”

– Aleksandar Dimitrov: “Hi Patrick, I’ve designed a small accessory called Panohood that allows photographers using the Fuji XF 18-55mm lens to take handheld panoramas. Panahood is intended to help with situation where a panoramic head is not available but is highly desirable such indoor wide-angle shooting. In case you’re interested see my work and share it on fujirumors, I’d be more than happy :) Link to the project on my website: http://ad-3d.com/panohood/. Hi-res images on flickr.”

– The Anatomy of a Photoshoot – Part 1 at f-sunny: “You see the published images, you like the look of the model, maybe the clothes, maybe even the location – you wonder how it was shot, what gear was used, how the shot was lit. Well, here’s the anatomy of a typical photoshoot, from concept to delivery.” For Part 2 click here.

– Se what billfortney (website) packs in his [shoplink 24614]Think Tank essentials back pack[/shoplink]: “Shot at the top of the page is my entire main Fuji system in a Think Tank Airport Essentials back pack, love that pack, and it holds all the “essentials” perfectly! So I know what I shoot, what I can carry,  (yes I don’t carry all this at once, I put it in the back of my FJ and then fill up a tiny [shoplink 14253]Think Tank Retrospective 5[/shoplink] shoulder bag, (for walking around)  If I need something else, I know where it is!  Affordability?  I have recycled a ton of gear purchased in the past that people still want, thus, money for the newest stuff!”

–  “Street” with my Fuji X Cameras at atommagadia: “I am not trading in my Canon, Mamiya or Sinar systems just yet. In my line of photography, each system has its advantages. I still prefer my Canons for rapid action and motion/cinematic-imaging jobs (high fashion, sports, wildlife) and my Mamiyas/Sinars for high-resolution commercial projects; but the Fuji X system has certainly added new dimensions to my work– street and travel photography.”

“Zack Arias spent three days in Marrakech, Morocco with the [shoplink 21553]FujiFilm X-T1[/shoplink] and shared a few tips and tricks on getting the best out of your camera for street photography. All still images are from the Fujifilm X-T1 using the following lenses: The new [shoplink 20414]XF 10-24[/shoplink], [shoplink 13829]27mm F2.8 Pancake lens[/shoplink], the [shoplink 16128]23mm F1.4 lens[/shoplink].”

So that’s the travel kit of Zack Arias: X-T1 + the 10-24mm, the 27mm and the 23mm. And what would be your choice? Keep up voting the poll.

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