The Big Availability Check for Fujifilm GFX100S, GF80mmF1.7, X-E4, XF70-300mm, XF27mmF2.8 R WR and Accessories

In these days I get many emails asking when the latest Fujifilm gear will be in stock.

I frankly don’t know the answer. I know the GFX100S pre-orders are beyond Fujifilm’s most forbidden dreams, hence it might take long for Fujifilm to deliver, but I don’t have information about the rest of the gear.

So what I can do, is to check when different stores expect to have the latest gear available and what is eventually already in stock.

Fujifilm GFX100S

BHphoto says it expects to have it available in April. More precise indications come from Moment, who give the date “April 2”. AmazonUS says it expects to ship in 2 to 5 weeks. No other indications at other stores.

So, overall, I think we can be optimistic that in April the shipping-bottleneck might be finally solved. Unless you guys keep pre-ordering it :)

Fujinon GF80mmF1.7:

Adorama says it’s on the way, and expects to have it available in a few days. AmazonUS expects it in 2 to 4 weeks. BHphoto gives no indication, whereas Moment gives April 2 as date.

Overall, it seems that we can expect stock already by the end of the month and a more substantial stock in the first half of April.

Fujifilm X-E4:

The Fujifilm X-E4 is mostly available as long as you look for the body only version. The kit version with the XF27mmF2.8 R WR is not available and AmazonUS gives even 1 to 2 months for that combo to be in stock.

Fujinon XF70-300mmF4-5.6:

AmazonUS expects stock on April 5. Adorama says new fresh samples are now on the way to their warehouse, hence it’s only a matter of days. Moment expects stock on March 31. No indication at BHphoto.

So by the end of March and latest early April we might find the lens more widely available.

Fujinon XF27mmF2.8 R WR:

Just as with the GFX100S, also for the XF27mmF2.8 R WR Fujifilm has announced delivery delays. It’s not widely available yet, but you can find some samples at Adorama here. AmazonUS expects stock in 1 to 54 weeks. BHphoto does not give any time frame on when it might have it available. Moment expects stock in early April.

Accessories for X-E4 and GFX100S

MHG-GFX S hand grip for Fujifilm GFX100S

At the time of this post there a 4 samples available at AmazonUS here. It’s not yet available at BHphoto here and at Adorama here.

FUJIFILM BLC-XE4 Leather Case + MHG-XE4 Hand Grip + TR-XE4 Thumb Rest

The leather case for the Fujifilm X-E4 is currently in stock at AmazonUS here. It’s not yet available at BHphoto here and Adorama here.

As for the MHG-XE4 hand grip, AmazonUS says it expects availability in 1 or 2 days, whereas no indication on when they expect stock is given by BHphoto here and Adorama here.

The last X-E4 accessory is the TR-XE4 thumb rest. At the time of this post, there are 2 available at AmazonUS here. Not yet available at BHphoto here and Adorama here.

Fujifilm Manager at CP+: “We Will Release Many XF and GF Mirrorless Lenses This Year, So Please Look Forward to It”

Fujifilm General Manager Takashi Ueno said at the virtual CP+ convention 2021 that Fujifilm will release “many mirrorless X and GFX lenses this year“.

Well, the start in 2021 was fantastic, with the following three lenses launched:

But that is apparently not enough for 2021.

FujiRumors already told you to forget about the XF35mmF1.4MKII. That’s rocksolid multiple confirmed from several trusted sources.

What will still come for sure are:

We also know Fujifilm is also working on a Fujinon XF150-600mm, but that one should come in 2022. Of course FujiRumors is investigating and making constant progress on the rumor front, so expect updates soon.

In the meantime, down below is a summary of Fujifilm’s CP+ online talk.

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Final Release Dates for Fujifilm GFX100S, GF80mmF1.7, Fujifilm X-E4, XF70-300mm and XF27mmF2.8 R WR Published

We all were a bit worried after Fujifilm told us about the high GFX1000S pre-orders, that there could be delays when it comes to shipping.

But the good news is that Fujifilm Japan published the official release date (for Japanese market) for each item announced back on January 27, and it looks like they will all start shipping as planed.

In Japan and EU the GFX100S should ship in late February (02/25), whereas according to major US retailers, we will have to wait until March 11 for the GFX100S shipment in the US.

Release February 25

Release March 11

Release March 18

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via Fujifilm Japan 1 / 2 / 3 / 4 / 5

Fujinon GF80mmF1.7 King of All Portrait Lenses (vs GF110mmF2): “Usually Gear Does Not Matter, but in This Case, It Matters”

ZP Productions published his review about the Fujinon GF80mm f/1.7 on his youtube channel. Since he owns the GF110mmF2, he also compares to that lens.

Down below is a summary, but the 12 minutes video linked below is well worth watching.

  • very good lens, but not a perfect lens
  • the GF110mmF2 is more perfect in terms of optical quality, chromatic aberration, sharpness to the corner
  • GF80mmF1.7 is a lot easier to use outdoors than the GF110mm. It’s lighter and shorter
  • the rendering on the GF80mm is smoother than the GF110mm most of the time, because of smoother bokeh balls
  • GF110 is optically more corrected than the GF80mmF1.7. There is a very slight chromatic aberration on the GF80mm (you must zoom in a lot to notice a very slight aberration). It’s not obvious and also not distracting, but when it happens, you can remove it in post
  • GF80mmF1.7 mantains sharpness in the center and also in the corners. However, in the extreme corners it’s still sharp, but not tack sharp like the GF110mmF2
  • sometimes, when you try to focus on something in the very corner of the frame, the lens seems to not always nail the focus and it can result in softer images
  • it’s overall a very sharp lens
  • works great outdoors but also indoors, where the GF110mm might be a bit too long sometimes
  • unique lens that gives you a unique look in your portraits
  • Unique rendering
  • fantastic lens for night photography
  • easier to shoot handheld and get sharp images at slower shutter speeds
  • for night portraiture, available light and led lighting photography, it is definitely easier to sue than the GF110mmF2
  • he enjoys this lens a lot
  • this lens is not too expensive. It’s cheaper than the GF110mm and some equivalent FF lenses
  • it is pre-production sample/firmware, and that bit of chromatic aberration might be fixed with the final firmware. But he repeats it is very minor chromatic aberration, almost non-existant and visible in case only at 200% magnification
  • it is the nicest portrait lens you can get on medium format today

To certain degree, it’s just inevitable to see CA in such super fast lenses. Some show more if it, some less, and from what I could see in the sample in the video, the Fujinon GF80mmF1.7 shows a very reasonable and acceptable amount of CA in some conditions.

Look for example at the just announced Sony FE 35mm f/1.4 GM lens. Right now some people are actually quite impressed by how much chromatic aberration it shows wide open (DPR highlights it as the main flaw of this lens) and they hope that the shipping delay announced for the Sony 35mmF1.4 GM means that Sony is somehow trying to quickly fix it.

In some situation in life you just have to come down, stop down, and all will be good again ;).

Another review has been published by Patrick Tomasso (video below). Here are his thoughts about the Fujinon GF80mmF1.7.

  • if you are a portrait photographer shooting full frame right now and you consider to go medium format, the GF80mmF1.7 is the definition of “bokeh beast lens”
  • every sensor size has its bokeh beast lens, but the GF80mmF1.7 is the king of all of them. Nothing comes close to this lens in terms of DOF, detail, sharpness
  • if you are portrait photographer and try this lens, it will be hard to you go back to anything else
  • the reviewer does not shoot much portraits, but if he did, he’d just drop his full frame gear to get this lens
  • you can back up, get a wider shot, but still separate the subject from the background in a way you can’t with full frame or APS-C
  • he used the lens to shoot landscape and street, and even if you’d usually not use it for that, it’s a lens that changes your entire perception of photography, the way you see and frame things
  • GFX camera + GF80mmF1.7 gives you a look that will set you apart from almost everybody else that’s shooting right now
  • in an oversaturated market, the GFX gear can separate you from the pack
  • usually gear does not matter, but in this case, gear matters
  • it’s difficult to pull off that GFX look with any other combination that’s out there in the camera market
  • for video, as this lens is focus by wire, it is almost impossible to manually focus this lens during video, and AF is not good enough for video use
  • moving forward, medium format might become a system that is just affordable and attainable as full frame
  • everyday people are now starting to get access to medium format

Enjoy the videos down below.

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Video Reviews Below

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