Ten (10) Fujifilm X-H2 Rumors I’ve Never Shared, But Some Guys Think I Did (and Now I Need to Clarify)

I start reading in forums stuff that apparently I’ve claimed about the Fujifilm X-H2 cameras, but in truth I never did.

The reason this happens are mainly two:

  • Some guys misinterpret my personal speculations for a rumor coming from a source
  • Some guys read articles on a fly and skip some important parts of the rumor (or read only the headline)

Maybe all the “rumors” attributed to me (but that I’ve never shared) will turn out to be true indeed. And I wouldn’t be surprised if many did. But in any case I felt the need to clarify this, otherwise, if some of the stuff shared below does not turn out to be correct, people will start attacking me for sharing fake rumors and clickbait.

  1. CLAIM: FujiRumors said that Fujifilm will launch two X-H2 cameras simultaneously
    I don’t know if both X-H2 cameras will be launched on the same day, or just in the same year (2022).
  2. CLAIM: FujiRumors said there will be one video centric X-H2 and a stills oriented X-H2 with different ergonomics
    I don’t know if both X-H2 cameras will have the same camera body or if there will be (small or big) ergonomic differences.
  3. CLAIM: FujiRumors said the X-H2 will be launched in early 2022
    I don’t know if the X-H2 will be launched in early 2022. FujiRumors has not given any time frame until now (except for a generic “2022”). Sure, looking back at the last 10 years, the main camera announcements happened between January and March. The reason is simple: the Japanese fiscal year ends on March 31 and Fujifilm wants to show up at investors with better sale figures by launching and selling cameras before the fiscal year ends. So to anyone who guesses for “early 2022” I can understand where this guess comes from and it makes a whole lot of sense. But just to be clear, so far our sources have not confirmed that (which does not mean it could not be true)
  4. CLAIM: FujiRumors said both X-H2 cameras will cost below $2,500
    I don’t know if both X-H2 cameras will cost sub $2,500 (one should, but if both will remains open).
  5. CLAIM: FujiRumors said there will be a 40 MP X-H2 with stacked sensor
    Fujifilm said they will launch a stacked APS-C sensor in 2022. FujiRumors said there will be a 26MP and a 40MP X-H2 camera in 2022. But I don’t know if both these cameras will have a stacked sensor, or only 1 camera. Or none, and the stacked sensor will be reserved for something else.
  6. CLAIM: FujiRumors said one X-H2 will have the existing 26MP X-Trans IV sensor (currently in use on X-T4)
    No I did not say that. I said that it will have a 26MP sensor, but I don’t know if it will be an X-Trans IV sensor (maybe combined with new processor to take the most out of it), or a new 26MP sensor.
  7. CLAIM: FujiRumors said there will be one X-H2 with X-Trans sensor and one with Bayer sensor
    I did indeed write this, but it was not as a rumor! It was a mere speculation of mine. Please read again the original article here. I was just trying to figure out what the difference between the two X-H2 cameras could be, and one that came to my mind was the Bayer/X-Trans versions. But that was never a rumor. It could make sense, as Bayer has its advantages too (more affordable, easier to get features like pixel shift, less power hungry, less overheating etc – read here). But so far no source told me I am right (or wrong) with my speculation.
  8. CLAIM: Both Fujifilm X-H2 cameras will feature an updated processor
    Also in this case, this is something I’ve never claimed. I’ve speculated on a personal level that both could have the same processor, but no source has given me this information yet. And until that happens (that a source shares more details), all the options remain open.
  9. CLAIM: FujiRumors said in 2019 that the X-H line has been canceled and now cowardly backpedals his fake 2019 rumor hoping we will forget about it
    There was this fake rumor circulating and it created such a buzz that it ended up also on big photography news sites. But it was not shared by FujiRumors. On the contrary, just minutes after the fake rumor was shared I warned you all that it’s a fake and that the X-H2 will surely come (it will just need more time). On FujiRumors we do not do fake rumors that serve the only purpose to get your attention, traffic and money. We respect you, your time and your trust and therefore will never go down the fake rumor road.
  10. CLAIM: FujiRumors said the X-H2 will come in 2020, then said it will come in 2021, then said it will come in 2022. Can we still trust this guy?
    I’ve read this accusation on an Italian forum. So let’s clarify that this is another case of websites (and YouTube channels) having no clue just continuously announcing the imminent arrival of the X-H2 just to make some traffic. Here on FujiRumors we told you back in May 2019 (!!!) that the X-H2 will come, but not in 2020. And once 2020 was over, we told you in May 2021 that there won’t be an X-H2 not even in 2021*. The first time indication we gave on the X-H2 was on March 2021, when we told you the X-H2 will come in 2022.

So, until any of the above is confirmed (or debunked) by my sources, they remain mere speculations. Some of them very reasonable speculations, but still, just speculations.

Look guys, here on FujiRumors the Fujifilm X-H2 marathon just started. So definitely give FR a look every now and then to see if something new goes online. And it will… oh boy it will ;).

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*We told you there won’t be any more X series camera in 2021 after the X-E4 (hence also no X-H2 will come in 2021). Now you tell me that we got the X-T30II o September 2021, but that camera was a last second decision by Fujifilm and it’s an X-T30II with new firmware and better LCD and and RAM.

BREAKING: Fujifilm X-H2 with 26 Megapixel coming 2022 (and Now the Big Question is…)

Look guys, this is trusted stuff. Solid and reliable. And 100% true. Believe it or not. It’s going to happen.

The Fujifilm X-H line has been canceled!!! Axed! Forever!!!

Nah, just kidding… we don’t do fake rumors here ;).

So let’s get serious and tell you exactly what is going to happen.

FujiRumors told you that there will be two Fujifilm X-H2 cameras and that they will have a different megapixel number.

According to our sources, one will sport a high resolution 40 megapixel sensor (not 43 megapixel as many speculate based on available Sony sensors).

And what about the other Fujifilm X-H2?

Well, we did get additional information from our sources. Multiple trusted sources. And they told us that the second Fujifilm X-H2 camera will have 26 megapixel.

I know what you want to know now.

You want to know if it will be the same 26 megapixel sensor we have in current X series cameras such as the Fujifilm X-T4 or if it will be a new 26 Megapixel sensor.

At this point I can’t answer this question.

Some of you might remember that I once said the Fujifilm X-E4 would be the last X-Trans IV 26 Megapixel camera. But evidently I was wrong, as we got the Fujifilm X-T30II (although that’s basically just an X-T30 on firmware steroids and new LCD). So I might well be wrong again?

Let’s see the two options I see for now:

  1. Fujifilm decided to make a high resolution and more expensive Fujifilm X-H2 and offer at the same time a much more affordable version of the X-H2 using the proven and trusted X-Trans IV BSI 26 Megapixel sensor.
  2. Fujifilm will use a new 26 Megapixel sensor

My opinion on both options:

  1. Fujifilm could have decided to use the X-Trans IV sensor of the X-T4, but combine it with the new processor on the X-H2 to squeeze the most out of the X-Trans IV sensor. That would be siimilar to what they did with the Fujifilm GFX50SII, where they used the old sensor of the original GFX50S, but combined with the newer processor of the GFX100S Fujifilm was able to take more out of it (faster autofocus speed, more film simulations etc.)
  2. This would be very atypical for Fujifilm, to launch in one year (2022) two completely new higher-end APS-C sensors. But just because Fujifilm never did it before, it does not mean it can’t happen with the Fujifilm X-H2.

Which one do you consider more likely? Feel free to vote the survey down below.

And make sure to follow FujiRumors to get more Fujifilm X-H2 rumors soon.

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Fujifilm X-H2 Rumors Recap

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FujiRumors Is Back with Big Fujifilm X-H2 Rumor Coming Soon!

Everything has to go back to normal at some point.

So you guys “suffered” through the Black Friday articles deal season, and I have to regroup myself and crawl back from the motivational low to write anything here on FujiRumors after losing my dog after almost 17 years together.

I know one day pain will leave and make space for the good memories. But as J.S.Foer wrote in his wonderful book Extremely Loud and Incredibly Close: “You cannot protect yourself from sadness without protecting yourself from happiness“. And after 17 years of happiness, now it’s time for sadness. And it’s good that it is this way.

So let’s try go back to normal, which on FujiRumors means break some rumors for you.

And I have a rather big one coming up: more details about the non-40 megapixel Fujifilm X-H2.

It will be shared soon.

 

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Samyang 12mm F2 AF X First Impressions Review

In Europe and other parts of the world, the brand new Samyang 12mm f/2 AF X autofocus lens for Fujifilm X mount is already shipping, and hence the first reviews now start to appear on the web.

As we reported a few days ago, Samyang US customer service told to a FR-reader that his Samyang 12mm f/2 should ship in January, hence it might take a bit longer in North America to ship.

So how does this lens perform?

Well, you can find a first impressions video review by Luca Petralia (as well as a summary) down below.

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Samyang 12mm f/2 AF X First Impressions

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Which Film Simulation is Best (and Worst) for Low Light Photography?

There is a misconception out there.

And the misconception is that Fujifilm film simulations are something good only for pure JPEG shooters. But that’s far from true.

When I photographed the wedding of my friend I did shoot everything in RAW (I explained which gear I used here), but when it was time to edit everything in Capture One 21, I did not waste any time with color grading the images. I just scrolled over the various film simulation options in Capture One, saw in real time which color gives me the best mood, clicked on that film simulation and that’s it. Done that, I started to edit the images to taste (except for the colors).

I’ve explained in this article which film simulations I’ve used most in my wedding editing (curiously a film simulation that I’ve rarely used until I’ve shot the wedding).

So that’s how I see it: also hardcore RAW shooters can take huge profits from Fujifilm film simulations.

But it is also true, that in many cases the JPEG output of Fujifilm cameras is that good, that you can skip the RAW editing right away.

It happened to me recently when I was in Ferrara with my family. I took my images in RAW+JPEG and when we were going home by train, I just used the internal RAW converter to try out some film simulations on certain pictures, stored them directly on the SD-card, and once home all I did was to load them into my computer, and that was it, my holiday images look great without any editing effort.

And here comes the connection to the video we share today.

If you are like me, and about 80%* of the images you keep are simply JPEG images (*thanks to the amazing Fujifilm JEPGs, with my previous gear I mostly edited the RAW files), then it might be of interest to know which film simulation works best in which context.

And Chris from Pal2Tech (one of the must follow channels for Fujifilm shooters) tested which film simulation works best (and worst) for low light photography (if you shoot in JPEG).

Chris’ video has been cross posted to petapixel here, where the conclusions is:

  1. Monochrome is much less noisy than ACROS at all higher ISO ranges. In going through my testing, it seems pretty conclusive that Fujifilm adds some additional grain and/or noise to ACROS to help give it that unique look. The problem is, at much higher ISO values, it can start to fall apart at bit. If you are planning on shooting with ACROS, I would not go above 3200 ISO. Also, I’d definitely make sure the grain setting on your camera is turned off.
  2. PROVIA, VELVIA, ASTIA, ETERNA, Pro Negative High and Sepia all performed well and had roughly the same good performance at higher ISO values. Of this group, PROVIA was the overall winner when you start pixel peeping at 300% or above.
  3. If you are shooting at ISO 3200 and above, I would avoid Bleach Bypass, ACROS, and Classic Negative. Once you go above ISO 6400, I would not use any of those three film sims if I wanted to keep my noise to a minimum.
  4. Most interesting of all were the winners. And they were Pro Negative Standard and ETERNA. If you are planning on shooting in low light at very high ISO values, you may want to give them a try. Both Pro Negative Standard and ETERNA gave me the overall best and consistent results.

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