Matt Granger Dislikes the Fujifilm GFX50R, ePhotozine Highly Recommends it as Step Up from Full Frame and More – GFX50R Roundup

 

Fujifilm GFX 50R Roundup

Yes, I am a Fuji fanboy, otherwise I would not have opened FujiRumors in times, where many of you probably didn’t even knew that Fujifilm makes digital mirrorless cameras.

But this does not stop me from sharing everything, the good and the bad, that people say about Fujifilm.

In today’s roundup, 100% focused on the Fujifilm GFX 50R (which now costs $3,999 only!), I will share a huge amount of Fuji GFX50R reviews.

On the positive side, we notice the ePhotozine review, which highly recommends the Fujifilm GFX 50R and says:

“Delivering medium format image quality, the camera is a step up in performance compared to a full-frame DSLR or mirrorless camera, with excellent noise control, and exceptional levels of detail possible. […] the next step up in image quality […] Highly Recommended“

Also lensrentals is happy and says:

“Incredible price point for camera and exceptional image quality“

On the negative side, we can find Matt Granger’s review, who says it has the “worst ergonomics on any camera he ever used” and he is disappointed with its focus tracking capabilities. He does not recommend to buy this camera.

Matt has spoken very good about Fujifilm many times in the past, so do not start attacking him about being a Nikon/Sony fanboy or biased in any way. It’s just his opinion after having used the camera.

Want to see and read it all? Then check out the (massive) Fuji GFX50R roundup below.

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STC Optics Clip-in Filters for Fujifilm X and GFX Series

Fujifilm Clip-in Filters

STC Optics, an Asian brand that manufactures various kinds of filters, said that clip-in filters for Fujifilm X series cameras are “coming soon“. In the video above they also show a clip filter for GFX, but so far no indications about it on their website.

As far as I know, STC Optics would be the first brand to release such filters for Fujifilm cameras. Other well known brands include Astro Hutech and Astronomik.

The fact that you attach the filter in front of the sensor instead of on in front of the lens, gives several advantages:

  • no need to buy big filter holders for lenses with protruding lens elements, such as fisheye-lenses for Fujifilm X or lenses like the Fujinon XF 8-16mmf/2.8
  • one filter works for all lenses, no matter what the lens filter size is
  • saves you money, since you do not have to buy lots of different filters
  • they are a good replacement for HSS (see video below)

STC Optics offers ND 16, 64, 400 and 1000.

Clip-in filters are very popular in the astrophotography community, especially light pollution and narrow-band filters, because they can work with both camera lenses and telescopes.

This is a good news for Fujifilm users, because Fujifilm cameras are very good for astro work, due to their superior sensitivity to some wavelengths (like hydrogen alpha, that most of the nebulae are made of) and good ISO performances.

and

thanks to the FR-reader for the information about these filters

Product Details and Videos

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FUJIFILM GFX 50R and X-T30 crowned Winners at the 2019 TIPA World Awards

 

Tipa Awards 2019

We already questioned a few times, if these awards make sense, by disclosing how the award business works. But for some reason many Fujifilm X and GFX still rejoice when they read about Fujifilm winning an EISA, TIPA or whatever else award.

So I don’t want to be the spoilsport here, let’s just ignore it all and rejoice once again :).

Oh, and btw, don’t take any award seriously, that does not assign a price to the stellar FUJIFILM XF 200mm f/2 R LM OIS WR.

Here are all the winners:

Cameras

Lenses

Other Awards

The Fujifilm winners:

  • X-T30
  • GFX 50R

Press Release

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Fujifilm Factory Visit: Manufacturing Fujinon XF Lenses and Fujifilm X/GFX Cameras

Pixel Village visited the Fujifilm factory in Japan. Above you can see the video, which I will let you start at minute 2:30 (the moment they enter the factory). Here are some info we get from the video:

  • 70 Fujifilm GFX 50R are assembled in an 8 hour shift
  • the leather fixing on the Fujifilm X-H1 took the Japanese worker 1 minute and 50 seconds
  • you see the red badge XF lens assembly line and manual lens elements alignment
  • some stuff was not permitted to be filmed, such as robots putting lens mounts together
  • they were surprised how much technology, work and passion is behind something that we take for granted
  • at the end Fujifilm asked in a feedback session what they could improve in their quality standards, but it would be like if the sun would ask how to make light

Down below you can see some screenshots from the video.

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Fujifilm Managers Q&A: Canon is Wrong, Full Frame only 1/3 of Market, X-T3 sold 40% Better than X-T2, Fast Lenses for GFX and More

Fujifilm Managers Interview

Just yesterday we shared a CP+ interview with Fujifilm managers here. Today it’s already time for another one, this time with Toshihisa Iida (the manager who said Fujifilm will never go full frame) and Makoto Oishi.

It’s again an interesting one, that also becomes very technical when it comes to analyzing the autofocus system and lets imaging-resource conclude that Fujifilm’s PDAF technology is arguably the most advanced on the market.

Down below you can find the key points and some images of the interview. The complete one can be checked out at imaging-resource here.

Market Future & Canon Predictions

  • Fujifilm totally disagrees with Canon’s prediction, that ILC business is going to contract by half over the next two years
  • Market will depend on innovation that will come
  • Fujifilm believes there is room for further grow
  • Some markets will decline, but other markets have still potential to grow (Asian market)

Full Frame

  • Customers should have different options
  • Currently full frame has 1/3 of the market by value
  • 2/3 of market is predominantly APS-C, Micro Four Thirds, and some medium-format
  • other manufacturers focus on full frame, this might open opportunities for Fujifilm as long as they keep up innovating APS-C and MF
  • mainly X-T3 and GFX 50R helped Fujifilm to grow by 10% total volume growth
  • APS-C vs FF is not just about sensor size, but also the lens size, lens weight, overall cost, or the speed, the 4K movies
  • people judge the system more on the overall package

Fujifilm X-T3 vs X-H line

  • sold better than expected
  • Fujifilm X-T3 sold 40% better than X-T2 if you compare to same period since launch
  • X-T3 and X-H1 have cannibalized each other
  • with the new lower X-H1 price tag, X-T3 and X-H1 sit nicely next to each other
  • H-series and T-series will coexist for the future, but we need to clearly differentiate the lineup without confusing customers

Lenses

  • XF200mmF2 is not only for sports, but also for portraits for very creamy bokeh and concerts for example

GFX System

  • Fujifilm GFX 50R sales are above expectation and factory is very busy
  • Fujifilm GFX 100 design is almost final, very early firmware, and IBIS still does not work
  • GFX 100 megapixel autofocus: same sensor structure as the X-T3
  • GFX 100 has almost zero competition, because FF is only at 50MP and other medium format cameras are very expensive
  • Fujifilm thinks at multi-shot high-res shooting mode for GFX100, but has not decided yet
  • designing IBIS is a real challenge for big MF sensor
  • Fujifilm has no idea about how many stops IBIS they will achieve [FujiRumors leaked internal press sheets that show they aim at 5 stops]
  • Fujifilm is still improving image quality via firmware
  • GFX100 launch in first half 2019 for around $10,000
  • Fujifilm GFX 50S most popular lens is the GF 32-64mmF4
  • Fujifilm GFX 50R most popular lens is the GF 45mmF2.8
  • GFX 50S owners have more lenses than GFX 50R owners
  • GFX owners complaint about the lack of more fast lenses for the system and Fujifilm is taking into consideration their feedback
  • Fujifilm listens to customers and tries to make their wishes happen, but sometimes their wishes become reality is very difficult and challenging
  • As bright as possible, as small as possible, as affordable as possible…
  • same team works on GFX and X. One R&D budget and depending on needs they are flexible to shift their focus

Autofocus

  • X-T30 has improved algorithm which will come to X-T3
  • CMOS sensor is always reading by lines. So it isn’t very suitable for horizontal phase-difference […] technically we can make a cross-type system but normally, subjects are more… and horizontally-arranged PDAF pixels support them better
  • Fujifilm could do vertical AF correlation, but hasn’t felt the need to do it
  • 8% of pixels are phase detection pixels (high density), good for low-light and high-frequency subjects
  • signal and phase pixel are read separately
  • we used to have like 60 regions within each AF point, but now 240
  • depending on the light level, the X-T3 can “bin” PDAF pixels together (basically just adding their contents) to get a better signal/noise ratio, and so be able to determine focus even in very dim lighting. Depending on how you do this, you’ll trade-off some ability to see the finest details, but it can really help in very low-light conditions

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Fujifilm Fujinon GF 100-200mm f/5.6 Review: 5 Stars, Excellent in Every Single Way!

Fujinon GF 100-200mm f/5.6

Despite the fact that the Fujifilm Fujinon GF100-200mm f/5.6 is already shipping, it still does not get the coverage it deserves.

In fact, even at its launch, there was hardly any review about it.

And yet, this lens is actually pretty amazing, not only in terms of size, but especially in terms of image quality. In fact, thephoblographer writes in their review:

“We award the Fujifilm GF 100-200mm f5.6 R LM OIS WR 5 stars out of 5. This lens is excellent in every single way, and it will serve anyone who uses well. You will be constantly floored with the images you can create with this lens.”

The GF100-200 coverage is still meagre, and the richest source of feedback about this lens is our immense Fujifilm GFX facebook group. Go to the group, search for “100-200” and enjoy the results. I will share a few of them down below.

But, in addition to Jonas Rask and Damien Lovegrove reviews, which you can find in our live blogging, I have found a few more.

Also Fujifilm uploaded more “monster glass” GF100-200 videos. You’ll find then below, too.

Fujinon GF100-200mm f/5.6: BHphoto, AmazonUS, Adorama

Rumors, News and Community

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GF 100-200 Images and Videos

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Czech Store Lists Fujifilm Fujinon XF33mm f/1.0 for $3,100 and XF16-80mm f/4 for $1,100

Fujinon Roadmap Lenses

The Czech store Oehling has already added to their database the Fujinon XF33mm f/1.0 and the XF 16-80mm f/4.

It is not unusual that stores add upcoming lenses into their database. For example, the Dutch store Cameranu has both lenses listed since August 2018, hence just 1 month after Fujifilm added them to the official roadmap.

But where Cameranu just says “price not known yet”, the Czech store Oehling hazards a guess on the price:

  • Fujinon XF33mm f/1.0 = $3,100 (converted from czech crown)
  • Fujinon XF16-80mm f/4 = $1,100 (converted from czech crown)

But before you freak out and panic, I must tell you that, when stores don’t know the final price but want to place an item up already for people to see and get interest, they can add a random pricing to them.

We have covered such “price-holders” in the past here on FujiRumors, such as the Fujifilm X-M1 for $9,999. Although in today’s case it does look more like a “guessed” price than a completely random one, since both lenses have a very different price tag.

So let’s hope this Czech store will keep up making terribly wrong guesses, like they did with the brand new Fujinon XF16mm f/2.8, which in their not yet updated product page has a price tag of $887 (19,990 czech crown), when in truth it costs $399.

For us, this is a welcome opportunity to discuss if $3,000 would be an acceptable price tag for a radical fast autofocus lens like the Fujinon XF33mm f/1.0 and at which point you would call the price a deal breaker.

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Check the Oehling store here for the 33/1 and here for the 16-80 and here for the 16/2.8

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Steelsring Nikon F to Fujifilm GFX Smart Adapter Coming Soon and Firmware Updates for EF/GFX and C645/GFX Smart Adapters

Steelsring Smart Adapter

Steelsring has announced that their Nikon F to Fujifilm GFX autofocus smart adapter will be available for sale soon. There are already Beta testers out there, who are currently using firmware v1.0 (update on February 26).

Back in May 2018 here, Steelsring also announced the same adapter for Fujifilm X cameras, so let’s hope this one will follow quickly after the GFX version.

Steelsring also release firmware updates for other smart adapters, to improved the AF focus accuracy and stability:

via steelsring

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RUMOR, NEWS and COMMUNITY

Detoxing From Gear Talk with Stunning Fujifilm GFX and X Images

Jessica Wikström
shared here
Gotta love freckles! And gotta love that 110mm
GFX50s
GF110mm

Fujinon Images Roundup

I looked back in the last weeks on FujiRumors, and I read rumors, news, gear talk, comparisons, deals, live bloggings, announcements…

That’s all nice and good, but at the end of the day all the buzz should not distract from the main reason why we love to use our Fujifilm cameras: taking pictures.

So I did two things:

  1. I grabbed my X-E3 and finally dedicated some time again to capture the first signs of spring around my home
  2. Since my spring images came out perfect and no editing was needed (thank you Fuji colors!!), I decided to spend a bit of time collecting images taken with Fujifilm GFX at our wonderful Fujifilm GFX group.

For this time, I decided to focus mostly on the GF110mmF2 images, since a fellow GFX group member asked to stop sharing GF110 images, as they trigger his GAS and he is preparing his papers for the divorce ;).

Now, it surely helps if you photograph models with this inenarrable beauty to create impressive images, but it’s also true that the medium format GFX has a wonderful rendering that is visible across all the images, from portraits to landscapes to product photography and more.

And yet, I don’t want you to think you need a GFX to create stunning work, so I decided to sneak into this roundup 3 more images: one taken with the “old” X-T1, one with the X-T2 and a last one taken with X-T3 (all shared at our Fujifilm X-T facebook group).

Because medium format is nice and good, but what you can achieve with modern APS-C sensors (and fantastic Fujifilm XF glass), is something that can be shown and printed proudly (such as my personal all time favorite image taken with X-T1)!

And for those of you missing the gear talk and the rumors already, hold on… I might have something for you very soon ;)

Love you all and wish you fantastic weekend
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Richard Ng
shared here
Shot with Gfx50s and 32-64mm

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Chris Daidone Photography
shared here
It was a bitterly cold, but thankfully starry night on Lake Minnewanka. Alberta, CA

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Erik Nomm‎
Shared here
The mighty 110mm f2

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