Fujifilm has released firmware updates for plenty of lenses that will make the autofocus more silent, the aperture operate smoother and also give better tracking performance while zooming.
That’s a very nice upgrade especially for video shooters.
Not all lenses will get all these three updates. You can find the full detailed list below.
Stalman+ hosted Chris and Jordan on his YouTube channel. They talk about DRP shutting down, the Sony ZV-E1 and starting from minute 38:24 they also talk about all camera brands in a section called “Battle of the Camera Brands”.
Regarding Fujifilm, this is what Chris, Jordan and Stalman+ have to say (starts 57:05):
they talk about the peculiar vintage look that Fujifilm cameras have that can “outlast technology”
love of using, holding and being seen with beautiful cameras, that’s still a factor today. Other companies under-appreciated that factor
Chris says that a few years ago the talk in the industry was that you have to go Full Frame or you are going to die
Fujifilm very bravely said “let’s stick with APS-C and let’s go one better and make some awesome medium format cameras”
Chris said they could make a whole podcast on how successful that whole line has been for Fujifilm
they delivered lots of amazing APS-C lenses
Chris thinks this was a smart decision, especially now that we look at the new sensors on the X-T5
Fujifilm is doing a great job giving people what they want and not having to go full frame to do it
you get a solid camera that can do many different things, that looks great and that focuses “yeah…”
Staleman+ says Fujifilm is the only camera that he would shoot JPEG straight of of camera or do a non-LOG profile and actually use it
the X-H2S is a powerhouse for video
Jordan agrees and says that the X-H2S image is one of his favourite out of any format of camera, even comparing it to full frame especially in terms of dynamic range it keeps up really nicely
they also listen to us in terms of features. They were the first to let videographers do 48th or 96th of a second shutter speed. Shutter angle and waveforms still missing. Hopefully those will come in future
Jordan’s biggest issue with Fuji’s recent launches is that a lot of those cameras haven’t felt completely finished (occasional crashes even with production models, punch-in focus not as sharp as it was previously)
Jordan wants Fujifilm to go back to where they were, as the company known for giving you initially flaky products but then they would firmware update the hell out of them
Fujifilm has the base hardware to make some of the best cameras out there, but Jordan just does not 100% trusts them at this point
Staleman+ says he did not experience such huge issues and crashes, but certainly there are some things that could be improved
he adds that he appreciates the operability and physicality of the cameras, the dials etc. It’s so clear what you are getting into as you start operating it and he loves that about Fujifilm
Chris said that he appreciates that Fujifilm launched the X-S series of cameras that actually departs from the manual controls
if you don’t love the manual dial control and you want an alternative, they are offering it
Chris prefers the X-S handling
Staleman+ just likes the way they are running the company and also leading the way in some ways when it comes to video, for example with Frame.io integration
Kudos to Fujifilm for leading from behind, so being in the position of being a smaller company that are still showing real strength and leadership
So lots of great things are said about Fujifilm, and only two significant points of criticism: improve autofocus even more and keep delivering Kaizen firmware updates.
But he went an extra step. He did not simply load the files into Lightroom to process the RAW files (with Lightroom standard settings) and then print the images.
Nope, he wanted to “help” Lightroom to deal with X-Trans files, and hence used DxO Pure RAW to transform the files into a DNG and only then processed them in Lightroom.
Unfair?
Well, he did the same with Canon files, but DxO did not bring any benefits in terms of sharpness to the Canon files, as opposed to Fujifilm X-Trans files, which definitely saw an improvement if passed through the DxO engine.
The result: the Fujifilm X-H2 and the Canon R5 both delivered very comparable results. Sometimes in certain areas he preferred the details on the X-H2, sometimes on the R5. But overall, both delivered absolutely excellent results.
Not bad for the Fujifilm combo, which costs about half as much as the Canon combo.
Look, RAW files are intended to be processed. And it’s up to everyone to decide how to do that.
But if you own X-Trans cameras and use Lightroom, then using DxO as a plug-in is definitely a recommended step to take into your post processing workflow.
Not mentioned by Ian in the video is the new DxO “DeepPRIME XD” support for X-Trans files, which is clearly superior to the more basic “DeepPRIME”. Now it really handles noise especially in dark areas much better.
Fujifilm has released the long awaited firmware that adds Frame.io Camera to Cloud support for the Fujifilm X-H2 and Fujifilm X-H2s (and also fixes a few bugs).
After a couple of mojito’s on a Carribian island, the guys who had the brilliant idea to make tons of money by giving away meaningless awards, came up with enough categories to assign prizes to all companies who were so generous to buy the brag-rights to their past awards.
And if you think I am kidding, of course I am. I mean, to come up with categories that differentiate between “expert” and “professional” you have to take harder stuff than just mojitos :D.
Also RedDot asked ChatGPT to make an extensive list of random products they can award to make money has tested tons of gear on their design and usability and came up with a list of winners.
Fujifilm was able to gain the humble amount of 23 RedDot Award. The photography related gear is this one:
Not even the Fujifilm X100V has such a bad shipping record as the X-E4.
And now, after 2 years only, stores are already starting to mark it as discontinued, as for example BHphoto here (in all its combinations) and the Australian store Camerapro.
It’s a pity that such a beautiful little camera hardly ever shipped and now it even seems to be over for it.
At this point, the Fujifilm X-E5 can’t come soon enough.
Back in January Fujifilm officially announced the next Fujifilm X Summit for April.
But today a trusted source reached out to us and told us that Fujifilm has now decided to cancel the April X summit event.
I have no idea if Fujifilm will make an official announcement about the event being deleted, or if they’ll just let April pass and hope we simply forgot about it.
But what I am sure is this: there is no X summit in April. That’s Trusted Stuff.