True Passion: (re)discovering photography with a giant camera-cube!

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image courtesy: cubestories

This is a story of pure and genuine passion for photography. Exactly the same passion we X-shooters have, when we take our time to compose the image, to look for the right light, to wait for the proper moment. Or, to say it like the little prince: “It’s the time that you spent on your rose that makes your rose so important.” We could say that it’s the time we spent to create our images, that makes photography so important for us.

It doesn’t matter which tool we choose to express our creativity and passion. For X-shooters like me, the “X-factor” might have helped us to (re)discover photography! But the X-system can not meet the needs of everyone.

And it definitely didn’t meet the needs of 3 friends, who call themselves the “cube photographers“. They went a more unconventional way to re-discover their passion for photography.

In a world, where cameras have to be smaller, faster, feel comfortable in the hands and images have to be uploaded instantly to the iPad and the social networks, the Cube Photographers choose to go the opposite path.

They built a big cube that works as a camera obscura and traveled through Europe with it, photographing ghost cities and mountain lakes, people and forests. And it’s likely the only camera on the planet where photographers don’t stand behind the camera, but INSIDE it!

For the best quality, they decided to buy the last 16 rolls of the famous Ilfochrome (Cibachrome) paper in order to be able to shoot 1×1 meter pictures in direct positive.

And whereever they want to take a picture, they have to dismantle the Cube first, and then assemble it again… a lot of work, as you can see in the images here.

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But it’s worth the effort… before even taking a shot, it’s the Cube itself that becomes a quite spectacular piece of art and, as Mike Kobal said, “a true reflection on photography“.

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But this story has no happy end.

In fact, there is just a limited number of this special film worldwide (16 rolls, all in the hands of the cube photographers), so the Cube won’t take pictures for long. The film rolls will also expire soon, and therefore, in order to mantain the best quality, the 3 friends have to diligently use all the 16 rolls within a year.

The sad truth is: the Cube will take 300 more images, and then its travel around Europe will be over.

So what can we do? Well, we can support these 3 guys, their passion for photography and the last year of life of the Cube with a donation. Or we can buy a unique photo taken by the Cube or, if you prefer, an image of the Cube itself.

And no, I have no affiliation, I won’t get a single penny on the donations or the prints (in fact I just made a donation). For what it’s worth, I decided to give a little help also with my small space in the world wide web.

So, dear X-shooters, check out more about the Cube at cubestories and feel free to support this little project:

How to support the project:

1) With a one time donation of $10 you can (if you want) get your name on the official Cubestories Supporter page:





2) You can buy one of these five limited edition prints for $150. These are the pictures of the cube (not taken by the cube). Only 25 prints per picture are available and are numbered and signed by the Photographers (Martinelli,Pizzini,Salvà) who built the camera. These are 30×30 centimeter (unframed) high quality ink prints that will be shipped in rolls within 3-4 weeks of the purchase. Click on the image to enlarge. Every picture has a history you can read here: http://www.cubestories.com/cube/.

Buy option is at the end of the picture list:

Picture Nr.1
Picture Nr.2
Picture Nr.3
Picture Nr.4
Picture Nr.5

Select the picture



Note: You can buy more pictures but only one at a time because PayPal doesn’t offer the possibility to select more than one picture for every purchase.

3) On special request you can visit the Photographers in Merano (Italy) to get photographed (or take a photo of your wish) with the camera. Contact them here: cubephotographers@gmail.com.

Thank You All

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TCL-X100 review at thephoblographer + pre-order now also at Adorama!

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TCL-X100
AmazonUS / BHphoto / Adorama / DigitalRev

phoblographer posted its TCL-X100 review here: From the conlcusions:

The lens attachment is a nice addition that helps extend the capabilities of the X100 and X100s without sacrificing image quality. Although the lens gives the X100/s some more reach and adds the portrait perfect 50mm focal length, it does not feel like essential piece of kit owners of either camera need. Whereas the WCL-X100 added a wider field of view that can only be achieved with a wide-angle lens, the difference between a 50mm and 35mm is far more negligible. In some ways photographers can reproduce this extended focal length by simply getting closer to their subject.

Adding in significant dead weight this attachment adds to the camera’s AF system, we can hardly recommend users pick up this attachment for $349.95 [admin: $339 at DigitalRev]. But for photographers who feel a 50mm lens is absolutely essential to their craft, they won’t be disappointed with the lens’ quality or its ability to produce stunning images.”

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Patent: new color filter, also for organic sensor!

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The innovation continues. Fujifilm is working hard on the new organic sensor. Will this be the sensor of the X-PRO2? I still don’t know it. In the meantime check out the patent for new color filters giving better color reproducibility and less noise, applicable also to the organic sensor, at freepatentsonline.com.

Organic sensor or not, looking at the various polls shared here on FR, the majority of you prefer an APS-C sensor over a Full Frame sensor.

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DO NOT LOOK AT THIS VIDEO !!!

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And, despite the title of this post, you decided to check this video out anyway? Well, then I should at least tell you what you can expect, to convince you not to look at it.

But first off a question: what do strephers like about the compact X-series and its great IQ? I guess you know the answer: especially with the silent ninja shutter of the [shoplink 12883]X100S[/shoplink], nobody will notice that you are taking a picture of them.

Well, this video is just about an unconventional way to approach the subtle art of street photography.

Discrete street photography is not really what Mikel Patrick Avery did. In fact, he put a sign next to his X-series cameras and wrote DO NOT LOOK HERE on it. The result can be seen in the video above.

As Mikel Patrick Avery said to me: “There is a new vid posted today of X System in NYCThough you might enjoy.  -If so, feel free to post on your site if you like. -If you do not like it, please lie and tell me you do..haha. here is the link. I used e1 e2 and pro 1 for the images, the e1 and e2 are the ones used in the video. Lenses are: [shoplink 24483 ebay]Voigtlander 21mm f4[/shoplink] & [shoplink 24482 ebay]Olympus pen f 20mm f3.5[/shoplink].”

have a great day,
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P.S.: DO NOT READ THESE REVIEWS: – Ken Rockwell published the X-T1 review: “the T-X1 combines great handling with exceptional construction quality, all at a reasonable price, and can produce outstanding images if you’re talented, and sometimes even if you’re not.” He also posted the 56mm 1.2 review here: “The Fuji XF 56mm f/1.2 ASPH is optically just about perfect, excelling at sharpness, falloff and distortion, as well as mechanical quality.”

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mini miXed zone: Fuji-X on assignment, X-E2 after the firmware 2.00 and TCL-X100 first impressions

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Fuji-X on assignment

– Matt Brandon (thedigitaltrekker):

“I wanted to write and say thanks for your help in finding great examples of other professionals who are actively using the Fujifilm X-System for their work.

As you know, I was approached by Channel 4 in England to be their set/still photographer for their new drama called Indian Summers being shot on location here in Penang, Malaysia. Indian Summers is being produced by Channel 4 and PBS masterpiece in the US.

When the Producer told me that Channel 4 needed a gear list I was quite surprised and a little nervous. I had never had a client ask for a gear list. So I sent them this link to my gear page. The producer seemed a bit taken aback by me using such a small system. He asked if it could still deliver the resolution they need. I told them I was confident it could. Given that they were so concerned about gear, I thought the powers-that-be might have a problem with me shooting with the X-System. So I sent them the list of a few of the photographers you sent me along with several links to my work using these cameras. Apparently that did the trick.

I am now the official set photographer for this production which could last until Oct. Here is the announcement I made on my blog.  I don’t have any idea how many productions are being or have been shot with Fujifilm gear, but my guess is not many. Maybe this is a new inroad for Fujifilm, I don’t know. My Channel 4 contact in England, the producer and actors here all love what I am giving them. I wish I could show you some of the images, but unfortunately I am bound by contract to keep them private until the series airs in early 2015.

Thanks again for your help. Matt Brandon

Mike Croshaw: “Hi, shot some weddings with the Fuji system this week and started blogging about it.” Read it here. “On this second wedding the main photographer was confused by my choice of camera, he didn’t understand why I would choose to not shoot with a DSLR.  By the end of the wedding, once he had seen the images, he was asking how much they were!”

X-E2 firmware 2.00

– Fuji X-E2 – Firmware update and their ongoing camera support at soundimageplus: “It’s a somewhat old-fashioned concept to keep adding free upgrades to old models in order to promote customer […] there is no doubt that Fuji have established a different kind of rapport / feedback relationship with their target customer base and to date, certainly as far as I’m concerned, it’s one that I like. Personally I also think that this is the way to add an upmarket image to what they produce.”

– Re-review: Revisiting the Fujifilm X-E2 with Firmware Version 2.0 at bigheadtaco: “Now that I’ve returned the X-T1 and have the X-E2 again (primarily to review the new XF 56mm F/1.2 lens), I can really appreciate the size as well as the ergonomic feel of this retro-rangefinder (yes, I know it’s not really a rangefinder). Unlike the X-T1, I can change settings quickly and easily (by feel) without removing my eye from the EVF. With the latest firmware update V2.0, the EVF refresh rate of the X-E2 now matches that of the X-T1 (albeit a smaller view). Looking through the EVF with the previous firmware was pretty good, but now it’s even better with a faster refresh rate (I can even notice the difference in brighter lighting). I’m also happy that I can now change the colour of the focus peaking (low blue is best) since I enjoy manually focusing while shooting on the street.”

TCL-X100

– First impressions at rileyjoseph: “For photographers with only a X100/s this could be a 3 focal length system for them. 28/35/50 FOV.. on a camera with a f/2 aperture, great high ISO capabilities and a silent leaf shutter. So.. in my opinion if you already have a Fuji x-series interchangeable camera there is no better 50mm FOV lens than the XF 35mm 1.4 R.. it is my favorite lens. I would buy that before buying the TCL-X100. For those with just a X100/s and are longing for more reach.. like for portraiture.. your wish has come true.”

GM told me: “I could ordered mine last 24/04 from fujifilm online shop (IT) when they had published it as being in stock (by mistake, I was then told last week when they contacted me with the bad news, saying they would do the utmost in order to advance delivery as much as possible). I could finally receive it this morning so many thanks to Fujifilm, they managed to fulfil my order sooner than expected! I can confirm pricing (in Italy, at least) of EUR 249,99 + 9,90 (handling & shipping on their site). The item is actually in stock again on their site. Believe this should be quite the same for other countries, hope this can be useful to FR readers.”

DigitalRev has the TCL-X100 in stock here. They sell it for $339 / €294. You can pre-order it for $349 at BHphoto here.

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