BREAKING: Capture One Pro 10.1 BETA Now Supports X-Trans Compressed RAW & More!

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Capture One Improved X-Trans Support

An attentive FR-reader, who’s a beta tester for Capture One, just noticed that in today’s release notes of Capture One 10.1 there are some really good news for Fuji X shooters (thanks for letting us know).

1) X-Trans-Support:

Fuji Cameras with X-trans type sensors can now leverage the LCC, Chromatic Aberration. Analysis and Purple Fringing suppression tools for your workflow. X-trans files are now also supported via OpenCL.

2) Fuji Compressed Format

No GFX Support still

Exclusive for FR-readers, here is the Full PDF File with the Release notes :)

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“Guys, I Got a Serious Problem: After Testing two Days the GFX, How Can I Go Back Shooting with my Sony A7r2?” (GFX Member Aziz)

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Aziz Nasuti wrote on the Fujifilm GFX facebook page here:

Guys, I got a serious problem here: after shooting two days with GFX (testing) how I go back and shoot with my Sony A7r2 :( “

As to expect, the comment section is running hot, and Aziz explains:

I am 100% honest with you, not paid by Fuji. This camera is absolutely the best camera that I ever had. It is amazing in low light and boosting shadows and recovering the highlights. Now it doesn’t offer the best lens combination but it will come with the time.

[…] the GFX is much richer in depth and really deliver cleaner images.”

Fujifilm GFX 50s: BHphoto, Adorama, AmazonUS

The 10,700+ members of the Fujifilm GFX facebook group are extremely active.

Below is some more feedback

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Fuji XF 55-200 Revisited, the 18-135, and Other Musings!

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GUEST POST FEATURE
Write Your Articles Directly On FujiRumors!

guest post by Philip Sutton: philipsuttonphotography website + Instagram @finartfoto

Previous guest posts of Philip Sutton

  • Fuji X-T1, X-T2 – A New Way of Seeing! – Read here
  • Fuji X-T2 and X-T1 – a New Perspective on Myanmar in 2017 – Read here
  • Fuji X-T2/X-T1 – Recce in Bali – Read here

As you would have read on my last two blogs, I had recently sold off all of my Nikon gear over the last year or so and replaced everything with Fuji equipment. I have extensively used my 18-135 lens and the marvellous little 35mm f2. The 18-55 I never liked (not sharp or very useful wide open at the 18 or 55 end), so that was sold recently on ebay. However, the 55-200 kind of sat there in no-man’s land and never really got used. I did a commercial shoot last year where I had to shoot over 25 models for our local TAFE (Technical and Further Education). The girls were graduating from their Makeup and Beauty Course, and I was asked to photograph the models for their portfolios. Of course the 55-200 was the perfect choice for that occasion. The photos looked great and everybody was very pleased with the results.

One of the models from the shoot with the 55-200 lens.

After that – I kind of popped the lens back into the camera cupboard and forgot about it. I had thought long and hard about the lenses I would take on the month trip to Myanmar at Christmas, but because the 55-200 lens was not sealed, it did not even get on the short list. I ended up specifically purchasing the 18-135 because of the weather sealing. I had been to Myanmar on two prior occasions and I remembered how unbelievably dusty and dirty it can be over there (especially Mandalay and Hsipaw).

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DPReview Fujifilm GFX 50s Review: “The Best Image Quality We’ve Seen to Date” (Gold Award)

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DPReview just published their full Fujifilm GFX 50S review… and it get’s the gold award.

Here are the Pros and Cons

Pros Cons
  • 51.4MP, 44 x 33mm sensor yields high image resolution
  • Excellent image quality in both Raw and JPEG
  • ISO invariant behavior above ISO 1600 gives increasing amounts of highlight recoverability
  • Contrast Detect AF is accurate and precise
  • Fujifilm color science, and color chrome effect, in larger than APS-C size
  • Direct controls provide for engaging shooting experience
  • AF joystick + touchscreen makes selecting an AF point simple, effective
  • Touchscreen flips vertically and horizontally
  • Weather-sealing and solid build quality
  • Comfortable ergonomics
  • Plenty of custom buttons
  • Dual card slots give flexibility and capacity
  • Electronic first curtain shutter mode minimizes risk of shutter shock
  • Lack of mirror avoids mirror-induced shock other MF systems bring
  • In-camera Raw processing lets you make full use of excellent JPEG engine
  • Easy-to-use Wi-Fi
  • Slow native lenses do not take full advantage of camera’s sensor size
  • Contrast Detect AF speeds can be sluggish in moderate light, often fails in dim or backlit situations
  • No high speed flash sync
  • AF-C is virtually unusable due to constant hunting
  • Moiré is visible in fine detail and patterns
  • ‘Shimmering’ and moiré in the EVF when focus is initiated
  • Unduly rolling shutter in complete (silent) E-shutter mode
  • No way to link minimum shutter speed to focal length with Auto ISO
  • No ISO 100 during video capture
  • No dedicated exp. comp. dial
  • Rear dial can be difficult to turn due to its position
  • Limited lens selection at launch

They also say:

In principle, there’s a full frame camera that can match the Fujifilm in each of the specific areas in which it might be expected to excel: resolution, dynamic range and noise. […] However, if you aren’t pushing the camera to its limits in any of these respects, then the difference becomes negligible. The GFX’s greatest strength is its combination of all of these characteristics.

[…] And though it does offer the best combo of dynamic range, resolution and noise performance of any camera on the market, it only beats its full frame competition by a small amount.

[…] If Fujifilm truly wants to steal users away from Canon, Nikon and Sony (and they should), they’re going to have to get serious about a few things: releasing faster glass, improving AF, and packing the most modern sensor technologies that smaller formats provide.

[…] But ultimately, for successfully debuting a new system with an all-around lovely camera and the best image quality we’ve seen to date, the Fujifilm GFX 50S takes home the gold. “

Read the Full Review at DPReview here.

Fujifilm GFX 50s: USA BHphoto, Adorama, AmazonUS

And feel free to join our 10,700+ members strong GFX facebook group and to follow the dedicated GFX facebook page.

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Fujifilm X-E3 Confirmed To Be Announced This Year (2017) – Trusted Source

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Fujifilm X-E3 Mock-up
Fujifilm X-E3 Mock-up

Fujifilm X-E3

I can now confirm via trusted source, that the Fujifilm X-E3 will come this year (2017). A new source said it will come fall 2017.

I would like to say thanks to every one of you guys, who helped me to make pressure on Fujifilm and to make them understand that it would be an epic error to kill the X-E line.

And now I’ll go out in rain and make a joyful dance :-)

Fujifilm reads you guys. Your opinions even make it into official Fujifilm meetings with the press or can push Fujifilm to drop plans on cameras like the monochrome X-Pro. So keep up commenting and sharing here on FujiRumors because…

… together we can be stronger than you might think :)

have a Great Day…
Fuji X Forum, Facebook, RSS-feed
and Twitter

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