Fujifilm X-H2S Kills off Fujifilm’s Super Power (Becoming More Like Sony) says Tony Phillips (and it’s NOT the PSAM Dial)

Tony Phillips might be known to many Fujifilm shooters thanks to his numerous books and guides about Fujifilm cameras.

Well, when testing the Fujifilm X-H2S, he noticed a change over previous Fujifilm cameras that, in his eyes, kills off one of Fujifilm’s super powers and makes it work more like any Sony.

In the short video above he will explain what it is.

Another thing that many X-H2S complain is that you can’t set ISO to one of the command dials. I can understand that’s totally annoying.

Good thing: these should be pretty easy things to fix via firmware update.

So, dear Fujifilm, time to get at work again ;).

DPRTV: Fujifilm X-H2S vs Panasonic GH6 for Video Shooters

Released within months of each other, at similar prices, the Panasonic GH6 and Fujifilm X-H2S are some of the most compelling mirrorless cameras available for video shooters. Jordan Drake takes you through the strengths and weaknesses of these outstanding cameras.

Here is a summary:

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DPRTV Fujifilm X-H2S Review: “Similar Price Point of Some Full Frame Cameras, But in a More Versatile Package”

DPRTV published its review of the Fujifilm X-H2S (production model with final firmware).

As to expect, lots of the things they complaint about in their pre-production review were completely fixed and improved.

Here is the summary:

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CineD and Gerald Undone About Excellent Lab Test Results of Fujifilm X-H2S and Fujifilm’s Strategic Advantage over Sony and Canon

CineD and Gerald Undone recently published a video where they talk about how they make their lab tests.

It’s a one hour video I invite you to look in its entirety.

What I will highlight are 6 minutes towards the end of the video where they talk about the excellent test results of the Fujifilm X-H2S (starts minute 48:35).

They talk about how different and pleasing noise actually looks on the Fujifilm X-H2S (not the first to say this and actually that’s a peculiarity of X-Trans sensors, I mean the more film-like grain at high ISO and the less color noise).

So it seems that when Fujifilm advertises the X-H2S as having 14+ stops of video dynamic range, they are totally honest about it. In CineD tests, it beats even the full frame Sony A1.

But even more importantly, if you want to get rid of noise, for some “secret language” reason (as Gerald would call it), it seems that at least noise reduction applied in post is able to clean up noise with an ease he has never seen before.

Also, CineD mentions a strategic advantage Fujifilm has over Sony and Canon. Which one? You’ll find the answer in the short summary down below.

Summary

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