Tap & Dye Legacy Spring Clip Strap Review

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Introduction

Prior to getting my Fuji X-T2, I used a Black Rapid strap on my Nikon D750. A neck strap and a full frame body with pro glass is painful. With the arrival of my X-T2, I decided to go back to a neck strap as the small size of the X-T2 meant it was feasible. Sadly, most OEM straps are somewhere between “terrible” and “if this was the last strap on earth” so I decided to venture out and seek a aftermarket strap.

My key criteria for the new strap were (in no particular order):

  • Something leather that fitted the X-T2’s retro theme
  • Easy removal of the strap as I don’t like having a strap attached permanently to the camera
  • Neck pad or some form of wider neck section for heavier lenses
  • Good quality
  • Black

It was through the hunt to meet these requirements that the Tap & Dye Legacy Spring Clip Strap came into the picture.

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Fujifilm GFX :: “Addictive Image Quality.” ** Is the G-System Completing or Competing with the X-system?

Fujifilm continues to tease the Fujifilm GFX at their channel… and they uploaded a bunch of new “Fujifilm GFX Challanges” Videos.

One of the questions is, if the Fujifilm G-System can replace the Fujifilm X-system. For studio work, Itaru Hirama says that the G-system will become his main camera, and the X-series will become his faithful back up. From a wedding photographer’s perspective, you can check out Nathan Sans video, where he says the GFX will be his camera for some specific moments and very special photos, where he wants to deliver to the client the ultimate image (such as the posed portraits of the couple) and for the rest he will use his X-Pro2. So, overall, both system (the G and the X) seem to compelete each other.

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  • Piet Van den Eynde (Travel) took the GFX out on the streets of India. He’s blown away by the sharpness, loves the incredible dynamic range, and being an X-shooter, he immediatly feels at home using the GFX – Video here. There is also an article about the GFX in India at thedigitaltrekker.com
  • Itaru Hirama (Studio) uses the GFX in studio… but in a rather original way… a photographic jam sessions let’s say. He was impressed by the bokeh of the GFX and loves the fact that he can make very large prints. The GFX is compact and versatile. The GF lenses are stunning at every aperture. For professinals, the GFX completes the Fujifilm system. It will become the main camera of Itaru Hirama and the X-series will serve faithfully as a back-up. – Video here
  • Yinghui Wu (Landscape) takes the GFX out on a rainy day on the seaside and on the mountains. It’s a landscape photography pure video, with no talk, “just” images. – Video here
  • Natan Sans (Wedding) says he will continue to use his X-Pro2 for spontaneous and fast photos, which grab the moment. But he needed also something with maximum quality for specific photos and poses… the Fujifilm GFX. An excellent, and light, camera to work with, so he ends up holding it on hands all the time. AF points are all over the sensor, which makes photographing moving subjects easier compared to other Medium Format systems. Addictive image quality. When shooting weddings, he will use the X-system in situation, where he has to be really close to the couple without being to intrusive, but in some specific moements, for some very special photos of his clients, he will use the GFX. – Video here
  • Serkan Günes (Landscape) takes the GFX into the extreme conditions of the Lapland, searching for the perfect light. He does not talk about the GFX, but you can see how he works with the camera basically covered in snow. Weather sealing seems to work just fine, but it wonder how long the battery last in the extreme cold. – Video here
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X-T2 Best MILC for Moving Subjects :: Photojournalist Switching to Fujifilm :: Appeal To Sell Encrypted Cameras :: EF-X500 for Portraits (miXed zone)

From the Headline

  • Fuji Guys: Using the Fujifilm EF-X500 Flash for Portait Photography at Fuji Guys youtube
  • X-T2 declared best Best mirrorless camera for moving subjects… and other Fuji X Gear wins something, too, at pocket-lint
  • My Journey in Switching to Mirrorless as a Photojournalist at smartpicsukeventphotography (via petapixel)
  • 150 Filmmakers Ask Nikon and Canon to Sell Encrypted Cameras (and why not Fuji, too?) at wired

Fujifilm X-T2

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Fuji X-T2/X-T1 – Recce in Bali

'The Moment'
‘The Moment’

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A cataclysmic shift

I had a cataclysmic shift in my photographic equipment this year. As many seem to be doing now (after dipping my toes in the waters over the last few years), I bit the bullet and sold my beloved Nikon D3X and lenses, and swapped fully over to Fuji. I won’t bore you all with the minutia of the details – but suffice to say it was a very big emotional and financial endeavor. I have been shooting Nikon for over 30 years now – starting with the Nikon F3 and worked my way up through all the models, ending with the D3X. My wonderful Nikon F4 served me so well for many years of shooting ‘stock’ in the heyday (90’s).

However a few miles under the belt and a few creaky bones later, I was finding it increasingly difficult to lug my huge D3X and Nikkor 70-200 around in the tropical heat of Asia. My wife and I live in a small gold-mining town in the Western Australian desert. It is the most boring forsaken place on the face of God’s earth. However, with stable paying jobs and other reasons we choose to live here at the moment. However, because there is nothing to photograph here, my cameras sit locked in their little cupboard most of the year. Fortunately travel to Asia from Perth airport (not counting the 8 hour drive to get there), is cheap and not many hours flight. We go to Asia a lot and that is where I love to photograph.

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Fujifilm GFX :: “Autofocus? It’s Almost like Working with the X-system” (VIDEO)

Pål Laukli is working with a pre-production Fujifilm GFX, and in his video shared at Fujifilm Global here, he says:

  • If you are used to the X-system, then you will get used soon with the GFX.
  • Shooting tethered is possible
  • JPEG with amazing color depth, very sharp, the skin tones, and X-System feel.
  • Having worked with many different Medium Format System, it was a pleasure to see that the focussing system on the GFX is almost like working with the X-system [NOTE: he does not specify if the AF speed is similar to the one of the X-E1/Pro1, X-E2/T1 or X-T2/Pro2. But it’s safe to assume it could eventually match the speed of X-series cameras with only contrast detection AF, hence X-E1/Pro1… and franky, that alone would already be quite awesome for a MF camera].
  • All the optics delivered a special feeling.

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FIY: The footage was filmed with FUJIFILM X-T2 in 4K quality

Fujifilm GFX :: Current Pricing About $8000 (body + lens) – New Source