The Great JPEG Shootout by TheCameraStoreTV

TheCameraStore just shared their Big JPEG shootout here. They compare the Pentax K7D, Olympus Pen F, Nikon D500, Canon 80D, Panasonic G85, iPhone 7+, Fujifilm X-T2 with default factory settings.

The goal was just to show how JPEG’s straight out of the box look like and what people tend to find more pleasing.

They took some shots under different conditions, printed them all and let them evaluate by customers, staff members, Pro photographers, amateurs and professional printers.

Some of the results:

Portrait: Winners: 1st Nikon, 2nd Canon, 3rd Pentax. Losers: Panasonic, Olympus, iPhone
Landscape: Winners: 1st iPhone, 2nd Panasonic, 3rd Olympus. Losers: Worst of all Sony. A note regarding Fuji and Nikon: they exposed a bit darker out of the box, and therefore people perceived them as muddy.
Lab Test: Winners: 1st Sony, 2nd Nikon, 3rd Canon. Losers: iPhone

So you see, a lot of inconsistency between cameras according to the scenarios they were used.

Overall Results: 1st Nikon * 2nd Canon * 3rd Panasonic * 4th Fujifilm * 5th Olympus * 6th Sony * 7th Pentax * 8th iPhone

Regarding Fujifilm, TheCameraStore thinks the X-Pro2/T2 does not have the same uniquess as older X-Trans 1/2 cameras have over the competition.

It would be nice to see also how the different film simulations perform in the above mentioned scenarios compared to the dedicated presets of other camera manufacturers. Velvia (for landscapes), Astia (for portraits), Acros (for black and white) and Co…. these film simulations have been specifically designed to get the best results in different areas, and applied to the above scenarios, they might have shown where the famous “Fuji Colors” reputations comes from.

Sorry Nikon – This is Where You Lost Me… (Now Fujifilm X-T2 Shooter)

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guest post by theoverratedphotographer – Twitter / Instagram

I’m going to be honest and say I wasn’t an very unhappy Nikon user, but I’ve become progressively despondent. My D750 was great (despite having two shutter replacements), the lenses were great, and the system was great. But I wanted a second body and I wanted that body to be mirrorless. I would have been great to have a mirrorless body coming from the same system as my DSLR but after waiting and hoping for Photokina, that didn’t happen, so I had to question how important DSLR or full frame was for me. The more I compared, the more I really that there was no longer a loss of performance moving to mirrorless, at least not for what I was doing.

I always said that when mirrorless offered a viable alternative, I’d consider switching. Sadly for Nikon, mirrorless now offers a viable alternative, but Nikon isn’t close. To put it into perspective, the race started 5 minutes ago, and the problem isn’t that Nikon started late, they’re still in bed sleeping.

Their last announcement at Photokina was more than just a little disappointing, and I wasn’t the only one. I don’t think I saw many positive comments at all. For those who missed it, Nikon seemed to indicate they might consider, thinking about contemplating, potentially, maybe looking at mirrorless and they would continue to monitor it. I’m glad you’re monitoring it, but if I’m going to continue to invest in a system, I want to know they are doing more than just watching this space. I can watch this space and I don’t even manufacture camera’s.

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So where did Nikon go wrong? Well, for starters, if your customers are waiting for you to produce a mirrorless, and we know there are a lot of them out there waiting for this, and if you are actually developing a mirrorless, you may want to mention it. I know what you’re thinking…maybe they wanted to keep it quiet so the market doesn’t know what they’re doing for competitive reasons. No, 10 years ago if Nikon was doing it, it might have been a secret. Now the market actually thinks you an idiot if you’re not doing it. And if you’re doing it and not mentioning it, they think your marketing department are idiots.

In the last 12 months, I’ve seen 5 Nikon amateurs/enthusiasts switch to mirrorless. They probably would have stuck with Nikon if they knew there was a good mirrorless coming, and don’t give me this Nikon 1 crap. I’m talking a mirrorless with a APSC or FX sensor. Sure, we’re not professional sports photographers bu we’re not spending small sums of money either. We may not be buying 400 f/2.8‘s but we are buying D810‘s, D750‘s and pro glass like 24-70‘s, 70-200‘s and 14-24‘s. To put that into perspective, when these photographers go out and buy into another brand, they’re spending $5,000 – $10,000 to start with along with a another $5,000 – $10,000 over the next year or two. Maybe that’s not much to Nikon, but it should be, because when enough people start doing that, the numbers and up. This is the next generation of photographers that influence the youth who are buying and right now, we’re telling them not to buy into Nikon and Canon, because mirrorless is where the future is at, and Nikon and Canon aren’t the future.

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How to Shoot a Wedding with the Fuiji X-T2 (DPreview) :: Fuji X-T2 Vs. Nikon D750 in Studio + Much More (miXed zone)

Fuji X-T2 with XF16mm in Low Light at riflessifotografici (translation)

Full List of Today’s Gold Box Deals
AmazonUS, BHphoto, AmazonDE, AmazonUK

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Fuji X-Pro2 and X-T2 User Review – My Journey from Canon to Sony to Fuji

Dallas PhotographyFuji X-Pro2

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Guest Post By Rick Birt of Romeo Bravo Photo

I have now had my Fuji X-Pro2 for a few months, and I’ve used my wife’s Fuji X-T2 at a few events. I wanted to share my thoughts so far, and give some insight on why I ditched my Sony Super-Camera for Fuji.

Dallas Fuji PhotographerFuji X-T2

After I retired, my wife asked what I wanted to be now that I could do whatever I wanted. Her question made no sense to me since I had just retired from my dream job. I had never thought about what I wanted to do next. In my mind I had done everything I had set out to do. What does one do after flying jets in the Marine Corps?

Chippendales dancer maybe? I’ve got some moves, but I’m no Chris Farley. I’m more of a karaoke to “I Touch Myself” kinda guy.

So, I started assisting my wife Kelly in her photography business. I eventually picked up the camera and shot a couple of our model friends. I loved it! More importantly – the models loved the images, and so did their agents. Back then I was using my wife’s old Canon 1Ds mk III with whatever lenses she wasn’t using. I liked it, but it was a real beast to lug around. I’m also a real tech/gadget geek and I wasn’t really impressed with Canon’s lack of features (even in their new cameras). Don’t get me wrong – I appreciate well made vintage stuff too, but the 1Ds3 is hardly a classic. So, I began researching and learned that Sony was about to unleash the amazing a7R II. On paper it was the perfect camera. For me personally…not so much. Let me list my pros and cons:

Sony a7R II

Pros:

  • 42 Megapixels with no AA filter
  • 4k Video
  • SHARP!!!! – especially with Zeiss (even Sony/Zeiss) lenses
  • Ability to adapt virtually any lens ever made
  • The Eye-AF was game-changing
  • Tilt-screen

Cons:

  • Skin tones were pretty bad
  • Buffer was terrible. After taking about 15 shots the camera would refuse to do anything until it finished writing to the SD card. Want to view a photo you just shot? Sorry! #unionbreak
  • Start-up time wasn’t very fast, but sometimes it was plain SLOW (for no real reason)
  • Menus are horribly unintuitive – try finding the ‘format card’ function…I’ll wait
  • Auto White Balance did not work well. I even had trouble with custom WB at times
  • Harsher bokeh and out-of-focus highlights than I liked
  • Too Sharp? I know that sounds ridiculous, but show any woman a razor-sharp, 42mp, cold-toned, close-up of herself and let me know what she says. Hell even I didn’t like seeing images of myself straight out of the Sony #wearmoresunscreen
  • The amazing quality lenses were being made as big or bigger than their DSLR counterparts. This virtually eliminated the size/weight advantage of buying a mirrorless camera. The lenses were also more expensive than similar Canon offerings.

I know there are people that will claim that sharper is better, and that Canon has inaccurate (magenta) colors. Those people have a great point – especially if they are shooting architecture or landscapes. However, when you shoot people, I think you actually have to take on a different opinion of what is ‘better.’ The best example I can think of to illustrate this is a Youtube video created by Sony photographer Gary Fong. In the video he shows pictures of a model to compare the quality of the Sony G Master 85mm lens (on a Sony a7R II), vs the highly-regarded Canon 85mm L. In the end most viewers concluded that the Sony portrait was better because of the detail vs the Canon. However, I bet if we asked the model she’d prefer the Canon shot. My wife thought the Canon portrait was better because it was “prettier,” and she is a professional photographer with 25 years of experience!

Fashion and portrait photography are very much about image. It’s not about accuracy, it’s about aesthetics. Photoshop exists because people prefer to look at re-touched images.

Trust me, I did a lot of experimenting with the Sony, and a ton of gnashing my teeth in Lightroom, Capture One, DXO, and Photoshop to try and find the right formula. But after I had a model tell me that she thought her skin looked a little ‘dead,’ I finally decided to look elsewhere. I read a great post by Bill Palmer (a long time Leica user) entitled “Fuji is the Leica of the new Millenium.” As a long time Leica luster, I was intrigued. I decided to rent a Fuji (and an Olympus) for a comparison. I took about 1500 shots of my wife that day, and when we both looked at the images, Fuji was the OVERWHELMING winner. It wasn’t even close. I think the ratio was like 50:30:20. In fact, my wife liked the Fuji files so much that she pre-ordered the Fuji X-T2. Bye Felicia!

FUJI

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Apple Engineer Explains Why MacBook Pro has No SD-card Slot :: X-T2 for Sports :: XF23/F1.4 Vs. XF23/F2 (miXed zone)

Apple Engineer Interview

A clear and sober admission, why Apple decided to get rid of the SD-card slot with it’s brand new Macbook Pro 2016Youtube Video Here

Fujifilm GFX

Shared at GFX Facebook Group here: Say Hello to X-T2 and GFX. What is lovely pair. www.ivanjoshualoh.com

Fujifilm Manager talks about Fujifilm GFX at photography life youtube

Fujifilm X-T2
USA: BHphoto / AmazonUS / Adorama / CANADA: AmazonCA / EUROPE: AmazonDE / Calumentphoto DE / AmazonUK / AmazonITA / AmazonFR / AmazonESP / PCHstore / WexUK / AUSTRALIA: CameraPro

  • Last day of the 2016 Hastings Horse Racing Season at joengphotography
  • On the sidelines with Fuji’s X-T2 at philippalermo
  • Mischkah Scott in Tuscany ~ X-T2 with Pro Neg S ~ NSFW at prophotonut
  • Hiking with the Fuji X-T2 at sftwins
  • The Fuji X-T2 as a travel camera? at childrensportraitslondon
  • Fujifilm X-T2 – 4K compilation – Wales, Talyllyn Railway Halloween, Machynlleth Lantern Parade 2016 at mirrorlessons youtube. On his email to me, Mathieu wrote “the continuous AF that is impressive. It works seamlessly in good and low light. It reminds me the Dual Pixel AF of the Canon C300

XF23mmF2 WR

Thoughts About The XF 23mm F2 Lens at olafphotoblog

  • A Matter of Stops: The Fujifilm 23mm f1.4 VS the 23mm f2 at fathersonphoto

Fujifilm X-Pro2

X-Pro2: When the Leaves Come Falling Down at littlebigtravelingcamera / First attempt at using a rangefinder for street photography – Fuji X-Pro2 at bershatsky /

Other X-series cameras

X-T1 with the 50-200 and 10-24 visiting the Rocky Moutains at mattrussellphoto / X-A3: Fujifilm thinks you need a mirrorless interchangeable lens camera for selfies at soyacincau / X100T Snapshots by Kevin Mullins at f16.click /

Lenses

Fujifilm FUJINON XF50 140mm Lens at thefxworks / 35mmF2 review at toolsandtoy / Fuji XF 35mmF1.4 lens review with samples at Christopher Frost Photography youtube / Fuji X-T2 56mm @ f1.2 at mostly.photos /

X-Trans / Converters

How to Get Best Image Quality Out of Fuji X-Trans III RAW´s at hendriximages / The Fujifilm RFC RAW Convertor: Part Three – Working on Multiple Images at adambonn /

a bit of everything

The Day I Went Fuji X-System at ipcloud /