Fujifilm at a Crossroads: Compact Comeback or Entry-Level Revival?

So, there are currently tow unreleased Fujifilm camera registered:

In regards to the FF250003 the question now is: what do you prefer: an entry level APS-C camera or a 1″ sensor compact camera?

And look, until just a few weeks ago I’d never given you the option to vote on a 1″ sensor camera. But Fujifilm has now decided to buy those sensors and use them for the Fujifilm X half.

So, since Fujifilm joined the 1″ sensor crowd with the same sensor, it is no longer a completely unrealistic option that there might be even more 1″ sensor cameras in future.

May it be the successor to the lovely Fujifilm X30, or the ultra-compact Fujifilm XQ2 or the forgotten but stylish Fujifilm XF1… now that the 1″sensor is available for Fujifilm, reviving any of these lines might be a possibility.

But maybe you don’t want any of these 1″ sensor cameras. Maybe you think Fujifilm is better of expanding their entry level segment with new models, also considering the rather surprising success of the Fujifilm X-M5 but especially considering that now that the Fujifilm X-E5 has also increased in price, affordable options in the lower end are becoming quite limited.

Feel free to vote the survey down below.

I Want the Lower End FF250003 to be...

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Tariff Trouble Ahead? Why the Fujifilm X-E5 Could Be Most at Risk – and What You Can Do Now

New Troubles for Fujifilm X-E5

A few weeks ago we wrote an article in which we go through all the struggles the X-E line had to deal with.

Well, the challenges for the X-E line might as well continue with the Fujifilm X-E5.

And in today article I will try to give an answer to the questions some FR-readers made me about how the new tariffs could impact the Fujifilm X-E5 pre-orders.

The news is this: the U.S. set to increase tariffs on Japanese-made products from 10% to 25% starting August 1st. And I would not be surprised if the Fujifilm X-E5 could become one of the first victims of the new policy.

  • Disclaimer 1: This is a well-reasoned assumption on my part, but not a confirmed rumor or official information—so please treat it as speculation
  • Disclaimer 2: My assumption is based on the very likely scenario that, just like the X100VI, X-T5, X-T50, and X-M5, the X-E5 units bound for the U.S. market will also be manufactured in Japan to avoid the even riskier China tariff policy of the US (which at some point even reached 145%)

So, if Disclaimer 2 turns out to be correct—that is, if the Fujifilm X-E5 units for the U.S. market are indeed made in Japan (as is the case with the X100VI, X-T5, X-T50, and X-M5)—then it’s safe to assume that the X-E5’s launch price was likely calculated based on the current 10% tariff.

And that could be a problem.

Because the Fujifilm X-E5 is officially scheduled to ship on August 28. This means the units destined for the U.S. will likely arrive sometime in mid-August, well after the new 25% tariff goes into effect.

Any shipments arriving after August 1st (pretty much every X-E5 unit) would likely incur the new 25% tariff.

This puts the X-E5 in a particularly vulnerable position—probably priced under one tariff regime (10%) but potentially delivered under another (25%).

So, unlike existing made in Japan gear (X-T5 & Co) already in Fujifilm’s U.S. warehouses (or arriving there before August 1st), the Fujifilm X-E5 could be among the first products affected by the higher rate, putting upward pressure on prices.

Whether Fujifilm will absorb the extra cost or pass it on to customers remains unclear—but the risk of a price increase is real, and growing.

🔒 The Smart Move: Pre-Order the X-E5 Now to Lock in the Price 🔒

Given what we have discussed, it’s hard to ignore the risk of a post-launch price increase for the X-E5.

That’s why, if you’re seriously considering the Fujifilm X-E5, the best move right now mighe be to pre-order it as soon as possible.

By placing your order today, you’re not just reserving your camera—you’re also locking in the current price, which was very likely calculated under the existing 10% tariff structure.

So if the X-E5 is on your wishlist, don’t wait until August to make your move. Pre-ordering now might be the most cost-effective decision you can make.

And keep in mind: you’ll still have plenty of time to decide whether to keep your pre-order, since the camera isn’t shipping until August 28. Pre-ordering now costs you nothing, but it locks in the current price and protects you in case prices go up later. And in the unfortunate scenario that it goes up, also the price for second hand units will go up.

Fujinon XF 16-200 vs XF 18-135 Size Comparison and Thoughts

We recently took a look at the 8 remaining lenses Fujifilm has “under consideration” for future release.

And since I love this lens here, I picked as my favorite future lens the Fujinon XF16-200mm superzoom.

Now, I know it would make me look more “Pro” if I’d advocate for red-badge fast lenses.

But hey, if Melinda Sue Gordon shoots the official backstage images of the Dunkirk blockbuster with the XF18-135mm lens – we reported here – then I guess the lens is plenty of good enough also for my much more humble needs.

With that said, I decided to take a closer look at the potential XF16-200mm, based on specs given to us by Fujifilm (and turned into the above silhouette by FR-reader Hiergeist), to see if the XF16-200mm could really be a potential replacement for the XF18-135mm.

  • Fujinon XF 16-200mm
    – length 120-140mm
    – diameter 70-80
    – weight 600-800g
  • Fujinon XF 18-135mm
    – length 97.8mm at minium extension and 156mm at maximum extension
    – diameter 75.7
    – weight 490g

We can see: especially on the shorter side of the range given to us by Fujifilm, the XF16-200 would be quite close in size to the current XF18-135mm (just about 22mm longer and 110g heavier).

If Fujifilm would launch the Fujinon XF16-200mm, then I would surely buy it to replace the XF18-135mm.

In fact, after I bought the XF18-135mm I sold both my XF18-55mm and XF55-200mm. But having again the option to go all the way at 200mm and also to go wider at 16mm would be very welcome, especially if the overall size and weight increase are contained as suggested by the specs shared by Fujifilm.

So, I stand by my wish: if I have to pick one, I would like the Fujinon XF 16-200mm.

But again, feel free to drop your wish and vote here.

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Fujifilm X-T6 with Back-Illuminated Dials :: Dreams of Fujifilm X-T5S :: How to Re-Do the GFX :: and More :: FR-Reader Wishlist Corner

Time to catch up and share a FR-reader wishlist corner post.

by Chris

Once upon a time (2010?), Fujifilm launched the second version of a 3D camera, the Fujifilm Finepix Real 3D W3.

Stereo enthusiasts still regard this as a high point but of course its specifications (especially the sensors) are now very dated.

Do you think there is ANY CHANCE Fujifilm might produce a new version, almost certainly with enhanced video capabilities for viewing on 3D display laptops, AR/MR/VR headsets and more traditional ways?

There have been “Mickey Mouse” 3D cameras launched recently, but they are more toys than proper cameras, see e.g. XREAL Beam Pro.

by Jerry

** CLICK HERE to Read the Rest of the Article **

Nostalgia Meets Utility: Thumb Winder on Fujifilm X-Pro4 and More Wishlists and Ideas for the Next X-Pro

X-Pro4

We just shared an article about a guy, who added a dumb-thumb-winder to this Fujifilm X100VI.

In that article I said that I personally would be happy to see an X half alike winding lever also on the Fujifilm X-Pro4.

Of course this was a very divisive opinion and I thought let’s vote on it.

And speaking of X-Pro4, after the survey I will share a few FR-readers wishlists and a video about it.

And if you think my thumb-winder idea for X-Pro4 is controversial, then you better skip the video of Luca Petralia ;).

Would you like a Multifunctional Thumb Winder on the Fujifilm X-Pro4

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by Arbekowicz

For X-Pro3 successor: Blocking systems for all dials (especially the exposure one), a more usable hidden screen, a frame for 18mm in the OVF, and real coverage or framing (currently I think there’s a 10% gap), a better viewfinder for glasses holders (may they be prescription or solar) and a smart protection for the sensor when changing lenses, like the lock system in Mamiya’s twin lens.

by Nelson

Xpro4 – add 4-way control back to this camera (and to x100v ); vastly improve optical viewer magnification or remove entirely; reduce overall body size if possible.