Well, then you can add this one: in his recently published GFX review, popular X-photographer Patrick La Roque says that he knows Capture One WILL support the Fujifilm GFX… and Patrick is definitely someone, who has the right contacts to be able to claim that.
So yes, Patrick published his GFX First impressions. I know some of you say that reviews of official X-photographers should be taken with a grain of salt, but I don’t really think so. These are guys, who perfectly master their X-gear and are super-familiar with it. If they criticise a Fuji camera, it’s for sure not because they missed to read the manual and don’t know, how to use or set the camera properly (which I’ve seen very often on youtube-reviews).
And btw, Patrick La Roque is the same guy, who at the day when Fujifilm announced the X-M1, wrote a review, where he demolished the X-M1, saying that he does not like it all and it’s the most uninspiring piece of gear Fujifilm ever produced. So Patrick has proven not to be afraid to say what he thinks.
Fujifilm just launched a new series about the Fujifilm GFX, the “GFX Technologies” series. Episode one is all about the GFX sensor, which is different compared to the other 44×33 MF sensor, because:
The sensor itself has the surface size of 43.8×32.9mm, but the shape of the sensor unit is different for the GFX 50S. Typically the sensor is mounted to the silicon circuit with terminals placed on both sides of the sensor. But in the case of GFX, the sensor is mounted to the silicon circuit with the terminals placed on the back side of the sensor. This allows not only the sensor unit, but also the silicon circuit to be smaller in size.
In order to effectively process the lights, the size of micro-lenses haven been reduced and more spaces have been created between each pixel. This is one reason why the images appear so sharp when taken by GFX even though the pixel counts are the same. You may wonder about the negative impact for sensitivity and S/N if the micro-lenses are smaller in size. There is no need for such concern. The pixel size is big enough to receive enough lights without making micro-lenses any bigger. This optimization is only possible for the medium format sensor.
The photic saturation point of the sensor is extended and wider dynamic range is realized as a result. The dynamic range becomes 1/3 step wider. This wider dynamic range is a result of extended photic saturation point, so the images are 1/3 tougher against over-exposure. This extended photic saturation becomes most effective when the sensitivity is set at ISO 100
The camera is not equipped with the phase-detection pixels, but the autofocus speed is quite fast for a medium format camera nonetheless. One of the reasons for this is the increased sensor readout speed from 130fps to 200fps. Our sensor is customized so that faster readout is realized during autofocus. The speed is slower than DSLRs with dedicated phase detection autofocus, but it is much more accurate than that of the DSLR.
Full story at fujifilm-x (thanks to the FR-reader for the link :) )
Bigheadtaco had a 1 hour talk with Fuji Guy Billy. If you have no time at the moment to watch it all, I made a summary for you guys (you’re welcome ;) ). For the full video click here… but you should really check out the whole interesting interview as soon as you find some time.
X-T2 has huge demand [NOTE: we noted this… it’s still backordered at a lot of stores :( ]
the WCL/TCL MK II has magnets that allows the camera to detect if the WCL or TCL is attached. The old converters also work, but you have to select in the menu if the WCL or TCL is attached
4K: to get close to the F-Log profile for color grading, dial down highlight + shadow tone to -2 and sharpness down to -4, it’s pretty close to the flat F-Log profile (for max. dynamic range recovery capability you still need F-Log)
4K on X-T20 you lose some resolution, because it has no crop (X-T2 has crop) but has a half line skip (min 14:55)
Firmware Update for X-Pro2?
The half line skipping when shooting 4K allows the X-T20 to shoot 4K without overheating. Take asks Billy if this could be implemented to the X-Pro2 via Firmware update. Billy answers: “I hope so, it’s something I’m pushing all the time. I don’t understand why the X-Pro2 has no 4K like X-T20, since there is a solution for that. I’m fighting for that in Japan.“
Personal Note: Thanks Billy for your efforts to support us and make pressure on Fujifilm… we all send you a virtual hug :)
2.5 years ago Fujifilm sat down with some key Medium Format photographers, and started developing the G-system from their input.
increased tonality + 14 stops of dynamic range
Hopefull down the road Capture One will support GFX RAW’s
GFX will hit the market at the end of February
Fujifilm will launch a free tethering Software (Fujifilm X-acquire) that you can use also with X-T2 & X-T1 at the end of Febraury. (min 29.03)
When they talked about the focal plane shutters, Fuji Guy Billy says that they know which sensor technology will come in future, and that “certain technology won’t be needed anymore“, and hence they decided to make future-proof non-leaf shutter lenses. Billy already talked more clearly about the global shutter in the interview with Luminous Landscape
Expect to see much more adapters. Fujifilm is very open to speak with third-party manufactures.
All 3 lenses are amazing sharp from center to corner, even the zoom lens.
Mid 2017 2 more lenses will come: 110mmF2 and 23mmF4. End of 2017 will see the 45mmF2.8
Fujifilm changed some of the curves for Astia and Provia, because of the new sensor and its great dynamic range.
Focus Bracketing (min. 29:45)
Future APS-C lenses: they look at the demand. MarkII version of existing lenses, but also longer primes for sports [I’m sure they saw our poll results :) ]
Fuji Guy Billy says he’s aware the WiFi app needs improvements, and he seems confident that it will come. Not sure if you will have to pay for it.
Fujifilm is Nr.1 brand in Thailand, especially because of women liking its skin tones.
If you are sitting on the fence if you should pre-order the GFX or not, it could be an idea to pre-order it now at BH via FR. It will allow you to join the $3,000 GFX Sweepstake and in the the weeks before GFX shipping starts (BH says March 1) you have time to decide if you want to keep your pre-order or not.
And if you keep your pre-order, with such a limited number of GFX pre-orders, your chances to grab the $3,000 Jackpot are actually not bad at all :).
The possibility to enter the sweepstake expires February 9.
In the meantime, I will share all the GFX tidbits I find on the web with you here on fujirumors.com to help you to make your decision. So here are a few more first looks and samples found all over the web and also shared by GFX owners and testers at the Fujifilm GFX facebook group.
Chinese test (includes images taken with many different adapters for GFX, such as Mamiya, Schneider-Kreuznach, Zeiss Otus and more) at blog.sina (translations) – NOTE: on my computer, the images are visible only on the original Chinese version.
LAST DAYFujifilm GFX: USABHphoto – Win $3,000 by pre-ordering at BH via FR*, Adorama, AmazonUS *Pre-order the GFX at BHphoto using the FujiRumors B&H link to enter the contest. Price: $3,000. Sweepstake Overview & Rules can be found here. Full Terms & Conditions here
Well, here is another interesting thing, spotted by GFX facebook member Issa.
He spotted images of several adapters for the Fujifilm GFX at a Chinese website, I can’t access to (only registered members can), but Issa was so nice to share them with us on the GFX facbeook page here.
The images show the following lenses adapted to the GFX (sample images are included)
Leica M (the image shows the GFX + Leica Summilux 50mm f1.4 – specs & price)