GEAR TALK DETOX: Fujifilm GFX Monochrome Edition with Valentino Rossi and More

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Gear Talk Detox

The next few weeks will be gear talk at its highest power, here on FujiRumors.

The reason?

The massive Fujifilm GFX100 announcement on May 23!

So I thought that, before we dive into specs, pixel peeping, 400% magnifications and all the rest, we take one last deep breath into the art of photography by sharing some of the most voted images.

The only problem?

Our massive 21,000+ members strong Fujifilm GFX facebook group is very prolific and shares tons of images.

In order to make it easier for you digest, I decided to focus this part of the image roundup on monochrome images, and there will be another one later on in colors.

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Let’s Start (click to see the images)

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Mission Impossible: Official “Fallout” Photos Taken with Fujifilm X and GFX Gear

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Mission Impossible: Making Professional Work with Fujifilm Cameras :)
Mission Impossible: Making Professional Work with Fujifilm Cameras :)

Fujifilm’s Mission Impossible

If you are one of those, who thinks Fujifilm is not for Pros (APS-C is crap, MF is too slow), then please stop reading now, since I would like you to keep your sweet illusions ;).

Still sticking around? Well, then here is todays’ story.

After we discovered that the official images of Hollywood’s blockbuster “Dunkirk” were taken with the Fujifilm X-Pro2 and Fujinon XF18-135, fellow FR-reader Sam Zhai (instagram @hermeneuticlens) now spotted Fujifilm cameras on set of Mission Impossible – Fallout.

Chiabellajames.com (Instagram cbj_photo) used the following gear, to snap the official images for the movie:

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DPReviewTV Fujinon XF 8-16mm f/2.8: “Optically Fantastic, but for Most People the Fujinon XF 10-24mm F4 is a Better Choice”

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DRPreview TV reviewed the Fujinon XF 8-16mm f/2.8. Here are their findings:

  • professional line of Fujinon lenses
  • well-built, heavy and expensive
  • well suited for cameras like Fujifilm X-H1
  • manual focus ring feels sloppy
  • no OIS, but it’s typical for lenses in this range. But they miss it anyway, unless used on X-H1 with IBIS
  • XF 10-24 more well suited for lighter bodies and has OIS
  • no filter threads, typical for lenses that wide
  • powerful autofocus motors. Fast and accurate
  • coma very well corrected, excellent for astrophotography and cityscape
  • vignetting and distortion very well corrected
  • sunstars are not bad, but not the best they have seen
  • close focusing is similar to the XF10-24 (9 feet)
  • XF8-16 optically fantastic, very sharp
  • 8mm at f/2.8 a little bit weird in the corners, but stopping down cleans up beautifully
  • wide open it is sharper than the XF10-24, but stopped down difference gets smaller
  • It’s admirable that Fujifilm gives us lenses that give us full frame equivalent look, like the Sony 12-24mm f/4 G
  • the Sony 12-24 is lighter and $300 cheaper
  • if you want FF look in APS-C, you are not going to save money
  • for most people, the XF 10-24mm F4 is a better choice, since landscape you stop down anyway
  • XF 8-16mm F2.8 is a niche lens

Fujinon XF 8-16mm f/2.8 (save $100): BHphoto, Adorama, AmazonUS, Focuscamera
Fujinon XF 10-24mmF4 OIS (save $100): BHphoto, AmazonUS, Adorama, FocusCamera

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Profoto A1 vs Godox V1: Serious Troubles for Profoto?

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Profoto A1 vs Godox V1

Robert Hall compared the Profoto A1 with the Godox V1 (video above):

Given pricing and performance, it looks like the only real reason to buy the Profoto, is if you already bought into the Profoto system.

On the long run, though, I don’t think Profoto can compete with gear that costs 4 times the Godox pricing, since the higher price is not justified by a better performance and not even build quality.

Profoto has a terrific competitor now, and they will have to substantially lower their prices, or customers will run to Godox.

Here are Robert’s findings:

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