INTERVIEWS: X-PRO2: “We need more New Technologies!” X100S: “No More FW Updates!” 2x converter “Could come!”

Share

 photo chall_zps60k38jog.jpg

Time for another series of interviews with Fujifilm Managers… let’s start with the main points in the one imaging-resource had with Makoto Oishi from the Sales & Marketing Division, Optical Device & Electronic Imaging Products Division.

4K:”Currently, our X-Trans CMOS II [sensor] cannot realize 4K videos because it has a smaller number of pixels, like 16-megapixel. Also, if we [want to] realize 4K video, the sensor itself should have much faster reading speed.”

I remind you that our trusted Japanese source confirmed a few weeks ago, that Fuji’s plans are to make the X-PRO2 4K capable.

X100S firmware: “While we have provided firmware upgrades for the X100S many times, now we have the X100T, we’re finished, no firmware upgrades [for the X100S] anymore.”

Frankly disappointing, if true. I can understand that they hold on with the FW release, since the X100T is relatively new, and a new X100S firmware would probably influence negatively the sales… but on the long term Fuji must update the X100S. X100S owners are a VERY important part for Fuji’s success, so they deserve an update. At least Classic Chrome… David Hobby himself said here to have used it on his X100S… so why not all the other X-shooters too?

X-PRO2: “But if we launched an X-Pro, we’d need more new technologies, and we’re still developing and investigating. Especially the new devices like the processor or sensor, we’re still preparing.”

There is more to read at imaging-resource, for example about the gyro sensor used for the OIS in the 50-140. A technology missing in the 16-55… and in another interview at fujifilm-blog another manager (Mr Soga, the man responsible for the lens roadmap) explains the true reason for the lack of OIS: it’s not about size, it’s not about costs… it’s about IQ at the wide end (16mm)! He says:

OIS needs to move the lens inside to compensate for camera shake and as a result can cause loss of resolution in the edges of the image. In long zoom lens such as the XF50-140mmF2.8, the angle of view is narrow enough to not show this negative effect of OIS in the edges. However, the angle of view of the XF16-55mm, when set to the widest setting, is large enough for OIS to affect resolution at the edge of the image. Considering this trade-off, because we wanted this zoom lens to start wide at 16mm and F2.8, and we wanted to best edge-to-edge quality throughout the entire zoom range, we decided to not employ OIS.”

Mr. Soga also confirms that teh XF 35mmF2 will have faster focussing and “we may create a 2x converter in the future although this has not been confirmed.”

Read more at imaging-resource and fujifilm-blog.

Share

CLASSIC CHROME or “The Art of Omission!” (Film Simulation World: Episode 2)

Share

Episode 2 of “The World of Film Simulation” has been published at FujifilmXworld. An excerpt:

“The saturation is the lowest among all film simulations. The saturation has been minimized to the limit. Photography is often called “Art of omission“. CLASSIC CHROME omits the element of color in order to stand for the story you want to tell to stand out. […] Minimized saturation and one of a kind tonality that make the subject stand out, this is all to tell the story as clear as possible. We would like the photographers that advocate for contents, to also use this film simulation.”

Share

DEAL: Zeiss Touit lenses now for $499 (32mm) and $699 (12mm).

Share

 photo zeiss_zpsb1tsil1k.jpg

Again, a huge discount on the Zeiss Touit lenses for Fujifilm! And this time you don’t have to buy them both to profit from the big price drop, but you can purchase them separately.

You can grab the 12mm f/2.8 lens for $699 at BHphoto, AmazonUS and Adorama.
You can grab the 32mm f/1.8 lens for $499 at BHphoto, AmazonUS and Adorama.

This is just the last episode of a series of price drops and deals on the Zeiss Touit lenses for Fuji X-mount. The lenses started with a price tag of $1,250 for the 12mm and $900 for the 32mm almost 2 years ago.

Then Zeiss lowered the price to $999 for the 12mm and $719 for the 32mm. In June 2014 there was a terrific $800 price drop if you purchased both lenses together (you basically got one for free). Last year in November the rebate for the combo was of $420 (total price $1,299).

With this rebate, the price for both lenses is of $1,198… but, unlike most of the other times, you can grab them separately.

As you know, there is an up to $200 rebate also on the XF 35mm ($459) and XF 14mm ($699). So which one should you go for, the Zeiss or the Fujinon? Well, I recommend to read Rico’s excellent Fuji vs Zeiss comparison here… and then let us know what you consider the better choice.

 US X DEALS
expire March 28

Best price at BHphoto + they also offer 4% reward. AmazonUS matches some of them:

XF 50-140mmF2.8 WR (save $100): BHphoto
XF 56mmF1.2 APD
(save $150): BHphoto / AmazonUS / Adorama /
XF 18-135mm
(save $250): BHphoto /
XF 60mm (save $250): BHphoto /
XF 18mm (save $230):  BHphoto /AmazonUS
XF 23mm (save $200): BHphoto /AmazonUS
XF 56mm (save $200 ): BHphoto /
XF 14mm (save $200): BHphoto /
XF 10-24mm (save $200): BHphoto /
XF 18-55mm (save $200): BHphoto /
XF 27mm (save $170): BHphoto /
XF 35mm (save $150): BHphoto /AmazonUS
XF 55-200mm (save $150): BHphoto /

X-SERIES CAMERAS DEALS
Expire March 28

X-T1 + 18-135 WR (save $200): BHphoto / AmazonUS / Adorama /

X-T1 + 18-55 (save $100): BHphoto / AmazonUS / Adorama /
X-T1 Black Body (save $100): BHphoto / AmazonUS / Adorama /
X-T1 Graphite Body (save $100): BHphoto / AmazonUS / Adorama /

X-E2 Body (save $100): BHphoto / AmazonUS / Adorama /
X-E2 + 18-55 (save $100): BHphoto / AmazonUS / Adorama /

X30 (save $100): BHphoto / AmazonUS / Adorama /
XQ1 (save $100): BHphoto / AmazonUS / Adorama

XF LENSES DEALS
Expire March 28

NEW DEAL: XF 56mmF1.2 APD (save $150): BHphoto / AmazonUS / Adorama /

XF 18-135mm (save $200): AmazonUS / Adorama /
XF 18mm
(save $200):  Adorama /
XF 60mm (save $200): AmazonUS / Adorama /

XF 23mm (save $150):  Adorama /
XF 56mm (save $150): AmazonUS / Adorama /
XF 14mm (save $150): AmazonUS / Adorama /
XF 10-24mm (save $150): AmazonUS / Adorama /
XF 27mm (save $150): AmazonUS / Adorama /

XF 35mm (save $100):  Adorama /
XF 18-55mm (save $100): AmazonUS / Adorama /
XF 55-200mm (save $100): AmazonUS / Adorama /

Share

VOTE THE POLL: Do you want a Monochrome X-series camera?

Share

 photo monoch_zpsqizuwsnk.jpg

At the end of February, dpreview published a very interesting interview with Fuji Manager T. Iida. One of the questions dpreview made to the Manager, was if Fuji plans to release a Monochrome X-series camera, since “the X-Trans sensor should be well-suited to native monochrome capture.”

The Fuji manager answered: “Technically of course it’s possible but it depends on the demand, and such a camera would probably match perfectly to some of our core customers. […] I think a monochrome model might represent a sales opportunity for Fujifilm. […] I am a big fan of monochrome photography.”

Now, a couple of days ago I received this anonymous message

It might be interesting to see how many folks would spring for a Monochrome only B&W only 24 MP  sensor version of the Fuji X-Pro2. You might be surprised!  Seems like a no-brainer.”

Yep, I think it’s interesting to see what you guys think about it. And apparently I’m not the only one. Also the Spanish site Fujistas investigated the same question. So I decided to launch two polls. Feel free to vote them and drop your considerations in the comments.

And now tell us if you think that Fuji should an alternative to Leica’s Monochrome camera.

Read about the advantages of a monochrome sensor at maxmax (thanks hmmm). “An equivalent monochrome camera will always take a much sharper image than a color camera because resolution is dependent on the color content in the picture.”

For Amateurs. Will You Buy the Fujifilm GFX?

View Results

Loading ... Loading ...

I predict the Fujifilm GFX will be...

View Results

Loading ... Loading ...
Share