Selling My Nikon :: Kaza + Ulysses Leather Half Cases for Fujifilm :: X-T2 for Filmmakers :: X-Trans Processing (miXed zone)

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Cover Stories

Selling off my Nikon gear at Photo Enthusiastic Youtube

Fujifilm X-T2 and Canon 6D Mark II at Photo Enthusiastic Youtube

Flash

Accessories

X-Trans

Watch how Thomas usees X-Transformer and Lightroom to Process Fuji Files at thomasfitzgeraldphotography

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Fujifilm Specific Capture One Webinar Tomorrow 11 AM New York Time

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Capture One has recently made some significant steps forward to what belongs Fujifilm support. For example, they added Fujifilm compressed RAW support, OpenCL is now also supported by X-trans files and more – Full list in this article

But frankly, there is still room for improvement.

For example, still no film simultion support (but you can find a great homebrew at the fuji-x-forum) and no Fujifilm GFX 50s support.

The news today?

There will be a dedicated Fujifilm Capture One webinar tomorrow, July 6, 2017, with Fujifilm X-photographer Eivind Røhne. So sign up here and tune in at 11 AM New York time (5 PM Berlin Time).

I’m currently a Iridient / Adobe user. But I have to admit that I’m thinking to switch to Capture One (from Adobe). But before switching, I want Capture One to finally offer full X-Trans support.

Now, since this summer I have no major trips plans (except my recent 1 week journey in wonderful South Italy) I will spend a lot of time hiking on my local mountains. So I have a little tour planed for tomorrow (with my trusty easy to use Camslinger Cosyspeed bag, as you can see in the video below). But if the weather will turn bad tomorrow, I’ll definitely tune into the Capture One webinar… maybe they can convince me to make the switch from Adobe.

And if weather is great, and I can’t see the Capture One webinar, well, then maybe some of you guys can drop a few comments to this post about the webinar… I’ll be happy to check them out when I’m back.

My Mountains: Image Result here – and also can’t decide between Classic Chrome and Velvia… HELP!!!

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Godox TT350F Review (for Fujifilm)

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THE GODOX NEWS RECAP

As I wrote in this article,

  • the TT350F is in stock
  • the X1T-F Trigger is now official (and also available for pre-order under the “flashpoint” brand)
  • a major Godox Fujifilm support firmware is available

So make sure to get the full overview here.

Introduction

GUEST POST FEATURE
Write Your Articles Directly On FujiRumors!

guest post by theoverratedphotographer – Twitter / Instagram

Flash, or more specifically TTL & HSS has always been Fujifilm’s Achilles heel. Sure you could get HSS and TTL with systems like Cactus and Roboshoot, you could get some level of support, but it wasn’t native and required expensive triggers and receivers.

Then the EF-X500 came out and although there was initial fanfare, it came with a premium price a lack of wireless support. Since then, we’ve been waiting for suitable alternatives and fortunately that day has arrived.

Godox released it’s TT350F which is the first one of their proposed TTL/HSS flashes for Fuji. It’s on the lower end of the power spectrum, but it’s also a good size for a small mirrorless. With the lack of wireless support for the EF-X500, I’ve been working with a Yongnuo YN560 along with a Elinchrom Ranger for the heavier stuff, but there are times where there simply isn’t any other alternative for TTL.

It’s unusual for Australia to be the first (or one of the first) to get something. These days global release dates seemed to be aligned, so when I saw the release date for Adorama on fujirumors as the 30 June, I wasn’t expecting anything better. I emailed one of the Australian suppliers (Hypop) and asked them to let me know when the were expecting stock. I got a response to say stock had just arrived so I put in an order. Pricing was better than I expected, I haven’t followed the pricing of the Godox gear recently but A$139 (US$85 on Amazon) for a TTL/HSS flash is pretty reasonable by any standards . My Yonguo manual flash cost more than that although it is a high power output.

Ordering and shipping

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** CLICK HERE to Read the Rest of the Article **

Fujifilm Manager GFX 50s Interview (Teleconverter & Telephoto Priority), GFX50s Vs. Canon 5DS R Vs. Pentax 645Z & more (GFX Zone)

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Fujifilm GFX Interview at dc.watch (translation). Some highlights:

  • [Fujifilm manager says] I want to urgently expand the lens lineup [NOTE: check out the secret GF lens roadmap leaked back in April]
  • [Fujifilm manager says] I’d like to first use a resource for developing a telephoto lens and developing a teleconverter
  • [Fujifilm manager says] Regarding the body, I would like to correspond as much as possible to the part that can be solved with firmware, including the speed of AF and shooting function

And more:

Join the 14,000+ strong GFX facebook group, and incredibely helpful community creating infinite GFX content. For fast, reliable, and 100% GFX news and rumors follow the Fujifilm GFX facebook page.

Fujifilm GFX 50s: BHphoto, Adorama, AmazonUS
Fujinon GF 110mm F2: USA: BHphoto, AmazonUS, Adorama Europe: WexUK, PCHstore
Fujinon GF 23mm F4USA BHphoto, AmazonUS, Adorama Europe: WexUK, PCHstore

 

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Possible IBIS Solution?

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This guest post has been written before we broke the IBIS rumor yesterday here.

Guest Post by webdiver

For quite some time I’ve seen the IBIS on Fuji discussion being brought to light and the conclusions always seem to be that either it is impossible or it would come at a image quality cost, one can tell that Fuji won’t compromise image quality and it would be obvious that that reason alone would stir a change to Fuji’s current IS system out of question.

I’m aware that moving the sensor on a Fuji X camera would cause heavy and harsh vignetting and clearly Fuji thinks that far outweighs any quality gain on the center of the image, but the IBIS advantages over OIS systems were enough to feed a long discussion, for instance IBIS:

  • Stabilizes in more axis than optical technology (more effective at mitigating twisting motion);
  • Accomplishes stabilized footage on all lenses;
  • Enables the implementation of Pixel-Shift technology, a solution that was already implemented by Olympus and Pentax, it gives the user the possibility to take super high resolution images.

Until now nothing I said is new, before the Fuji X-T2 came out I wouldn’t even bother writing this article, but Fuji began taking video seriously and what I’ve noticed is that IBIS is particularly useful for video. Why is this relevant? When recording video the camera only reads out the information from the inner part of the sensor thus allowing room for the sensor to be shifted without the risk of affecting the video quality near the edges of the frame.

                       

Bayer array                                                          X-Trans array

Pixel-Shift could also be a possibility, Fuji glass is sharp and I’m confident it can resolve more than 24MP, but due to the nature of the X-Trans pixel array the process wouldn’t be quite as simple as with the Bayer sensors, the problem is that Pixel-Shift shifts the sensor by half-pixel length in four different directions and, while on a Bayer array it places a red a blue and 2 different green photo-diodes in the same place thus creating a virtual pixel, on a X-Trans array there is always one place in the nine photo-diode array that is overlaying 4 green photo-diodes, for example track the place of the upper-left green photo-diode in the 4 green group as the sensor shifts up-left-down-right. I suppose a image processing algorithm could correct this.

Also IBIS could be adapted for stills as an hybrid system, the OIS would take care of the up-down and left-right stabilization while IBIS takes care of the other 3 axis. By doing so the vignetting would only be an issue in the corners of the image.

As you can see I’m speculating but I’m under the impression that I’m not thinking nonsense. What do you think?

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