The Fujifilm GFX Facts & Specs Updated… + Join Damien Lovegrove & Co at the Fujifilm GFX Facebook Group!

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Join 5,000 Members at the Fujifilm GFX Facebook Group

Do you want to discuss the Fujifilm GFX with people, who actually already own it? Well, then you might just join the 5,000 members strong Fujifilm GFX facebook group.

You will find some big shots like X-photographer Damien Lovegrove, Jonas Rask, Piet Van den Eynde, Ivan J. Loh (& more) sharing their impressions and reviews about the Fujifilm GFX. You won’t find such a concentrate of Fujifilm GFX Fans AND Owners anywhere else on the web.

Needless to say, with such great photographers on board, we are having a well informed and factual discussion at the facebook group… so join us over there :)

Fujiflm GFX Facts

I’ve recently made a complete and comprehensive overview over all known and rumored facts about the Fujifilm GFX. Well, I won’t bother you with the whole list again, just highlight a few aspects (and correct others) that are new and final.

Most of it comes from the Fuji Guys GFX first look, which you can find in the Live Blogging (that is still updated).

  • New Super Fine JPEG setting. Little compression, but huge files (takes 10 seconds to render a preview in Lightroom according to thedigitaltrekker – see Live Blogging)
  • The Top LCD Panel is customizable and also changes if you are in video or stills mode
  • The Top LCD Panel colors can reverse colors, to make them easier to read in low light
  • 14 bit RAW files (and not 16 bit, as the Swiss Fujifilm Manager said)
  • You can create TIFF files in camera
  • Electronic shutter up to 1/16000 sec
  • The focal plane shutter allows to make cheaper lenses without leaf shutter. The GF lenses are therefore less expensive to produce.
  • Pinch to zoom capable touch screen
  • First curtain electronic shutter reduces shutter shock, decreases shutter lag time. But over 1/1000 you have issue of vignetting and also bokeh is affected. But in the electornic first curtan shutter mode the camera automatically switches to mechanical shutter when it goes to 1/1000.
  • Up to 9 frames bracketing
  • You can chose between 117 or 425 AF points
  • GFX body + 63mm weight 1230 g
  • GFX body + memory card + battery weight 825g
  • shipping Feb. 23 according to Amazon
  • shutter endurance supporting up to 150,000 shots
  • Fujifilm has already developed a bridge software where testers could tether and open pictures with Capture One – via ivanjoshualoh
  • Shooting rate of 3 frames per second for a burst of 13 frames (compressed RAW)

Fujifilm GFX: BHphoto, Adorama, AmazonUS
Fujinon GF63mmF2.8: BHphoto, Adorama, AmazonUS
Fujinon GF32-64mmF4: BHphoto, Adorama, AmazonUS
Fujinon GF120mmF4 Macro: BHphoto, Adorama, AmazonUS
Fujifilm GFX EVF-TL1 Tilt Adapter: BHphoto, Adorama, AmazonUS
Fujifilm H Mount Adapter G for GFX: BHphoto, Adorama, AmazonUS

Fujifilm X-T20: BHphoto, Adorama, AmazonUS
Fujifilm X100F: BHphoto, Adorama, AmazonUS
Fujifilm XF50mmF2 WR: BHphoto, Adorama, AmazonUS

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FUJIFILM Announces GFX, X100F, X-T20, XF50/2 :: First Looks, Pre-orders ** LIVE BLOGGING **

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↓ Pre-order Options ↓

Fujifilm GFX: BHphoto, Adorama, AmazonUS
Fujinon GF63mmF2.8: BHphoto, Adorama, AmazonUS
Fujinon GF32-64mmF4: BHphoto, Adorama, AmazonUS
Fujinon GF120mmF4 Macro: BHphoto, Adorama, AmazonUS
Fujifilm GFX EVF-TL1 Tilt Adapter: BHphoto, Adorama, AmazonUS
Fujifilm H Mount Adapter G for GFX: BHphoto, Adorama, AmazonUS

Fujifilm X-T20: BHphoto, Adorama, AmazonUS
Fujifilm X100F: BHphoto, Adorama, AmazonUS
Fujifilm XF50mmF2 WR: BHphoto, Adorama, AmazonUS

↓ PRESS RELEASE / FIRST LOOKS ↓
(LIVE BLOGGING – Refresh This Page for the Latest Updates)

Fujifilm GFX + GF Lenses:

First Looks / Reviews

Fujifilm X-T20:

First Looks

Fujifilm X100F:

First Looks

Fujifilm XF50mmF2 WR:

First Looks

VIDEOS

Massive Video Upload at FUJIFILM GLOBAL here

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Leaked :: Images + Specs of Fujifilm GFX Lens Adapter & WCL/TCL-X100 Ver.II

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So it’s confirmed once more. All the Fuji goodness will be launched tomorrow and available within February. And we have new leaks about the Adapter for Fujifilm GFX and the WCL-X100 + TCL-X100 ver.2. – via nokishita

Mount adapter HM ADAPTER G (image at the top of this post) – google translated

9 interchangeable lenses for “[shoplink 53182 ebay]GX645AF[/shoplink]” “SUPER EBCFUJINON HC LENS” total 9 teleconverters available
Focusing is limited to manual focus
It is possible to change the aperture with the command dial of the body or to take pictures with “lens shutter” built in the lens
It has electrical contacts that can communicate with the body, and it is possible to create, store and apply correction data etc. of each lens

Wide conversion lens WCL-X100 II

Color: Black / Silver
A wide conversion lens for exclusive use that extends the focal length to approximately 0.8 times, equivalent to 28 mm (converted to 35 mm format) angle of view

Teleconversion lens TCL-X100 II

Color: Black / Silver
A dedicated teleconversion lens that extends the focal length to about 1.4 times and 50 mm equivalent (35 mm equivalent) angle of view

 

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Fuji X-T2 for Documentary Wedding Photography. Now I can!

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fotografo matrimonio reportage fuji

GUEST POST FEATURE HERE
Write Your Articles Directly On FujiRumors!

guest post by Andrea Bagnasco: www.andreabagnasco.it – Facebook.com/andreabagnascopictures – Instagram.com/andreabagnasco

My name is Andrea Bagnasco and I am a professional wedding photographer based in Northern Italy. My style is mainly documentary, in that I like to stay as unobtrusive as possible during the day to capture the candid moments that make the story of the wedding.

Like most everybody else, I’ve been relying on full-frame dslr’s for years to shoot my weddings. I’ve been adopting the Canon 5D cameras from the beginning until the Mark III model. They have always been great cameras to work with: very reliable with excellent image quality and have been improving significantly every time a new model was released, especially concerning noise at high ISOs, dynamic range and autofocus. Which are all most important factors for my type of photography, mostly done with available light.

Over the years I’ve been trying to strip down my kit as much as I could as weddings have become endurance marathons and hauling around heavy equipment the whole day is a sure way to get to the end of the wedding completely exhausted and devoid of any creativity or energy to take good photographs. No matter how good and nourishing the vendor meal or my level of physical fitness. Despite my determination to travel light, I’ve always been taking three camera bodies with me at weddings, where I’d have two cameras on me for most of the day and the third one as backup in the bag.

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