Top 5 Great Things You Might have Missed about the Fujifilm X-S20 and LOTS of X-S20 Media Slides

So, the Fujifilm X-S20 was launched a few weeks ago.

And as usual at launch day, there was a lot of buzz.

But in all that buzz, some stuff tends to go under that should actually get way more attention, and some stuff for some reason Fujifilm did not mention at all.

So, in order to celebrate this little wonderful camera, let me tell you the 5 things you might have missed about it.

Top 5 Things

  1. Double the internal memory of X-S10
    This allows for longer bursts over the X-S10
  2. Smoother EVF than X-H2 and X-T5
    The Fujifilm X-S20 can shoot up to 30fps (faster than X-H2 and X-T5). And, so I have been told, as opposed to the X-T5 and X-H2, at the respective highest fps the EVF runs even smoother than its higher end siblings showing no signs of jerkiness at all , and of course also no blackout (with full 100fps live-view). One of the advantages of coupling the new X Processor 5 with the fast to read out 26MP X-Trans IV sensor and a decent, but lower resolution viewfinder than the X-T5 and X-H2
  3. LCD Boost
    Compared the the X-S10, the X-S20 sports an almost twice as high resolution on the LCD (1,04 vs 1,84 million dots)
  4. 6K 3:2 Open gate
    The X-S20 can shoot 6K 3:2 Open Gate, which is not possible on the Fujifilm X-T5 and X-H2 for example
  5. Optional Fan
    Extends filming duration at more than twice the time. note that CineD and other reviews got great heat management performance also without the fan (at CineD the battery died before the camera even was able to overheat). But under tough conditions, the fan will help and extend recording time for more than twice, as we can see from the media slides I will share below.

So, down below (or at my dropbox) are the media slides. These are screenshots I took during the Fujifilm USA Tech Talk. There might be some data in there you might find interesting. Enjoy :).

How good is FUJIFILM’s Camera-to-Cloud? A CineD Documentary

CineD tested the Frame.io Camera to Cloud integration on the field.

The video is 17 minutes long but so pleasing to watch, that I strongly invite you to check it out right now.

As for how well it worked, I will only say:

  • in a very busy WiFi environments (the NAB show) with thousands of people connecting to all sorts of different WiFi networks, the connections struggles to be stable
  • in less busy WiFi environments or if you use your cellphone LTE for the upload, it works flawlessly even in remote locations (they tested it in the Las Vegas desert)

Fujifilm manager Victor Ha, also present in this CineD docu-review, said that he tested the C2C Frame.io integration over many months under all sorts of conditions, and that the one of the NAB show was definitely the most challenging by far.

I can imagine that those, who use it as an instant backup during a wedding or for an on-set video production, hence will not have thousands of people getting access to hundreds of WiFi networks simultaneously, will definitely have a much smoother experience.

In fact, the CineD team is overall positive and says it takes away a lot of the “legwork” now that their team in Argentina, Italy and elsewhere can edit videos immediately and this that this Adobe-Fujifilm cooperation gives us a glimpse into the future.

So it’s not perfect for now, but in a less challenging environment than the NAB show, the system seems to work well.

We remind you that the system only works with the Fujifilm X-H2 and Fujifilm X-H2S when used with the FT-XH file transmitter grip.

The Big Third Party Lens Roundup: Tamron 11-20mmF2.8, Sigma 18-50mmF2.8, Samyang 75mmF1.8 and More

Today’s roundup is all about third party lenses, mainly autofocus lenses, but not only.

Gear covered in this Roundup

Roundup

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A Massive Fujifilm GFX Review Roundup to Celebrate Massive GFX Deals

There are currently massive deals running on Fujifilm GFX gear. So I thought let’s share a dedicated GFX roundup, just in case you are interested in the system and want to see what others think about it.

Lots of reviews will also cover the Fujinon GF20-35mmF4 lens, which is not included in the rebates, but is a true gem and I am afraid will pretty much reduce sales for the Fujinon GF 23mm f/4 to a minimum, as it is more flexible and smaller, while still being optically fantastic.

Also, I warmly recommend you to join our Fujifilm GFX group, which is full of talented and passionate GFX shooters sharing their work and thoughts there.

Deals

The Roundup

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DPReview Tests DxO DeepPRIME XD for Fujifilm X-Trans Files: “Make it Your Default Option for High-ISO Shots”

We recently reported about a comparison made between Canon R5 and Fujifilm X-H2, and we saw that the new DxO PureRAW 3 brings sensible benefits to the sharpness of the X-Trans files, whereas the same software does not really boost sharpness on the Canon R5 with Bayer sensor.

That’s why the reviewer ended up highly recommending to add PureRAW 3 to your Lightroom editing workflow in order to get best results.

In that article, I also told you that you should definitely try out the very new DeepPrime XD X-Trans support for Fujifilm X-Trans files, which is superior to the until now available regular DeepPrime.

Well, if you didn’t test it, then DPReview did that for you.

They call the new DeepPRIME XD support a win for Fujifilm X-series shooters and recommend it to make it your default option for high-ISO shots.

From my testing, the arrival of DeepPRIME XD for X-Trans looks to be a win for Fujifilm X-series shooters, just as it is for those on other platforms. Although it isn’t always going to be your best bet, it performs better than the alternatives frequently enough that if you’ve the time required for its processing, it’s worth making your default option for high-ISO shots.

It’s also worth noting that even when it struggles with things like text, you usually have to be looking at the image very closely to spot the defects. Viewed from a more typical distance, a DeepPRIME XD shot is going to create the impression of more detail and crispness, even if it’s to some extent an artificial invention. When not pixel peeping, that can make the overall image feel better even when a more rigorous examination might tell a different story.

You have to bear your subjects, the viewer and how they’ll be looking at your images in mind when deciding which algorithm to use.
The point here is that you have to bear your subjects, the viewer and how they’ll be looking at your images in mind when deciding which algorithm to use. And we’ll restate that we’ve only shown results at default settings; you can always dial back the strength of an algorithm to improve the results for any given shot.

Overall, I’ve found DeepPRIME XD to be a very useful tool and I’m thrilled that it’s now available for X-Trans shooters too!

So definitely give DxO PureRAW 3 and DeepPRIME XD a look especially if you are on a Lightroom workflow. And make sure to check out the full article and see the comparison images at DPReview here.