Shooting Review: Fujifilm GFX System at bigheadtaco youtube. Some considerations out of his 50 minutes long video:
EVF is laggy in dark conditions [EVF refresh rate of GFX is 50 fps]
EVF sticks out, which is great, since your face/nose hardly touches screen
impressed with JPEG’s also whet it comes to highlight/shadow recovery
Play and Delete button in an odd spot
63mm AF a little bit slow
32-64 Take’s favorite lens. In good light it rarely missed and very quite. A lot faster AF than 63mm
if you are currently shooting high-end DSLRs for weddings, portraits, studio and you are considering buying the GFX, the GFX is an awesome choice.
P.S.: Take has excellent contacts with Fujifilm, and in the video he mentions the X70S, with a vague hint “if that comes out soon“. He also mentioned a Rangefinder styled GFX (which was mentioned first by a Fujifilm Manager here)
Another First Look: Fujifilm GFX 50S at atmtxphoto
I’ve shared the rumor of Profoto support for Fuji last year here. In the last weeks, we could already see many X-photographers using Profoto with their GFX. I also just got further indications, that Profoto, Miltiblitz and other important flash manufacturers are now or will soon work on the protocols that will add full support for the GFX. HSS up to 1/4000 should be possible.
Jeroen Selderslaghs – image shared here: First serious photoshoot with the GFX 50S. Reliable autofocus in low light conditions is good news. ISO performance at 4000 is still very useful. It was near dark so i had no choice then high iso to get enough ambiant light at a decent shutter speed
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Tinnapho: p Tonitiwong – shared here: Fujifilm GFX 50S + all 3 GF lenses. Sony A7RII + 24-70mm f2.8 GM size comparison
And now also the XF50mmF2 can be found in stock, for example at AmazonUS. They also had the X100F and X-T20 in stock earlier today, but they sold out quickly.
Ivan Joshua Loh has a quick and interesting comparison over at his blog here. He took some images with the GF63mm (at F2.8 and at F4) and some images with the GF32-64 (at 64mm and F4).
He shared the images over at his blog (go to his blog for a larger view of the images).
Now all you have to do is to check them out, and recognize which image was taken by which lens… and according to what you see, make your decision if the 32-64 is all you need, or if the 63mm gives you that little extra you need.
The lenses are pretty hefty things and do not have the same comforting, solid build as the XF lenses. In fact, they felt rather plasticky, but were at least pleasently light.
What really stood out was the EVF; it was responsive and BIG.
Autofocus was snappy, but again it was not really very challanging conditions. I don’t expect it to be an issue for most of my use cases.
I’ve heard a rumour, from what I consider a reputable source, Elinchrom are working on a HS trigger for Fuji but they don’t know when it will be released. Fuji confirmed they are indeed talking to Elinchrom about this, but that was all he could say, understandably.
surprisingly light, but it is also very well made and robust-feeling
I found the AF to be surprisingly fast, at least as fast as a Fujifllm X-T1.
The aperture rings have just the right amount of stiffness in rotation, and manual focus and zoom rings feel very nice, smooth but with just the right amount of resistance that allows you to precisely set the adjustment exactly where you want to.
it is a real workhorse and a serious “photographic tool”
The French site Le Monde De La Photo published its first report about the Fujifilm GFX.
It’s just an early first look, but for those interested in “independent” reviews, this is one of those.
They also published a nice graph (see image above), where they list the sharpness of the various GF lenses. Most of the time they perform “superlative” (dark blue) to “excellent” at any aperture, focal length, from the center to the corner. Only the zoom lens, the GF 32-64, is only “good” (green) at 46mm and F4 in the corner.
It seems Fujifilm is about to release on the market some really amazing lenses… again :-)
Here some excerpts (google translated:
LENS PERFORMANCE: The dive was calculated on the basis of standard style Jpeg, as Raw conversion software was not yet available. Overall the sharpness is always of high level, from very good to superlative according to the focal length and the openings. Only the corner area is sharply recessed at the focal length of 46 mm on the zoom, in all cases the dive is superlative over the field at medium apertures. The vignetting is never annoying and the chromatic aberration almost invisible, the only small defect noted is a cushion distortion (-0.15%) a little strong on the 120 mm macro that can be used to make reproductions of Works of art or documents, a little post-processing will be required.
AUTOFOCUS: the contrast detection autofocus is very precise but not always ultra reactive, and the continuous shooting at 3 frames second is not really targeted sport but sufficient to capture Changes of attitude of a model in portraiture.
ISO: On our “Nesie” basic test with a maximum sensitivity of 12,800 Iso, there is little degradation of the structure of the image, with the rise of a very light grain observable at 100% screen but quasi- Invisible on a glossy A1 paper print. The contours will nevertheless be a little less sharp than at 6 400 Iso, a grade that does not present more granulation than an average film format 100 Iso
Karen Hutton tested the GFX for a couple of days under tough conditions… and she shared some really amazing images.
“The dimensionality, the depth of field, that “certain something” that makes you feel like you can step into each image… all of that sang from each photo, straight out of camera! What kind of wizardry WAS this??
The GFX just gives everything an epic sort of feel“
Read all the article “YES! Worth The 35 Year Wait” and see the amazing samples at karenhutton.
Markus Klinko & Koala
(clearly the new ‘state of the art’ for fashion)
FR-readers will know Markus Klinko quite well. He is the photographer behind the amazing David Bowie exhibition and I shared his work several times on FujiRumors and the exhibition is still on world tour. You can discover more about the David Bowie exhibition and Markus’ work at markusandkoala.
Markus is also currently testing the GFX, along with his photo partner Koala, and he send me the link to this video he made on assignment with the GFX. Markus is impressed by the GFX, as you can read below from the email he wrote me. And he also allowed me to share some samples you can download
I would say that for me, the GFX is clearly the new ‘state of the art’ camera system (for high-end advertising, fashion and celebrity portraiture type work). I would go as far as saying it is the best camera ever built, and I would expect it to become a ‘game changer’ in the industry. Here are some samples from the RealRyder campaign that you are welcome to share. DOWNLOAD HERE
