INTERVIEWS: X-PRO2: “We need more New Technologies!” X100S: “No More FW Updates!” 2x converter “Could come!”

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Time for another series of interviews with Fujifilm Managers… let’s start with the main points in the one imaging-resource had with Makoto Oishi from the Sales & Marketing Division, Optical Device & Electronic Imaging Products Division.

4K:”Currently, our X-Trans CMOS II [sensor] cannot realize 4K videos because it has a smaller number of pixels, like 16-megapixel. Also, if we [want to] realize 4K video, the sensor itself should have much faster reading speed.”

I remind you that our trusted Japanese source confirmed a few weeks ago, that Fuji’s plans are to make the X-PRO2 4K capable.

X100S firmware: “While we have provided firmware upgrades for the X100S many times, now we have the X100T, we’re finished, no firmware upgrades [for the X100S] anymore.”

Frankly disappointing, if true. I can understand that they hold on with the FW release, since the X100T is relatively new, and a new X100S firmware would probably influence negatively the sales… but on the long term Fuji must update the X100S. X100S owners are a VERY important part for Fuji’s success, so they deserve an update. At least Classic Chrome… David Hobby himself said here to have used it on his X100S… so why not all the other X-shooters too?

X-PRO2: “But if we launched an X-Pro, we’d need more new technologies, and we’re still developing and investigating. Especially the new devices like the processor or sensor, we’re still preparing.”

There is more to read at imaging-resource, for example about the gyro sensor used for the OIS in the 50-140. A technology missing in the 16-55… and in another interview at fujifilm-blog another manager (Mr Soga, the man responsible for the lens roadmap) explains the true reason for the lack of OIS: it’s not about size, it’s not about costs… it’s about IQ at the wide end (16mm)! He says:

OIS needs to move the lens inside to compensate for camera shake and as a result can cause loss of resolution in the edges of the image. In long zoom lens such as the XF50-140mmF2.8, the angle of view is narrow enough to not show this negative effect of OIS in the edges. However, the angle of view of the XF16-55mm, when set to the widest setting, is large enough for OIS to affect resolution at the edge of the image. Considering this trade-off, because we wanted this zoom lens to start wide at 16mm and F2.8, and we wanted to best edge-to-edge quality throughout the entire zoom range, we decided to not employ OIS.”

Mr. Soga also confirms that teh XF 35mmF2 will have faster focussing and “we may create a 2x converter in the future although this has not been confirmed.”

Read more at imaging-resource and fujifilm-blog.

CLASSIC CHROME or “The Art of Omission!” (Film Simulation World: Episode 2)

Episode 2 of “The World of Film Simulation” has been published at FujifilmXworld. An excerpt:

“The saturation is the lowest among all film simulations. The saturation has been minimized to the limit. Photography is often called “Art of omission“. CLASSIC CHROME omits the element of color in order to stand for the story you want to tell to stand out. […] Minimized saturation and one of a kind tonality that make the subject stand out, this is all to tell the story as clear as possible. We would like the photographers that advocate for contents, to also use this film simulation.”

VOTE THE POLL: Do you want a Monochrome X-series camera?

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At the end of February, dpreview published a very interesting interview with Fuji Manager T. Iida. One of the questions dpreview made to the Manager, was if Fuji plans to release a Monochrome X-series camera, since “the X-Trans sensor should be well-suited to native monochrome capture.”

The Fuji manager answered: “Technically of course it’s possible but it depends on the demand, and such a camera would probably match perfectly to some of our core customers. […] I think a monochrome model might represent a sales opportunity for Fujifilm. […] I am a big fan of monochrome photography.”

Now, a couple of days ago I received this anonymous message

It might be interesting to see how many folks would spring for a Monochrome only B&W only 24 MP  sensor version of the Fuji X-Pro2. You might be surprised!  Seems like a no-brainer.”

Yep, I think it’s interesting to see what you guys think about it. And apparently I’m not the only one. Also the Spanish site Fujistas investigated the same question. So I decided to launch two polls. Feel free to vote them and drop your considerations in the comments.

And now tell us if you think that Fuji should an alternative to Leica’s Monochrome camera.

Read about the advantages of a monochrome sensor at maxmax (thanks hmmm). “An equivalent monochrome camera will always take a much sharper image than a color camera because resolution is dependent on the color content in the picture.”

For Amateurs. Will You Buy the Fujifilm GFX?

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I predict the Fujifilm GFX will be...

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“Welcome to the MADE IN JAPAN”… Walk Inside the Fuji Factory with focus-numerique! + VOTE your favorite X Lens!

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Fujifilm invited the popular French photography site focus-numerique (translation) to visit the Fujifilm factory (1 out of 5 factories in Japan), where the X100T, X-T1 and several XF lenses are assambled.

In this specific case you can see how they assamble the XF 16-55 lens.

As a reminder, at the bottom is the video of the Fujinon Craftsmanship, shared back in October 2014. From the polishing to the mold pressing, from the assembling to the final check (where each lens is carefully checked by skilled technicians) and the packaging… and at the end of the chain, there is somewhere a happy X-shooter enjoying the great quality of the glass.

Also time to update the “favorite Fujinon lens” poll, since we now have some new entires.

NOTE: the ver.2 of the XC lenses is not included, since it’s not really available at the moment.

My Favorite Film Simulation is...

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