A kind FR-reader (thanks) dropped me the link to a nice read for the weekend.
But before I share it, just allow me say a quick (but big) “thank you” to all FR-readers, who share with FR the interesting Fuji-stuff they find on the web.
You make it possible that FujiRumors is always the first to break the news and rumor, and also the first to share links in live bloggings and much more. I don’t know any other way to return you guys the favor you do to me, other than keep this blog running with enthusiasm, joy and dedication.
I’m so positive, motivated and full of energy like never before. So thanks so much to everybody for your help and support :)
A curiosity, why Fujifilm called their new cinema lenses “MK” lenses:
“M for Movie, Manual, Mobility, Marvelous, Multiple-use! Also, perhaps it can be said that in Video you “take the shot.” In stills, you “take” a photograph. But in movies, you “make” a film. You are a film maker. So MK.”
Then they continue to the Fujifilm Taiwa Factory:
“More than 1,000 people work in the vast Fujifilm Taiwa Factory, assembling X-series and GFX cameras, components and other products. A new, dedicated area has been set up for a highly skilled team to build Fujinon MK lenses.”
Regarding the MK lenses, they say:
“The philosophy of the MK lenses is affordablity for independent productions. To keep the cost down and the manufacturing yield high, Fujinon has combined techniques from their experience in high-yield manufacturing (still cameras and lenses) and high-precision, high-end lens crafting. The trick seems to the their use of molded, composite lens barrels and mechanical sub-assemblies. Traditionally, these components have been milled on CNC machines from metal. Advantages of composites include speed of manufacturing, resistance to temperature variations in the field, and advanced structural possibilities.”
And what’s the best way to end a hard day visiting factories and interviewing Fujifilm managers? Right, get a good Whisky :). So the tour ends at the Nikka Whisky Miyagikyo Sendai Distillery.
The video above shows a basic specs comparison between the newly announced Sony A9 and the Fujifilm GFX 50s. However, all the specs comparisons do not answer the big questions, how good the image quality of the Sony A9 is, also compared to the one of the Fujifilm GFX 50s.
I think it’s safe to assume, that the Medium Format 50MP Fujifilm GFX 50s will deliver a superior image quality over the 24MP Sony A9. But let’s wait for the first lab test and real life comparisons before making any final conclusion.
The Stacked CMOS sensor, the Speed and the Megapixel
As usual, when Sony announces a new camera, the specs look quite impressive. And the Sony A9 just continues this tradition (specs & price here).
On paper, the strength of the Sony A9 is “speed“.
The new “stacked CMOS sensor” makes it possible to have impressive 20fps with no viewfinder blackout. However, in order to achieve this speed, the Sony A9 has to sacrifice Megapixel. Hence, it has 24MP, compared to the 42MP of the Sony A7rII. For wildlife and sports photographer, who might occasionally need to crop their shots quite a bit, this could be an issue.
Now, my Inbox is exploding with questions regarding the ultimate X (last rumor summary here). I get especially one question: will it have a stacked CMOS sensor, too?
The answer is simple: I do not know it…. yet ;)
Sure is, that Sony sells its sensors to Fujifilm. And if Sony will implement the stacked CMOS sensor technology also on APS-C sensors, then Fujifilm will be able to buy it. Of course with the usual rule, that other companies have to wait a couple of months after the first Sony camera featuring the new sensor technology has been announced, before they can use it on their own cameras. This gives Sony a little time advantage. But if you are willing to wait a bit, then you will get the same sensor also on other cameras.
So, it is possible, that the Ultimate X will have a stacked sensor. But for now, I have no information about it. I will share an update, as soon as I know something more… in the meantime, asking me this question in the comments and via email might not help much. I just can’t answer it now.
Another question I often get, is when the Ultimate X will be announced. And again I have to say that I don’t know it. It’s a bit too early to have any sure and final release date. The camera is still under development. I will let you know when time has come :)
Innovation in mirrorless cameras is fast. And now the last DSLR bastion is falling: speed!
Two years ago Canon (or was it Nikon?) released a video, showing how annoying the black-out during continuous shooting in mirrorless cameras is. Their goal was to demonstrate, that for sports and wildlife, you still have to go with a classic DSLR.
Last year, the Fujifilm X-T2 already made a nice step forward in this regard and its speed makes tracking using the EVF so much easier. However, the new stacked sensor technology now allows blackout-less EVF experience even at super-high frame rates. That’s better than any DSLR can do.
The ultra fast sensor readout made possible by the stacked sensor will improve the overall speed of mirrorless cameras so much, that you won’t miss a DSLR for sure :).
But the stacked sensor is not enough, to declare the death of DSLRs.
“[Answering the question when mirrorless will completely replace DSLRs] It will happen around 2020: Tokyo Summer Olympics feature the global shutter in mass market cameras –> end of DSLR technology as mass market technology. DSLR hybrid cameras will probably continue to exist in the high-price segment (Canon EOS 1X Mk3?).”
It’s almost done… mirrorless will completely replace DSLRs. And kudos also to Sony, for improving sensor technology so much to make this possible… and to Fujifilm for making that technology such a pleasure to use in cameras ;)
And now I do hope that also Canon and Nikon will take the mirrorless market segment seriously and give us some great mirrorless cameras soon. The more offers we have, the better it is for us customers :)
Check out this awesome combination of Elinchrom ELB 400 with GFX that fellow FR-reader Markus Klinko sent me via email (thanks).
The Quadra Action head only weights 10oz, and while extremely powerful, this set up is lighter than most basic on camera flashes.
Works with different accessories, from hard + spotted with grid to super soft with the Portalite 56.
As shared in the previous mixed zone, check out Markus’ exhibition “Bowie Unseen“, a collection of rare unseen photographs of David Bowie. More at headon. Fujifilm Australia sponsored event.
Join the terrific GFX facebook group which will soon count 12,000 members. An incredibely helpful community creating infinite GFX content. For fast, reliable, and 100% GFX news and rumors follow the Fujifilm GFX facebook page.
We are pleased announce version 2.1 of RoboSHOOTplus. It is available NOW for MX-20 and MX-15 upgrades! This version adds Studio Strobe and additional flash support, High performance with CH/CL manual mode, In-Camera Control improvements, and more. Also, by virtue of expanded Nikon speedlight compatibility, this release enables Nikon support even on the lower cost ‘X-15 units. As a result, the MX-20 and MX-15 make great companions, as with that combination you can upgrade both over-the-air!
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