Manufacturing Fujifilm’s Best Retro Dial: Complicated, Irrational, Expensive but Pure Photographic Pleasure

The Brilliant Dial – a Complicated Joy

When yesterday we published the comments of Fujifilm CEO, who said that it is very difficult to mass-produce Fujifilm cameras with retro dials, there were some who said that making a retro dial is just as quick and easy as making a PSAM dial.

Is it true?

Well, the CEO was referring to the production struggles of the Fujifilm X100VI, which uses the combined ISO/Shutter dial first introduced on the Fujifilm X-Pro2.

So let’s look at that dial. Is it really as easy as making a PSAM dial? Here is what Fujifilm writes about it:

Realizing the [dial] mechanism and manufacturing process were not easy.

Firstly, […] there are 22 positions in total, quite a lot of number for an internal dial. […]

Secondly, the dial is electronically linked. The analog dial operation is converted digitally to know exactly what the setting is.

And Lastly, this mechanism has to be weather-resistant.

In order to meet the requirement, the Shutter speed / ISO dial required 38 parts for its composition. This number is the fourth largest after the finder, shutter unit, and mount.

This is not only about number of pieces, some parts required highly tech solution to manufacture the piece.

For example, in order to achieve the accurate 22 positions, the piece needed to be very precise and durable regardless of its complicated form. This piece is realized by a method called Metal Injection Molding (MIM). It is not cost friendly, but the this method realizes the metal part to be durable even in its complicated form.

Why do we spend so much time on this one dial?

Unfortunately there is no economic and rational answer to that question. But it was something that the developing team of X-Pro camera had always dreamed of achieving. And it was also something that the passionate X-Pro users strongly wished for.

So please, don’t go around saying that making a dial like the one on the Fujifilm X100VI is just the same as making one for any PSAM dialed camera.

There is no other digital vintage-looking camera out there that uses that dial. And the reason why is explained above: it’s complicated, it’s expensive, and it makes no sense from a manufacturing efficiency point of view.

But we are lucky that Fujifilm thinks differently.

Fujifilm does not think that niche products with niche ergonomic solutions are just a waste of R&D. Fujifilm has such a massive photographic culture that they understand that cultivating a niche means cultivating the true passion for photography.

That’s why we get cameras with such a unique (and expensive) dial, and why I believe it absolutely possible that there will be ultra-nice products like the Fujifilm TX-3 in 2028.

And that’s why, even if slower refresh times, Fujifilm will give us the Fujifilm X-E5 and Fujifilm X-Pro4.

And speaking of Fujifilm X-E5, personally I hope it will have such a dial too, although I have little hopes since it is so expensive to make, and I guess Fujifilm does not want that camera to become too expensive.

With that said, you can read the full article about the combined ISO/Shutter dial development here.

Fuji’s Vintage Cameras

DxO adds Fujifilm X100VI Support

DxO has added support for the Fujifilm X100VI.

New Cameras Supported

  • Fujifilm X100VI
  • Leica SL3

New Lenses Supported

  • Fujifilm X100VI Lens
  • Panasonic Lumix S 28-200mm F4.0-7.1 Macro
  • Sigma 17mm F4 DG DN (L mount)
  • Sigma 24mm F2 DG DN C (C021) (L mount)
  • Sony FE 300mm F2.8 GM OSS
  • Sony FE 300mm F2.8 GM OSS with SEL TC1.4x
  • Sony FE 300mm F2.8 GM OSS with SEL TC2x
  • Tamron 28-75mm F2.8 Di III VXD G2 (Nikon Z)
  • Viltrox AF 20mm F2.8 Z (Nikon Z)
  • Viltrox 23mm F1.4 ZX (Nikon Z DX)
  • Viltrox 33mm F1.4 ZX (Nikon Z DX)
  • Viltrox 56mm F1.4 ZX (Nikon Z DX)

A full list of DxO-supported cameras & lenses can be found on the DxO Supported Cameras & Lenses page.

X100VI Stock Check

Is the Fujifilm X-T50 the Best Looking Fujifilm Camera? – VOTE NOW

Somewhere in the comments somebody claimed: the Fujifilm X-T50 is now the best looking camera among X series cameras.

And while I totally agree that Fujifilm X-T50 has gained in sexiness with its new rounded design over the more boxy design of its predecessors, I am not sure if I’d call it the best looking one.

It would certainly be very high in the ranking for my taste, but I believe the Fujifilm X100VI still holds the throne as best looking Fujifilm camera.

Is this essential to know which X series camera is the best looking one?

Nope

Does it change the fate of the photography universe?

I don’t think so.

But it adds a bit of uplifting lightness into a discussion that is often way to heated in the photography forums, where we battle about the curve quality of the bokeh balls in the top right corner of the image and where we count the number of false color pixels after a 27 stops shadow recovery.

So, feel free to add lightness to this world by telling us in the survey and in the comments which camera you consider the most beautiful one.

The cameras you can vote on are:

The Best Looking Fujifilm X Series Camera is...

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Fujifilm X-E5 in 2025: The Features You Want (and My Wishes)

So we have shared the rumor about the Fujifilm X-E5 coming in 2025.

I guess X-E line lovers now have mixed feelings, between the joy of the line not being axed and the frustration of still having to wait so long.

Personally, the Fujifilm X-E5 camera is the one camera I will instantly pre-order. I mean, my lovely Fujifilm X-E3 starts to show its age compared to the my Fujifilm X-T5.

And I am not really that interested in the specs, as long as it has the 5th generation processor, the latest autofocus goodness and the new Reala Ace film simulations.

The lack of any of the three features I mentioned above would be a dealbreaker for me.

Nice to have would be the 40MP sensor, IBIS and a simple tilt screen, but no dealbreaker if they are not available on X-E5.

One more thing I hope for and would make the X-E5 perfect for me, would be the combined ISO/Shutter dial we find on the Fujifilm X100VI and X-Pro3. That would be beyond awesome if Fujifilm would put that on the X-E5.

Anyway, that’s my quick features wishlists.

Let us know in the comments which features you’d like the Fujifilm X-E5 to offer (and which ones not).

Fujifilm X-T50, GFX100S II, XF16-50 and GF500mm Reviews and Pre-Orders Now! LIVE BLOG

Fujifilm X Summit Launch Blog
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First Looks: Fujifilm X-T50 + XF16-50mmF2.8-4.8

  • BH Explora – FUJIFILM GFX 100S II, GF 500mm f/5.6, X-T50, and XF 16-50mm f/2.8-4.8
  • Rico’s Flickr – X-T50 + XF16-50 Samples
  • dpreview – X-T50 initial review
  • 50.8 Shop – X-T50 and GFX100S II announcement
  • fujistas (spanish) – X-T50 hands on
  • fujixweekly – Fujifilm X-T50 — The “Digital Film” Camera — But who is it for?
  • fujixweekly – Fujifilm X-T50 Film Dial Settings + 14 New Film Simulation Recipes (Yes, 14!!)

First Looks: Fujifilm GFX100S + GF500mmF5.6

  • BH Explora – FUJIFILM GFX 100S II, GF 500mm f/5.6, X-T50, and XF 16-50mm f/2.8-4.8
  • 50.8 Shop – X-T50 and GFX100SII announcement
  • thephoblographer – GF500mm review
  • thephoblographer – GFX100SII review
  • gizguide – FUJIFILM GFX100SII and GF500mm F5.6 super telephoto launched with Camera Samples
  • maxangeloni – Fujifilm GFX 100S II – the evolution of the species

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