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Fujifilm Manager CineD Interview: Talking X100VI, the Need for Strong Competitors, In Camera Editing… and Internal Memory Storage?

Fujifilm US Manager Victor Ha had an interesting interview with CineD.

The interview is 1 hour and 20 minutes long. I strongly recommend you to watch it all. But if you are in a super hurry right now, here are the main takeaways:

X100VI Success

  • a lot of the X100VI success has to do with luck and timing
  • but also a lot of if has to do with the fact that the camera has gone through 5 generations
  • a lot of people want to make high quality images. Sometimes they are not really photographers, but artists in other areas, chefs, or a different profession or something that requires high quality imaging
  • in today’s world, no matter which you profession you are in, you do need a certain level of image quality that could exceed the phone
  • a large number of people who bought the X100VI are new to the Fujifilm brand
  • traditionally the X100 line always was also a camera that was grabbed by people who have other brands
  • customer base has expended a lot into first time buyers, first time users, first time camera owners
  • the X100VI is also a great product
  • all these things came together
  • Fujifilm has a great reputation in providing tools that are response to feedback of customers, and also balance it with what the market wants and what’s possible technologically
  • X100VI is special because it is a combination between esthetics, design, tactile feel
  • photographers (image makers) are moving towards the desire of having dedicated devices. You want to spend a certain amount of time engaging with a device where you can look through a viewfinder and there won’t be notifications popping up
  • the job of camera manufacturers is to create devices that offer the best image quality possible in different sensor sizes and from entry level to professional market
  • when asked about features like in-camera editing, Victor says the thought of it makes him sick. First, because the JPEG’s coming out of his camera are the best in the business. And there are some options in-camera like push and pull etc (admin note: via the internal RAW converter), so Fujifilm has at some degree on-device editing
  • Fujifilm wants to offer users different ways to get images off the camera, and that’s evolved in the last couple of years (Camera to Could, new XApp, etc)
  • but Fujifilm’s first mission is to provide the best image quality possible. For that you need a good lens, a sensor, processor, image science etc.
  • Fujifilm is very pleased in seeing how Camera to Cloud is being adopted and they see continuous growth and more users try the service
  • C2C is used by photographers and videographers
  • WiFi congestion interfere and create problems with Camera to Cloud
  • internal memory storage? Victor Ha says he would be reluctant to that. He was taught that it’s important to have physical backups. Also, in some cases taking a file from the card can be easier than getting it from the cloud. And taking the files through a cable when you do not have a reader is easier than pulling the card.
  • manufacturers must understand that they need to offer different ways to get files off from the camera, not just one
  • Victor is currently on a trip through Europe with his GFX100SII (+GF50mm and GF80mm) and shooting also street photography with it is very satisfying
  • he did not use GFX so much before, but during this trip he got in deep love for that camera
  • [when asked what if Hasselblad, now owned by DJI, comes out with an attractive MF camera] of course Fujifilm pays attention what other competitors are doing. Victor hopes that competitors come out with tools that challenge their tools.
  • he believes that Fujifilm’s tools will always win in the end because “we have great fans, we have great image science, great colors, great optics
  • the industry needs to grow and make better tools. Fujifilm needs competition
  • Without a vibrant and strong industry, lots of things will go away and nobody wants that

There is more to the interview, so make sure to check it out in full.

Just a few quick comments:

As far as in camera editing goes, for me the internal RAW converter is one of the big reasons why I stick with Fujifilm (Sony for example does not offer it as far as I know). Because truth be spoken: for hard core editing nothing beats the RAW file and a proper editing software. But I am often around with busses and trains to do my day hikes, and one of the things I love is when, on my way back from a long day of shooting, I can sit in the train, go through the images and pass some time having fun editing the images with the internal RAW converter. By the time I am home, I might have already edited enough images to a point that I feel completely happy with it and I can upload them on my phone and share them… and of course without the need of edit them later on with an editing software.

In the interview they talk about having kind of Lightroom like controls directly in camera, like on the Zeiss ZX1, but personally I think that’s an overkill. I’ll just use my computer for more heavy editing. I prefer to have the simplicity and immediacy of the internal Fujifilm RAW converter to do quick adjustments.

As for the internal storage, I think that would be nice to have, if that would allow for even faster writing speeds over a CFexpress Card, but only if there would still be a memory card slot for a backup. I probably would be too scared to go on vacation with internal storage only, and maybe get my files corrupted 1 or 2 weeks into the holiday. So Victor Ha makes a great point when he talks about having a backup solution somehow.

Camera to Cloud on the other hand sounds like a great idea that faces some real life challenges when it comes to the transmission of those files. I don’t know if any of you uses it. If so, please let us know your experience with it.

Fujifilm Firmware Updates for Every GFX Camera, X-T4, X-T50 and a few GF Lenses (FINALLY)

As you know, I am a happy owner of the Fujinon GF50mmF3.5.

Well, happy until a certain point.

Because as I wrote in a complaint post here, the firmware for the GF50mmF3.5 had been suspended and remained so for many months (now years).

I did moan about it here on FujiRumors, but nothing happened.

Nothing until today! :)

Because FINALLY Fujifilm has released a new firmware for the previously suspended GF50mmF3.5 as well as the GF35-70mm.

And not only that.

Also the GF500mmF5.6 as well as every single Fujifilm GFX camera got firmware updates.

In the X series world, we get firmware updates for the Fujifilm X-T4 and the Fujifilm X-T50.

ATTENTION: Please update first the GFX camera firmware (no lens attached) and only after that you should update the GF50mm or GF35-70mm firmware.

<Important Notice>

In the unlikely event that firmware update process for any of the above interchangeable lenses is interrupted and the message below appears, please claim “Repair Service Center” in your country to upgrade the firmware. You can read the full firmware instruction here.

Note-1:The followings are messages when the firmware update is interrupted (Messages vary depending on the model).

  • Customers with GFX100 II/GFX100S II/GFX 50R/GFX 50S
    “FIRMWARE UPDATE ERROR!! PLEASE CONTACT YOUR LOCAL FUJIFILM OFFICE”
  • Customers with GFX100S/GFX100/GFX 50S II
    “FIRMWARE UPGRADE ERROR!! CONTACT A SERVICE CENTER

Note-2:Repair Service Center

Firmware Details

*** Cameras ***

** CLICK HERE to Read the Rest of the Article **

Fujinon XF 16-55mmF2.8 Emergency Firmware Available

Fujifilm has released the emergency firmware for the Fujinon XF16-55mm f/2.8 R LM WR that was promised to us a few days ago.

Fujinon XF16-55mm f/2.8 ver.1.31 – download here
The firmware update Ver.1.31 from Ver.1.30 incorporates the following issue:

We have found some malfunctions (Phenomenon in which the exposure of a captured image becomes abnormal in combination with a certain focal length and aperture value) in the firmware Ver. 1.30 released on 22 Jan 2024.
Customers who have updated to Ver.1.30 should update to Ver.1.31.
If you update to Ver.1.31, the functions will be the same as Ver.1.20 and the following functions (*) added in Ver.1.30 will no longer be available.
* Improved exposure tracking during zoom operation.

Now THAT was fast. Considering that I would love to update my Fujinon GF50mmF3.5 firmware, but that one is suspended since forever (same thing also for the GF35-70mmF4.5-5.6 WR). Dear Fujifilm, in case you don’t know, we also use your GFX gear. So we’d love a fix for that too.

SUSPENDED: Fujifilm Removes Latest XF16-55mmF2.8 Firmware and Promises Emergency Update

A couple of days ago Fujifilm has released several (also major) firmware updates. And they also promised Kaizen firmware updates coming.

The news today is that the firmware update for the Fujinon XF16-55mm f/2.8 R LM WR was flawed and has now been suspended from the Fujifilm download page.

Fujifilm is preparing an emergency firmware and FujiRumors will let you know as soon as it goes online.

In Ver. 1.30 released on January 22, 2024, it was confirmed that the exposure of images taken with certain focal length and aperture value combinations became abnormal.
For this reason, the firmware download has been suspended.
We are preparing an emergency firmware for customers who have updated to Ver. 1.30, so please wait for it.

You can access the note about the removed firmware update here.

Hopefully it won’t end up forgotten and suspended forever like the GF50mmF3.5 firmware.

My Experience with the Fujinon GF55mm f/1.7 – Crafted to Trigger GAS

On Saturday, Fujifilm had one of its Italian Roadshow gear presentation in the lovely town of Trento just 30 minutes car drive away from my home.

Much to my surprise, they already had the Fujifilm GFX100II and the Fujinon GF55mm f/1.7 R WR there for testing. And I could test it for about 30 minutes only.

Now, initially I wrote an article that contained both, my GFX100II and my GF55mmF1.7 first impressions.

But I decided to split it up in two parts for one reason: the launch of the Fujifilm GFX100II has overshadowed what I believe is a true gem of a lens: the Fujinon GF55mm f/1.7.

So much so, that I believe Fujifilm should have given this lens a separate launch date.

But that’s how it is.

And that’s why FujiRumors wants to bring the GFX system world into the right balance again by giving the wonderful Fujinon GF55mmF1.7 the space it deserves.

So, here are my first impressions without GFX100II distraction.

Fujinon GF55mmF1.7 R WR – Perfection Achieved

INSANE!

I shot everything at f/1.7.

The reason?

It was so sharp wide open, that I was scared to stop down and to hurt my eyes with even sharper images (if that is even possible).

The good thing?

If you need to take a rest from all that sharpness, then just look at the background of the image and enjoy a massive relaxation for your eyes thanks to a wonderful, dreamy-creamy and buttery-smooth bokeh.

And the autofocus?

Surprisingly fast autofocus for a lens without linear motor in it. I mean, I used it initially on my Fujifilm GFX100S, and my first reaction was to read on the lens front element if there is really not “LM” (linear motor) written on it. I was very positively surprised. Having had experience with the GF80mmF1.7, I can say the GF55mmF1.7 is a significant step up compared to it.

Sure, Linear Motor lenses might still be faster. But shooting with the GF55mmF1.7 won’t be a frustrating experience in terms of autofocus. Actually quite a pleasing one it was for me.

I have also made a tracking test using the Fujifilm GFX100II and GF55mmF1.7. I will share the results in the second part of the review where I talk about the Fujifilm GFX100II, because I need to talk about settings, test conditions to put the results in proper context. So watch out for that one coming soon.

Two problems!

  1. The depth of field is very shallow. Used on my GFX100S, I had images where the top of the eyelash was in focus and the eye pupil itself not (see sample below). If you are going to shoot it wide open it certainly will help to have the best autofocus possible. And the best autofocus possible you get is with the GFX100II.
  2. True story: after my third “wow” while I was testing it and reviewing the images, my wife said: “but you are not going to buy it, right?” So now we have a problem. A problem that hopefully a nice dinner in a fancy restaurant and a couple of flowers will be able to solve.

Overall Conclusion

Not the lightest lens on the world, but it is also not too big for an f/1.7 lens. Well balanced overall with my GFX100S.

At f/1.7 it is so sharp that, true story, my wife complaint when she saw the images because she could notice every single little imperfection of her skin.

They say Bokeh is subjective, but this one is objectively very good.

Fujifilm said during X Summit that they use the aspherical lens manufactured with ultra precision resulting in the reduction of axial chromatic aberration and onion ring effect. it is also their first GF lens with 11 aperture blades for near perfect circular aperture.

If you love the versatility of the 40mm-ish full frame equivalent focal length, then this is the one!

And look, I own the Fujinon GF50mm f/3.5 and love it for its fantastic portability. But versatility comes not only from size, but also from speed. And at f/1.7 the GF55mmF1.7 opens up other possibilities in terms of low light performance and subject separation that make it just more suitable and flexible for more use cases.

I can totally recommend this lens if all you want in your life is the humble need for optical perfection in your images :D.

That’s at least my impression after 30 minutes of use. I had no time to test chromatic aberration, focus breathing and what not. So if those are critically important things for you wait for further reviews. Although what I’ve read so far is that also chromatic aberration is well controlled and Fujifilm actually emphasised during launch at the X summit the “reduction of axial chromatic aberration” and “less color fringe“.

Samples

Down below I will share three samples. All taken at f/1.7 using the Fujifilm GFX100S.

  • Sample 1 + Crop = shows how impressively sharp the performance is at f/1.7
  • Sample 2 + Crop = shows how shallow the DOF is and how that can lead to slightly out of focus images
  • Sample 3 = enjoy the smooth bokeh background

Get Yours

And the Rest of the New Gear

Fujifilm GFX100 II IBIS Performance with GF Lenses (vs GFX100S)

Thanks to a new smart system that relies not only on the gyro sensor to stabilise the sensor, but also uses data from the image sensor itself to fine tune stabilisation (more about it in our X summit summary), the Fujifilm GFX100II is capable of achieving 8 stops IBIS.

But this peak 8 stops performance is achieved not with all lenses.

In the chart above shared by Ken L Photo (in text format below) you can see how many stops of IBIS you get on the GFX100II with each GF lens. Also, you get the IBIS performance comparison with the Fujifilm GFX100S.

Full Chart

** CLICK HERE to Read the Rest of the Article **

Fujifilm Releases Significant Firmware Updates for Many XF/GF Lenses (plus X-A3, X-A10, XA20)

Fujifilm has released firmware updates for plenty of lenses that will make the autofocus more silent, the aperture operate smoother and also give better tracking performance while zooming.

That’s a very nice upgrade especially for video shooters.

Not all lenses will get all these three updates. You can find the full detailed list below.

Firmware Details & Download Links

** CLICK HERE to Read the Rest of the Article **

Oops I did it Again: I Bought my Dream Lens and Here is Why

image taken with Fujifilm X-T4 and XF80mmF2.8
image taken with Fujifilm X-T4 and XF80mmF2.8

I Failed

I tried, but I failed.

And I failed in less than 48 hours.

I am afraid too many of you guys know what I talk about: try to resist to G.A.S!

It all started February 1st, when Fujifilm launched new deals here in Italy (and all over Europe). And to my surprise, the deals included one of my top 3 Fujifilm items on my 2022 wishlist.

Less than 48 hours after the launch of deals, I found myself at my local photography store, my credit card flying over the sales counter and in my bag a box containing the Fujinon GF50mmF3.5.

And don’t worry, my wife approved this purchase… now all I need is her to approve also my other two Fuji-dreams gear 2022, meaning this camera and this lens ;).

I am Happy I Failed :)

Here is why I bought it, and I am so excited about this lens.

As you know, last year I bought into the Fujifilm GFX system by treating myself with a Fujifilm GFX100S and Fujinon GF32-64mmF4.

My main application for this wonderful combo is landscape photography.

So how is that working out?

Well, my go-to bag for hiking is my Camslinger Outdoor. I love the practicality of it to a point, that I won’t buy gear (for landscape photography) that does not fit in there. And despite having a sensor about 70% larger than full frame, the GFX100S with GF32-64mmF4 still fits!

So, for me, this combo is compact enough, and I can easily make my usual 4 to 6 hours hike with the GFX100S and GF32-64 on my hips.

Why do I say this?

Because I want to make clear that I don’t perceive the GFX100S with GF32-64 as too big for the purpose of landscape photography, especially considering what it is: a 100 megapixel medium format system that I can carry around all day on my hips. It’s frankly amazing.

But while it is a surprisingly compact combo for the purpose of landscape photography, the GFX100S combined with the GF32-64mmF4 is not small enough for my taste to bring it with me for more casual shooting, may it be for my street photography or to document my family life.

By getting the Fujinon GF50mmF3.5, though, the whole combo gets substantially smaller and lighter, making it much more portable and easier to pick also for casual photography.

And to be clear: my well-equipped APS-C system is and remains king when it comes to flexibility, performance and value for money. I still take my X system with me on hikes, on my travels, on my day trips with family and I also blindly trust it in crucial moments like when I had to photography my first wedding.

But owning the GF50mmF3.5 simply gives me more options and opportunities to pick up my GFX100S more often if I want to.

I am very happy with my purchase and I can’t wait to use use it comprehensively starting with this weekend.

We (my family and me) are probably going to the town of Sirmione this Saturday. I have never been there and can’t wait to test my new lens in such a wonderful little lake town.

** CLICK HERE to Read the Rest of the Article **

The Guardian Nominates Fujifilm Shooter and WPP Award Winner Yasuyoshi Chiba “Agency Photographer of the Year”

image courtesy - Yasuyoshi Chiba (via The Guardian)
image courtesy – Yasuyoshi Chiba (via The Guardian)

Do you remember when back in 2020, photographers using Fujifilm X and GFX gear creamed off tons of prestigious awards at the World Press Photo Awards, including the top spots for the two most prestigious categories, World Press Photo of the Year and World Press Photo Story of the Year?

Well, Yasuyoshi Chiba, the winner of the World Press Photo of the Year, who took this amazing image with his Fujifilm X-H1, has now been nominated “Agency Photographer of the Year” by The Guardian.

Congratulations again to Yasuyoshi Chiba and make sure to check out his instagram here, where all the images shared so far are taken with the Fujifilm X-H1 and Fujifilm GFX100.

As for the images in this specific reportage from Tigray (Ethiopia), Yasuyoshi Chiba used his GFX gear with the one lens I dream to own for my GFX100S, the Fujinon GF50mm f/3.5.

For the full article check out TheGuardian here.

One more thing:

Yasuyoshi Chiba is planning to do photo exhibition of the images of Tigray from Ethiopia (and Sudan for refugees) in February and March, both at Fuji’s imaging plaza (below is info, in japanese though). Pictures at the exhibition are all taken by GFX100+GF50mm.

Some Fuji Pro Work:

Not enough? Well, then know that photographers using Fujifilm cameras also…

  • won the world wildlife photography award (story here)
  • made the cover of the TIME magazine (story here)
  • won the World Photography Arts&Culture Award 2015 (story here)
  • won the First Prize of the World Press Photo Category “Stories (stroy here)
  • made the front page of the Wall Street Journal (story here)
  • were good enough for God’s work (story here)
  • captured America’s most hated man (story here)
  • distracted a French presidential candidate during his interview (story here)

Hey Jared… are you really sure about that Fuji, LOL? ;)

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Top 3 Fujifilm Gear I’d Love to Buy in 2022

I think I can say that in 2021 I’ve done a decent part in supporting Fujifilm with my hard earned money, as here is the Fujifilm gear I’ve purchased:

For as much as Fujifilm made medium format accessible to the masses, buying into the 100 Megapixel GFX system still requires a significant investment. It’s worth every penny, but it’s not cheap.

So in 2022 I will try to contain my GAS as much as possible and be cautious with my purchases (do I hear you guys laughing?? ;) )

And yet, there is some gear I’d love to buy in 2022. And I mean gear that is either already announced, available or at least on the Fujifilm roadmap for 2022. So this is not about rumored gear.

  1. Fujinon GF 50mm f/3.5
    One of the main declared goals by Fujifilm is to make the GFX system smaller. A huge step in this direction was made with the Fujifilm GFX100S, which is already smaller than some full frame mirrorless cameras out there (see the Panasonic S1R) and about as big as the Canon R5. Sure, the GFX lenses are usually bigger, just as Full Frame lenses are usually bigger than APS-C lenses. Well, the Fujinon GF50mmF3.5 serves exactly the purpose to make the system smaller and mounted on my GFX100S, it could give me a very nice combo that I would probably end up carrying with me more often also for casual family stuff. And hey, I need 2 more GFX lenses to reach the average GFX shooters’ lens attachment rate* ;)
  2. Fujifilm X100V
    I mean, just look at it. It’s of a beauty matched maybe only by some Leica cameras. The only problem here is that I own the Fujifilm X-E3 with XF27mmF2.8 R WR, so the Fujifilm X100V would become a bit redundant in my lineup. And yet, it would not only be about its beauty. It also has the pull-up ISO dial from the X-Pro line that I totally love. Combined with WCL-100 II and TCL-100 II it would give me a compact and versatile leaf shutter mini-system. And just like the X-E4 it has that “invisible” tilt LCD screen that I could make good use of every now and then.
  3. Fujinon XF 70-300mm f/4-5.6
    You might know how much Iove my XF18-135mmF3.5-5.6, especially when mounted on my X-T4 (you can see the combo here on the Dolomites). But in 2022 I’d love to get a bit more into a photographic territory I haven’t explored much yet, wildlife photography. That’s why a bit more reach could come in handy then the one the 18-135 can offer me. There are some options here: from the XF200mmF2 to the XF100-400 to the XF150-600mm that is on the roadmap. And why not, also the Tamron 18-300mm f/3.5-6.3 could be a nice option. But taking into account prize and size, I think the  XF70-300mm f/4-5.6 could be a reasonable choice to start with. And for even more reach I could couple it with the XF 1.4x TC WR Teleconverter.

Bonus

Related Article

The Gear

*From the Interview “Fujifilm Manager: GFX Triumph and Full Frame Attack Strategy, Shrinking IBIS, AI Future, Fuji X-H2 Needs Breakthrough, COVID and More

  • 70-80% of GFX customers were coming from non-Fuji cameras. Most probably from full frame DSLR cameras
  • GFX sells 50% better than Fujifilm predicted
  • GFX lens attachment rate: about 3 lenses per 1 GFX camera
  • Fujifilm X system has a lower lens attachment rate than GFX system
  • read more in this article