New Firmware Features (1): Using AF+MF

_ _ _

New Firmware Features (1): Using AF+MF

by Rico Pfirstinger

Talk to Rico (open forum for questions & feedback)

Fuji X Secrets Workshops – Rico’s Flickr Sets

The Fujifilm X-E2: Beyond the Manual (use coupon XPERT40 for a 40% discount)

This Thursday (18 DEC 2014), Fuji is releasing new firmware for the X-Pro1, X-E1, X-E2 and X-T1. This is the first of three articles explaining the changes and enhancements brought to you by these updates. Let’s begin with the single new feature that affects all four X camera models: AF+MF.

What is AF+MF?

AF+MF allows you to autofocus in AF mode, then adjust the focus manually by turning the focus ring while holding the shutter button half-depressed.

In order to access this feature, the camera needs to be updated with the latest firmware (at least version 3.40 for the X-Pro1, 2.40 for the X-E1, 3.00 for the X-E2 and 3.00 for the X-T1). Then select SHOOTING MENU > AF+MF > ON to enable the new feature.

How to apply AF+MF

In order to use AF+MF, your X-T1 or X-E2 have to be in AF-S autofocus mode. Users of X-E1 and X-Pro1 cameras may also select AF-C using the focus mode selector switch that is located at the front of the camera.

Here’s how AF+MF works, step by step:

** CLICK HERE to Read the Rest of the Article **

The Fuji X-E1 Is The One

[shoplink 678][/shoplink]

Sometimes it is good to read someone who confirms what you already were thinking.

I am talking about the [shoplink 678]Fuji X-E1 (price & specs)[/shoplink]. Got an email by Fuji Rumors reader Rey Spadoni. He pointed me to a review he wrote about the X-E1. And he writes:

The newest X-mount body from Fujiflm is a dream come true.  It solves just about every problem I encountered on the X-Pro 1 and then, for kicks, goes even further up the tickle-my-fancy meter.  This is the camera I had been waiting for.  This is The One.

And the auto-focus…?

Much, much improved.  That’s a function of some software updates along with a built in motor within the exceptional, and I mean exceptional, kit lens.  It’s faster and sharper than any other kit lens I’ve used […]

Yes, the lens is a so-called “kit lens”, but it is fast and sharp, and you can control aperture on the lens. Ok, let’s see what Rey thinks about the image quality:

The image quality is indistinguishable to me from the X-Pro 1 and that’s a very good thing.  It seems to be the latest fad for manufacturers to remove the anti-aliasing filter  and Fujifilm’s sensor array seems to prevent moire and other concerning artifacts completely.  I saw no such problems.

Jump over to Rey’s review (click here) to see sample pics and get all of his thoughts about the X-E1.

Fuji X-E1 price check: [shopcountry 678]

Image courtesy: Rey Spadoni

New X-E1 Reviews (and comparison with the 5D MarkIII)

Image credit: Martin Doppelbauer

Photographer Martin Doppelbauer decided to make a somewhat unbalanced comparison: The [shoplink 678]Fuji X-E1 (price & specs)[/shoplink] vs Canon’s EOS 5D Mark III (price & specs). Sounds unfair? Well, given the amazing performance of the X-E1 there are good reasons to be curious. He shot in RAW, using Capture One (Version 7.0.2) to develop the files of both cameras.

The review is not just a comparison between Canon’s full-frame champ and the X-E1, it is also a review that highlights the strengths and the weak points of the X-E1. Trying to shot at the same ISO settings showed some strange behaviour of the X-E1:

The true ISO value is considerably lower than the displayed value. I have performed some tests in comparison with the Canon EOS 5D Mark III, whose metering works particularly accurate according to When the X-E1 is set to the same aperture and ISO values, the camera determines a much longer exposure time than the Canon. The extension factor was in average 1.75 (with variations from 1.62 to 2.0), which is equal to three quarter exposure stops (EV).
There are reproducible differences between the various ISO levels. The lower values from ISO 200 to 1600 are too weak by about two third exposure levels (EV) on average. The two highest values ​​(ISO 3200 and 6400), however, deviate by one full exposure value (EV).
This means for example, that the X-E1 works with a real ISO 125 when set to ISO 200 and a real ISO 3200 when set to ISO 6400. This will provide for very good noise performance results in comparative tests in magazines or websites. In reality, however, the noise performance of the X-E1 is actually good but not as phenomenal as it seems. The Fuji always has to select almost double the ISO value compared to properly tuned cameras for a given scene, aperture and shutter speed.

So, what about the comparison? Martin writes:

The images of the X-E1 are of such a high quality that a comparison with the full-frame EOS 5D Mark III seemed reasonable. Both cameras were tested together with their “kit zoom lenses”, the 18-55mm f/2.8-4 on the X-E1 and the 24-105 L f/4 on the Canon.

Image on top: Courstesy of Martin Doppelbauer

Some information about the setting of his test:

For fair comparison the settings of both camera systems should be largely identical. This affects focal length, depth of field and exposure (ISO and shutter speed). Due to the different sensor sizes and Fuji’s exaggerated ISO numbers the matter is not so easy.

Focal length and depth of field (aperture) is converted to the crop factor, i.e. with 1.5. For example, a focal length of 23.3 mm on the X-E1 corresponds to the popular 35 mm on a full frame sensor. An aperture of f/5.6 on the Fuji gives a similar depth of field as f/8 at the Canon. I have always reduced the ISO values by 2/3rd steps on the EOS 5D Mark III.

All images were shot in RAW format and developed with Capture One 7.0.2. In some of the X-E1’s pictures the white balance was adjusted according to the EOS 5D, which I generally found slightly more accurate. All other parameters of the RAW software were left at their default values​​, which is particularly important when comparing noise performance.

The X-E1 can’t (obviously) hold up to the Canon EOS 5D Mark III. Never the less,it is interesting to see how well the Fuji performs, and how little is missing to get an almost full-frame like performance. Quoting Martin’s conclusion:

Regarding resolution: It is to be noted that the EOS 5D Mark III (with its low-pass filter) records visibly more details than the X-E1 (without the filter), even though the pixel count of the Canon in horizontal and vertical axis is just higher by 18%. Obviously the omission of the alias filter does not help the X-E1 to increase resolution much.


The X-E1 is a camera with impressive mechanical and optical quality and great usability. Its images come close in quality to the EOS 5D Mark III over a wide range of ISO settings.
It is pleasing to hold the camera and taking pictures is great fun. Operation of the X-E1 comes close to classical range finder cameras. The Fuji is perhaps not for casual shooters, but photographers who deliberately compose their images will have great pleasure. For them the slightly slow autofocus will not mean much. After all, it regularly nails sharpness right to the point.

I gladly confess that I was never annoyed by moiré artifacts in real shooting situations. If present at all they were rare and weak. [Update 2013-01-19: I was out shooting in the snow today. Snow-covered trees in bright sunlight are good for great pictures. But I also got a pretty significant amount of colored artifacts.

So, I let it up to you to check pics and to compare them. There are a lot (really a lot) of sample images in Martin’s post, as well as test shots of the Siemens star for better understanding of moiré and aliasing artifacts.

Some more X-E1 tidbits:

Fuji X-E1 price check: [shopcountry 678]

Canon EOS 5D Mark III price check: Amazon DE | Amazon FR | Amazon UK | Amazon US | B&H | Adorama

[via Martin Doppelbauer]