ONLINE! X-M1 impressions of Max Angeloni (riflessifotografici) with 27mm samples

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image courtesy: Max Angeloni (RiflessiFotografici) Fujifilm X-M1 Fujinon 18-55mm
[definitely, the “soul” is in the photographer]

Max Angeloni of riflessifotografici just posted his first article about the X-M1 here (English version). Who’s the target group of this camera? Why will photographers who are coming from a DSLR feel right at home with the X-M1 (more than those coming from the X-PRO1/X-E1)? And do you want to enjoy some beautiful shots taken with the [shoplink 13828]X-M1[/shoplink] and the following lenses: [shoplink 13829]27mm[/shoplink], [shoplink 12887]18-55mm[/shoplink], [shoplink 12888]14mm[/shoplink], [shoplink 12892]55-200[/shoplink]? Then check this article out here (English version).

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

image courtesy: Max Angeloni (RiflessiFotografici)
Fujifilm X-M1 Fujinon 27mm 1/4000, f/2.8, Iso 200

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X-M1: high demand and limited supply + leave the point and shoot world behind

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The X-M1 is scheduled to be released on July 29. But now AmazonUS says: “Due to high demand we anticipate being unable to fulfill all customer orders with our first allocation. Product supply from Fujifilm is very limited“.

I really hope that people who purchased the X-M1 won’t have to wait for their camera as long as those who bought the X100S (and are still waiting!).

The X-M1 is tailored to those point and shoot customers who want to “upgrade“. Fuji now delivers them a user-friendly camera where they can experience a touch of professionalism: a great image quality in one of the smallest cameras with APS-C sensor, easy to use, tilt screen, face detection, fast processing times (EXRII), focus peaking, WiFi, mode dial and still the opportunity to adjust shutter speed and exp. comp. (and aperture) through the dials (depending on how you set the mode dial).

Sure, no viewfinder (and no option to add it as accessory!!!) can be a deal breaker for enthusiasts and pros. But the X-M1 is more something for those who want to step-up from a point and shoot camera, leave the “automatic snapshot world” behind and turn photography into a real hobby (but it could also be a fine camera for those who look for a small, compact backup camera that deliveres the same image quality and colours of the X-PRO1.)

And if the X-M1 sales well Fuji will have more resources to speed up the development of their high end models. So, Fuji, after “conquering” the mass market with the X-M1 (and the upcoming X-A1), please go back to the roots and focus again on the high end models.

And to what concerns the “X-soul” debate, at the FR-facebook page Matthew said: “It’s a camera, a tool you can use or not. Pretty sure the “soul” is in the photographer.”

Now, it’s up to you to see if the X-M1 fits in (or not) with your needs.

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

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New Fujifilm factory in the Philippines: 18 million lenses a year by FY2015

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Fujifilm just announced at their global website here that because of the “increasing demand for high-performance lenses” they now started the operation of a new optical lens factory in the Philippines. The goal: “the production to 18 million lenses a year by FY2015, […] The total investment for the new factory is 2.3 billion yen.”

After the X-M1 and the XC 16-50 / XF 27mm (produced in Thailand and China) Fuji now expands also in the Philippines. It seems that Fujifilm products will be less and little “made in Japan”. But I hope that now the company won’t annoy customers with long waiting times anymore (a lot people are still waiting for the X100S and XF 55-200. Bad news for aficionados to the “made in Japan”, but good news for all those who switched to the X (or plan to switch) and do not want to wait eternally for new cameras or lenses.

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XC 16-50 and XF 27mm samples at photographyblog (and X-M1 pre-order at AmazonITA)

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image courtesy: photographyblog (16-50mm)

Photographyblog just posted some sample images shot with the XC 16-50 (click here) and XF 27 (click here). They also shot the entire ISO range and posted a sample video here. The full review will come soon.

The X-M1 is now available for pre-order in Italy (with a significant price difference between the silver and black version).

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

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Leica X Vario vs Fuji X-E1 (before and after Iridient) or how a software can “turn a decent camera into a pretty special one”

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Before we start, I’d like to say HAPPY BRITHDAY to Iridient (launched exactly 9 years ago). I’ve contacted Brian yesterday for the first time, asking him if there will be a Windows version of his software. He answered immediatly: “[…] I have nothing at all against Windows, but it’s unlikely there will be a port of Iridient Developer to Windows. […] That said I have had discussions in the past and will likely have more in the future regarding opportunities for someone else do a Windows version, but so far nothing concrete has come to pass.

_ _ _

Do you remember this post, where thevisualexperience explained why DPreview may be sometimes wrong when they jugde the IQ of cameras? He suggested them to use Iridient Developer to process the X-Trans files. The results with this Mac-only software are, according to him, much better than those of Adobe.

Now, here is another example. Soundimageplus compared the [shoplink 13668]Leica X Vario[/shoplink] with the [shoplink 12881]X-E1[/shoplink]. Which APS-C camera deliveres the best IQ? This was his answer before using Iridient:

BEFORE IRIDIENT

“So having consistently described the Fuji X-Trans sensor as the best image quality, taking everything into consideration (raw, jpgs, high ISO, sharpness, colour etc.) that I’ve ever used, it seems I’m now going to have to change that. The Leica X Vario now officially, here at Planet Soundimageplus at least, is the producer of the best IQ overall, that I have ever seen in a camera I own. Its taken me pretty much all day to come to that conclusion, but its been an enjoyable and informative process.”

But then he tried to process the X-E1 RAW images with Iridient and changed his opinion. He is sure that you’ll be impressed by the files that the X-Trans sensor can produce… Read the second post of soundimageplus here:

AFTER IRIDIENT

“I don’t really know what a ‘demosiacing algorithm’ is but I know what I see with my eyes. Unlike all other software conversions for the Fuji X files, there is no ‘foliage mush’ ‘smearing’ or ‘watercolour effect’ present in the converted files. The files are crisp and sharp, even without any added sharpening in the software. […] The conversions are so good that I’m able to upsize them quite dramatically to 24MP and 36MP in Photoshop, using the new resize option, with very little loss of detail. In fact the 24MP upsized files I’m producing look virtually identical to my Nikon D7100 files. […] So for me this takes my X-E1 into another league. It is pretty much like I suddenly have a new camera. In terms of image quality, I thought that my X Vario just shaded the X-E1, but now I’m not so sure.

So a £60 software programme turns a decent camera into a pretty special one and I’m going to be using the X-E1 a lot over the next few days to shoot some new images knowing that I’m going to get some pretty impressive files.”

enjoy your day
Patrick

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