You might remember how recently a Fujifilm Manager said “when we announce our new telephoto prime [in 2018] we also need a higher performance body”.
What did he mean with “higher performance body“? The X-T3? Or maybe something completely different?
I’m not sure now… but I can tell you what I’m recently hearing.
Keep in mind… these are the first steps into a potentially very exciting rumor journey, but it’s just a fragile whisper at this stage, so please do NOT take this as a fact. I could follow a wrong hint, or maybe there is some truth in it…
Here is the thing:
I got some hints that Fujifilm is working on the ultimate X-series camera. It should be a camera that will top everything we know from Fujifilm so far in the APS-C world and it could also have some more cinema-centric aspects, that would make it the perfect companion for the newly announced MK18-55mm T2.9 and MK50-135mm T2.9.
I don’t know if the Manager quote above was refering to this camera, or “simply” to the X-T3. I’m still working on this.
However, one anonymous source shared some more details, telling me it should cost “around $5k” (or even more) and be still an X-Trans camera. (thanks for sharing… and I will investigate further the other details you sent me).
So guys, just follow FR, and let’s see how deep the rabbit whole really goes :-)
And of course, in case someone out there could help, please contact me at fujirumor@gmail.com or using the rumor box (with nickname if possible).
Cambo is pleased to announce the new ACTUS-GFX for use with the Fujifilm GFX 50s medium format camera body.
The ACTUS-GFX is a technical camera platform that enables GFX-50s users to apply movement, swing, tilt, rise and fall capturing the detail required when shooting in or out of the studio. The medium format 33mm x 44mm sensor captures a wider area than current full size DSLR systems.
“Modularity is the keyword – the systems components may be separated and recombined’”
The ACTUS-GFX can be used in combination with the GFX-50s and the full range of Actar lenses 24mm, 60mm, 80mm, 90mm and 120mm Macro. But it doesn’t stop there as there are also lens plates available for Hasselblad, Mamiya, Pentax, Rodenstock and Schneider.
Lenses will work without a built-in shutter, the GFX50s camera shutter operates when the electric lens is detached, enabling the camera body to be used with the ACTUS-GFX.
NOTE 1: Sorry about my English because it is not my native language NOTE 2: The comparison shots have been taken different times and in not well controlled conditions. They should just give an idea of the details difference between lenses.
I have used Hasselblad X1D for one month and had problems with the body and also shutter of the 90mm lens. Now I am using Fujifilm GFX for sometime with the 3 current lenses.
Let me explain my user notes. I am not an expert or professional photographer, but i have used the best 35mm lenses in years like coastal optics,voigtlander apo lanthar,Zeiss otus line and leica apo lenses.
With 35mm format the quality mostly comes with the lenses. For example Leica M 240 doesn’t have a state of art sensor but when you use it with a 50mm Apo Summicron you get medium format like output as a system.B ut if you use it a less corrected lens you will get a moderate FF look and quality.
With medium format the quality is mostly related to sensor. Of course lenses are good as well but at least for these two brands new line up are not as refined as the lenses I wrote above. (maybe fuji 120mm macro is an exception). But when they combined with the sensor they shine.
So let’s compare Hasselblad with Fuji (still no raw??)
Hasselblad X1D
Cons:
Plastic parts are fragile for scratches.
Lenses are slow to get good subject separation
Battery capacity is low.
You can not have bokeh circles with the lenses. They look like honeycomb. Maybe because of the leaf shutter.
45mm and 90mm both have focus shift.Especially at short distances.
Files are flat and not lifelike.Dimenson is not there at all.
Lcd has a low resolution.
Evf is not better than sony a7x series.
Slow start-up time like computer.
After too many shuts body becomes hot.
Strange shutter noise.Ahhrrr ???
Pros:
Leica M like body. Build quality and style are exceptional
Super easy menu. It is Apple like.
Very good ergonomics on buttons and grip.
Great AF accuracy. Great working AF light for low light works
Super easy to use.
Nearly shake free because of leaf shutter.
Superb use of Nikon ttl flashes and profoto b1 up to 1/2000 sec
Colors are real as you see with your own eyes when you use Phocus software.
Fujifilm GFX
Cons:
Ugly style and ergonomics. Play and delete buttons are so bad placed.
To much buttons and crowded menus.
The position of buttons really sucks(especially play,delete and ev +\- ) by default.Yes you can redesign them but not all. Delete can not be arranged for a different button and you can not reach it comfortably with your right hand when holding the grip. You have to use your lef hand. So button line up of default is con, to re-arrange them is a pro
Focus is fast but not accurate especially in low light.
Heavy after Leica bıt for dslr users it is ok. Especially lenses.
Because of bad ergonomics and the huge lenses(compared to Leica) it is impossible to use small bags for street and travel photography.
Pros:
Forget about the cons and run to buy it?
Punchy and lifelike files even no raw for now.63mm and 120mm has that special leica pop ??
Super subject separation.
Great shutter sound
Buttons are what you want them to be (the ability to re-arrange them)
Detail is more refined and corrected than Hasselblad (hassy sometimes seem like to much Photoshop sharpened)
They are both have Cons and Pros but GFX is more like a 3th generation product which has less problem and very ready to go a big photo trip. Hassy is like a prototype with problems and makes you thing to go to a photo trip with a back up camera system.
Fuji files are more life-like as film but Hassy is more clinical. Fuji is a great upgrade camera for APS-C and FF users but Hasselblad is a back up camera for real studio medium format users.
These Is what I feel about two of medium format cameras. Maybe some of you will feel different.
World’s fastest SD-card, the Sony UHS-II SD Card, is now available for pre-order at BHphoto here and Adorama here. The expected availability is March 29.