miXed zone: The Valley of Ghosts, X-talk, X-reviews and Iridient Developer

Iridient Developer

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image courtesy: soundimpageplus (in the middle Iridient, at the bottom Photoshop)

1) Now also soundimageplus joined to the group of photographers who use Iridient to process their X-Trans RAF files (click here). [check also this FR-post here and vote the poll] Among the others he says that:

“You will clearly see how much more detail and sharpness there is in the Iridient Developer version, which is just from the X-E1 preset. The ACR file has sharpening added but still produces a softish ‘smeared’ result. The advantage of Iridient Developer over Aperture is that it is slightly sharper and still keeps the colour noise and moire under control. If you have a Fuji X camera and a MAC,, give it a try. I think you will be impressed.”

2) FR-readers Olaf and Kasia visited the Valley of The Ghosts with the X-PRO1 and X100S… don’t be scared, if you click here, you’ll just see some beautiful shots. All images were processed with Iridient 2.1 and LR: “Iridient Developer is new software, which supports the X-Trans files really well (the best demosaic so far?). We will share more about this in the upcoming posts.”

image courtesy: Olaf & Kasia

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X-talk

– The Lens Wipe contacted me at the FR-facebook page and told me: “We did an interview with Kevin Mullins who uses the X-series cameras extensively in his wedding photography. Though it would be interesting for you guys. The Lens Wipe is on iTunes or just use this link.”

X-M1

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

– Ahead of their full review ephotozine published some samples shot taken with the X-M1 using the 16-50 lens here and the 27mm lens here.

– A 2 minute X-M1 preview video at the digital camera world here.

X100S

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– X100S and infrared at digitalrelish here. “With the release of the X100S and its enhanced high ISO performance offering the possibility of going tripod-less whilst using an IR filter, I set off for a week away in the English countryside.  I wasn’t disappointed with the results from the camera. The combination of a higher resolution 16MP X-Trans sensor for more detail, the improved high ISO performance for less noise […]”

Matti Sulanto was on the streets of London with his X100S and XF1. The text is in Finnish, but the images are universal… see them here.

 X20

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image courtesy: eyalg

eyalg posted his well made X20 review here: “Autofocus in most conditions and situations is very fast. Instantaneous almost. Even in low light, the X20 manages to lock focus better than I expected, even when taking into account that it’s a high-end compact. In macro mode, AF is generally to slow to catch an insect without effort. I had to make several attempts to shoot a bee or a spider up close. […] Battery life is surprisingly better than advertised. I was able to take about 600 shots before having to charge the battery – that’s more than twice the official number.”

– Read thephoblographer‘s review of the X20 here: “The Fujifilm X20 is a great choice for the discerning street photographer and photojournalist. Despite its diminutive size, it packs a punch that shows itself in post. With a beautiful design and powerful innards, the X20 will get you the images you need. Just remember to get your mind out of manual focusing with this, but if you find that you absolutely have to, a tripod would be a good thing to have on hand.”

– X20 or X100S: “As you can see, the X20 and X100s are very different cameras, even though they share many similarities when it comes to design and technology such as the X-Trans Sensor. The diverse lens system and a different sensor size are the key elements that separate these two cameras from each other. It goes without saying that the X100s has been designed with professional photographers in mind, while the X20 is aimed more at the amateur/enthusiast who wants upgrade from a simple point-and-shoot.” Read it all here at mirrorlessons.

karimhaddad posted his thoughts about the X20 (or “X-junior“) here. The conclusion: “Even though I didn’t really need it, I’m still happy I bought this fun camera. It’s portable, although not small enough to fit in your pockets – unless you have some really big pockets. For you ladies, it’s small enough to fit in some of those purses you use. Most importantly, it takes some very nice pictures and gives the photographer many options to choose from. There may be some similar sized cameras that take better pictures, but I haven’t used them. I’ve played around with the X20 enough to know that it’s a great piece of kit. In many ways, the X-junior is my new walkaround.”

image courtesy: karimhaddad

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lenses

admiringlight tested the 12mm Zeiss Touit lens. The eternal question, Zeiss 12 or Fuji 14? And it’s again the Fuji! Read the whole review here.

– the German digitalcamera.de tested the new Zeiss Touit lenses. Read it here (translated version).

– Fuji 55-200 mm on a 720nm IR converted X Pro 1 at markhilliardatelier here: “As you can see as you get to f/11 we start to develop a small hot spot, but nothing that cannot be fixed.  Above f/11 the lens becomes unusable at the wide end.”

– Hand on the 55-200 at mirrorlessons here:In short, the 55-200mm is a very nice lens but I would never buy it. If you, however, feel it is the kind of lens that could meet your needs, you can check out additional photos below and the first article I wrote about his lens.

– A car race and the 55-200. See the results here at nicolaslambert in French (translated version). From the verdict: “Is it possible to take pictures of sports with its new Fuji telephoto? Yes, but …I think that to make a bet at the correct point, one must understand how the work of AF Fuji and therefore target areas with a contrast. For example, in this case here, a sticker with the lettering, the number …

FinePix HS50EXR

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Fujifilm FinePix HS50EXR review at photographyblog. “As Fujifilm make a big play of in their marketing, the HS50EXR really is an all-in-one camera that will cope with virtually everything that you can throw at it, from macro photography to extreme close-ups of sports and nature. It also successfully mimicks the handling of a typical DSLR camera, with the obvious advantage of not having to carry several big, heavy and expensive lenses to achieve anywhere near the focal range that the HS50EXR offers out-of-the-box.

The X-series lost its soul! X-M1 in Cuba (laroquephoto)

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image courtesy: laroquephoto

The X-series is more than just stunning image quality. The viewfinder, the lenses with aperture ring, the retro design, the controls and more are part of the “soul” of the X-series. This is why Patrick La Roque, when asked if he would buy or not the X-M1, gives a clear answer: NO! The X-M1 is simply a digital camera that delivers fabulous images but there is no “true photography” feeling as with the other X-Trans cameras. But keep in mind that pro-photographers are not really the target of the X-M1. Read Patrick’s article here.

“Leaving out the viewfinder, building lenses without aperture rings… When you strip away the physicality of that experience what are you left with? A Canon or a Nikon. The camera’s image quality is fabulous but in the end, it’s a robot. It’s a digital camera that flaunts its digital nature at every turn and takes all the immediacy, stealth, thoughtfullness and pleasure out of the equation. It completely disconnects you from the scene. I know I’m being harsh but there’s a reason I’m so enthusiastic about the X series; this ain’t it.”

Tell me, what should Fuji do to save the X-series. What’s the “soul” of the X-series? Make a list with your suggestions in the comments (I’ll then make a poll).

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

 

photographyblog XF 55-200 review

Fuji XF 55-200mm: [shopcountry 12892]

It’s online, the full photographyblog XF55-200 review. They assigned 4 out of five stars and recommend this lens. Check out the whole text and the samples here. Some extracts:

“[…] very quiet linear motor. In practice, we found the auto-focus to be fairly fast, pleasingly quiet and without too much hunting in low-light. Thanks to the IF mechanism the front of the lens does not rotate on focus, which is very good news for anyone looking to use the lens in conjunction with a polariser or graduated neutral density filter. […]  pleasing bokeh […] offering an appealing combination of good image quality, excellent construction and handling, and fair value for money. Both centre and edge sharpness drop off as you progress through the zoom range, though, requiring the user to stop down the lens to get the best results. […] very good images, especially at the wider end of the focal range.”

ephotozine XF55-200 review

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image courtesy: ephotozine

ephotozine assigned 4 out of 5 stars to the XF55-200. The PROS of this lens are, according to ephotozine: Excellent performance at 55mm Low distortion – Good build quality – Very effective optical stabilisation – Fast linear focusing motor. The CONS: Drop off in sharpness as lens is zoomed towards telephoto – May be a little pricey when compared to equivalent lenses for other systems. Check out the whole review, the graphs and samples here.

Fuji XF 55-200mm: [shopcountry 12892]

P.S.: As some of you already noticed, you can now scroll Fujirumors using the arrow keys.

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cheers
Patrick

“X-Transtastic! Believe the hype, it’s real”: X-E1 review by Craig Litten

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image courtesy: Craig Litten

Pro-photographer Craig Litten (over 10,000 published photos) posted his informal review. It’s well worth to stop by his blog and read it. But let’s start with the X-Trans debate:

“At the heart of the Fuji X-E 1 is the X-Trans sensor–believe the hype, it’s real! […] The color from the Fuji X-E1, and all the Fuji cameras housing the X-Trans image sensor make me want to stop shooting in B&W, even in flat, ugly mid-day sun […]. The sensor not only handles bright, bold colors incredibly, but also handles whites and subtle, pastels equally well as you can see from the other samples below. I love to shoot in the Velvia film simulation mode, as mentioned above under most lighting conditions, but you have to experiment with it. It seems to do best with natural, outdoor light rather than artificial light. But I could be proven wrong since I’m still experimenting with the camera. […]

I prefer the EVF in the X-Pro 1 to that of the X-E1, even though the latter has higher resolution. The EVF in the X-E1 suffers from the pretty noticeable lag. Lag happens when you move the camera, especially in low light, when you are viewing though the EVF.

The XF 18-55 […] focuses absolutely silently and super fast. Yep, I said, “super fast.” This being my first lens in the Fuji XF lineup, I was wondering what all of the talk of slow focusing was about. The first week I got the X-E1 and 18-55 zoom, I took it out and shot two different paid assignments with it, and it performed flawlessly! Did I mention that the assignments were paid, professional and published? This is a testament to this little camera system. Normally, I would have shot the same assignments with two big, heavy DSLRs at my sides. Afterward, my back and knees would have suffered. Plus, as an added bonus, shooting with the X-E1 was FUN!

The X-E1 is a fine camera with some talents of it’s own, but at the end of the day, for professional work, I much prefer the bigger sister, the Fuji X-Pro 1

There is much more to read and find out why he prefers the X-PRO1 over the X-E1 at his website here.

image courtesy: Craig LittenFujicolor: BAM! POW!!

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