My Final Answer to the DPReview GFX Article (Using DPR’s Own Studio Test)… Then Back to What the GFX does Best: Taking Pictures!

I promise this will be the last time FujiRumors will talk about the DPReview article. But I just wanted to show you two things:

ISO INVARIANCE TEST

I don’t know you, but when I use DPReviews own studio comparison tool, and make a 6 stop push starting from ISO 100, I can see a clear difference (see screenshot above). Look at the purple thread, which basically loses completely its texture in the Canon 5DSr and looks not good on the A7RII, too. The D810 is better than the other FF cameras, but the GFX 50s is still visibly better than the D810.

NOTE: I’m not saying the other cameras perform bad, not at all. I just say the GFX performs better.

I don’t know why DPReview did not mention the ISO invariance test results in their article, where they criticized the GFX. It’s a very important test, for example for landscape photographers, who want to be able to recover shadows with as little noise and retaining as much details as possible.

The GFX combines everything into one camera: lots of details, great dynamic range and awesome noise performance.

Is it worth the extra money over a high-end APS-C or FF camera? I don’t know, and luckily it’s a question I don’t have to think about it too much, since the GFX does not get along well with my bank account anyway.

With that said, I’m still firmely convinced that our beloved APS-C X-series cameras can do 90% of what the GFX does.

But yes, if you want the ultimate image quality and ultimate freedom to push your files to the limit, then the GFX is the upgrade you are looking for, since it does these 10% extra you are looking for better than any APS-C or Full Frame camera out there (as demonstrated also by DPR’s own studio tests).

That’s all folks :)

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUKParkCamerasUKPCHstore AUS: CameraPro

GFX IMAGES

This is just a minimal fraction of the terrific amount of content (images & discussions) that 10,000 fellow GFX shooters and fans are sharing at our Fujifilm GFX facebook group.

And if you want to get only news and rumors tailored on the GFX, the GFX facebook page is the place to be.

GK Kutar shared here: Fujifilm GFX, 63mm f2.8

_ _ _

Palle Schultz shared here: 120mm + gfx

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DPReview Killed the Fujifilm GFX 50S and I Disagree :: ROBOshoot Profoto & Co Lights with HSS and Fujifilm In-Camera Control

 

DPReview

Ok, so it’s not only me, who found the latest DPReview article very strange.

A few days ago I said that it’s kind of strange to take the best Full Frame cameras on the market (Sony A7rII, Canon 5DSr and Nikon D810), take of each one only the very best aspects, merge them together into one mythical SoNiCan D8A7Sr (can somebody photoshop it? ;) ), and compare this monster FF with 1 single camera, the Fujiflm GFX.

When it comes to IQ, all those FF cameras can’t match the GFX. You need 3 of them to come close to it.

Anyway, as I said, I’m not alone. You can also read this and more arguments at “DPReview Killed the Fujifilm GFX 50S using facts, they say. I Disagree” via thephotofundamentalist

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUKParkCamerasUKPCHstore AUS: CameraPro

ROBOshoot

John Poremba contacted me with some news to share that you might be interested in:

The next RoboSHOOT firmware version is being prepared for release. It is expected to provide additional flash support, enhances manual mode operation/performance, and supports In-Camera Flash Exposure Lock. Details are listed below.

WHAT’S NEW IN THIS VERSION
Added flash support – the added flash support includes:
– Nikon SB-800 and SB-5000
– Godox AD-360ii-N and X1N (Radio Remote)
– Profoto AirTTL-N and supported Profoto monolights
– Impact Venture Monolights with their Nikon Remote (reported support)
Plus, Monolights can be used along with normal flash at the same time.
Note, the Monolight support generally does not allow TTL+HSS at the same time. In that case, use manual power control In-Camera or on the controller for the Monolight. AutoFP will be selected according to shutter speed even if the light is in manual mode.

Manual Mode improvements (Selecting Manual Mode In-Camera for all groups with TTL flash):
– Manual Power is settable In-Camera for each group independently.
– AutoFP is available.
– Frame Rate of 8fps is possible.
This enables full In-Camera control of manual power and HSS while retaining high frame rates.

The In-Camera Flash Exposure Lock may now be used. The RoboSHOOT FEL function is still available but cannot be used at the same time as In-Camera lock (it is prevented).

Roboshoot at BHphoto

Fujifilm X-T2/Pro2 Firmware Update on March 27 :: Lok’s GFX First Look :: Fujifilm X-T2 Vs. Nikon D500

Let’s dive deep into the youtube world today, and see what vloggers there have to share about the wonderful world of Fujifilm :-)

Firmware Rumor

According to Eric Marks (video above), the Fujifilm Kaizen Firmware for X-T2 and X-Pro2 will be out on March 27. At minute 3:42 he says that:

From everything that I’ve heard, it seems like these updates are going to be officially released on Fujifilm’s website on March 27th. That’s just what I’ve heard popping around. I’ve no clue if that’s a fact or not. But it did say late March, and it’s already the 23rd, so it’s going to be soon

Sounds like something you should take with a grain of salt ;). See the video at finding middle earth youtube

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Cactus Announces Cross-Brand Wireless TTL Support for Fujifilm via Free Firmware Update!

Cactus just announced a free firmware upgrade on the Cactus V6 IIs and Cactus V6 II to support cross-brand wireless TTL on Fujifilm cameras.

You will be able to shoot on your Fujifilm camera and have wireless TTL on a Fujifilm, Canon, Nikon, Olympus or Panasonic flash, separately or all at the same time.

You can follow the X-TTL’s microsite for the latest updates.

There is no final date for the release, but it should happen before summer.

Full Press Release

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Mitakon 35mm/0.95 Review by Jonas Rask :: The Joy of GFX :: My X100T Menu Setup :: Studio Vs. Natural Light & More (miXed zone)

The Mitakon 35mm/0.95 verII costs $599 at BHphoto and $799 at Adorama

Mitakon Speedmaster 35mm F/0.95

Jonas Rask pulled the trigger on the super fast (manual focus) Mitakon Speedmaster 35mm F/0.95 Mark II lens and shared his review at jonasraskphotography. Some excerpts:

  • the f/0.95 on the APS-C will give you a depth of field close to that of an f/1.4 lens on a 35mm full frame camera
  • It does have a huge advantage over the f/1.4 lenses [on Full Frame]. It will collect light as a 0.95 lens. Mitakon even writes in the packaging notes that it is a T0.95 lens. So it will really suck in the available light. – This means that you can use higher shutter speeds (one stop), or reduce ISO (one stop) to achieve the same exposure as you would with the f/1.4 mounted on a full frame camera when shooting both wide open. So at the same DOF you get less shake or less noise.
  • First of all I get bitingly sharp center focus from this lens if I nail focus. Its sharpness does falloff into the corners at 0.95. I would not recommend shooting corner action and landscapes with this lens wide open
  • So, yes. The sharpness is great if you nail focus. It is actually not hard to focus this lens at f/0.95. Mainly because the contrast between the sharp, and very narrow, focus plane and the out of focus areas is so pronounced, making the focus peaking incredibly easy to use.
  • The bokeh is VERY good.
  • I really like the look of the Mitakon for close up portraits. Shooting it wide open and using flash lights and an ND filter, renders some AMAZING looking images. – Who says you need medium format or full frame for this kind of DOF and tonality.

There is much more to read, and especially to see, at Jonas Rask’s Review here.

Mitakon Speedmaster 35mm F/0.95 for Fujifilm X at BHphoto, Adorama, AmazonUS, [shoplink 55618 ebay]your eBay[/shoplink]

& More

Shooting Studio vs Natural at Nathan Elson youtube + Nathan Elson Custom Lightroom Preset Pack