“Every shot has to count”: switching from analog photography to the X-PRO1 (Jockum Klenell)

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Sven Oskar Jockum Klenell

by Sven Oskar Jockum Klenell

Being a die hard analog fan and slow process photography it would seem highly unlikely to work with a camera such as the Fuji x-pro1. When I travel I always bring, [shoplink 14068 ebay]rolleiflex 66[/shoplink], [shoplink 14069 ebay]Hasselblad CM500 66[/shoplink], [shoplink 14070 ebay]Pentax 67[/shoplink], Nikonos (if I want to go in the water), [shoplink 14071 ebay]Canon Ftb[/shoplink] and a horrible but fun little [shoplink 14072 ebay]Leica C3[/shoplink]. For work I use a Canon 5d M2 and a Canon 1Ds M2. These two I very rarely use for my own work.
It seems to be a moment for every camera and every film and every format. Among the things I appreciate greatly with analog photography is the fact that on one roll of film you have 36 shots, 12 or 10. Meaning, unless you bring a shopping bag of film with you, every shot has to count. So for my 5 days together with the Fuji x-pro1 I was able to go to Calais in the north of France for some location scouting for a client of mine. I went there for a day and I brought one memory card of 2 G and no possibility of charging the digital negatives to my computer. This left me with only 72 shots in RAW. Same thing for the other short surf-trip to Zeeland in the Netherlands, one memory card, 72 shots. This way every shot has to count.

These here are the shots I like the most from those 2 days at the coast. I used the x-pro 1 like I use my analog cameras but this time I had all of them in one. The x-pro 1 combines all the the great things of modern digital specs with a robust classic feel. The digital images are very good and for some strange reason they invite me to experiment with different effects in photoshop. This is something which I very rarely do with my Canon 5d M2. Perhaps this is because the x-pro1 is a far more playful camera to work with. When slow is needed, its slow. When snappy, its snappy.

On a last note, I love the small ‘imperfections’ of analog photography and even more the idea of being at some remote place with a pocket full of undeveloped rolls of film. The excitement of going to the shop to get your dia-films and searching for that one gem of a photo is to be compared to the excitement of a child by the christmas tree. The x-pro1 is like most other digital cameras but its robust like body, its weight and rangefinder tricks one in a lovely way into believing that your shooting on film. It makes you look a little longer, search a little more to snap the shot that you want.

Fuji X-PRO1: [shopcountry 12882]

Check out my work on www.jockumklenell.com

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Fuji Guys: X-M1 unboxing and top features video

X-M1 BODY ONLY – USA: AmazonUS (silverblack) / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline (silverblackbrown) EUROPE: DigitalRev / WexUK (silverblack) / PCHstore (silverblack)

X-M1 + XC 16-50mm – USA: AmazonUS (silverblack) / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline (silverblackbrown) EUROPE: AmazonUK (silverblack) / DigitalRev / WexUK (silverblack) / PCHstore (silverblack)

XF 27mm – USA: AmazonUS / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstoreXC 16-50: WexUK / PCHstore

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Check out the latest FujiGuys videos about the X-M1 (unboxingtop features).

have a great weekend
Patrick

unboxing

top features

Iridient Developer (2.1.1): New native X-Trans support + Iridient (2.1) vs ACR (thevisualexperience)

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I’ve already told you that Iridient Developer (MAC only) now supports X-Trans RAW files here. The latest 2.1.1 version is now available with all “new, native demosaic processing for the Fuji X-Trans models!” Check it here and download the free trial here!  “Fuji: X-Pro1, X-E1, X20 and X100S now natively supported by new demosaic process in addition to existing support using Apple RAW libraries“.

Iridient Developer vs ACR

thevisualexperience made a comparison between ACR and Iridient (2.1). The question here: “is it worth in a Lightroom based workflow, to add this other piece of software or not?

Here are some of his findings: “White balances are different. Many differences in color rendering btw the two RAW processors […] The IRIDIENT output, in the same conditions as ACR, give a darker and more contrasty image. […] There is some “vignetting” in the IRIDIENT output. […] The details extracted from the RAW by IRIDIENT  blow out ACR

Now, it’s worth to add Iridient in your workflow? You can find the answer in part1 and part2 of his review (includes also a nice video comparison).

enjoy your day
Patrick

image courtesy: thevisualexperience (part 2)

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quick peek at 27mm: Samples and Crops at brandonremler

X-M1 BODY ONLY – USA: AmazonUS (silverblack) / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline (silverblackbrown) EUROPE: DigitalRev / WexUK (silverblack) / PCHstore (silverblack)

X-M1 + XC 16-50mm – USA: AmazonUS (silverblack) / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline (silverblackbrown) EUROPE: AmazonUK (silverblack) / DigitalRev / WexUK (silverblack) / PCHstore (silverblack)

XF 27mm – USA: AmazonUS / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstoreXC 16-50: WexUK / PCHstore

 

And as you can see at the FR dealsrunner sidebar, a user just found the X-M1 available for preorder at fotomundus (Germany)! Share your own findings with dealsrunner… they will automagically appear at the FR-sidebar and visible for all FR-readers immediately. It’s the best way to help us to save money ;). Let’s share deals!

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Brandon Remler is testing the 27mm lens on the streets of New York city. These are the first shots (with some 100% crops) he did with new 27mm pancake lens. Click here to see more samples and crops.

image courtesy: brandonremler

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crop

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Fujifilm X-M1: Pre-order at AmazonUK

 

The X-M1 is now available for pre-order at AmazonUK here.

You can read pixelogist thoughts about the new Fuji camera here. From the conclusions:

“For the price, the X-M1 looks to be an excellent product. The feature list speaks for itself: the awesome X-Trans sensor, the EXR II processor, fast 5.6fps shooting, 1080p video with the option for an external mic, built-in WiFi, and even an improved contrast detect AF system that is supposed to be very fast. All that in a beautifully designed rangefinder-style body that goes for $699. Or $799 for the kit However, I didn’t’ love everything about it. The lack of any sort of viewfinder will be a big negative for some. Me included. That’s part of the whole draw of the X-series mirrorless system, isn’t it?”

PRE-ORDERS

X-M1 BODY ONLY
USA: AmazonUS (silverblack) / BHphoto (silverblackbrown) / Adorama (silverblackbrown) / DigitalRev / Pictureline (silverblackbrown) EUROPE: DigitalRev / WexUK (silverblack)

X-M1 + KIT LENS (XC 16-50)
USA: AmazonUS (silverblack) / BHphoto (silverblackbrown) / Adorama (silverblackbrown) / DigitalRev / Pictureline (silverblackbrown) EUROPE: AmazonUK (silverblack) / DigitalRev / WexUK (silverblack)

XF 27mm
USA: AmazonUS / BHphoto (silverblack) / Adorama (silverblack) / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK

XC 16-50BHphoto / WexUK