FINALLY!!! Fujifilm X-S10 Full AUTO Mode will Capture also RAW files

LEFT: AUTO mode on X-T30 *** RIGHT: X-S10 mockup by FujiRumors (not real camera)
LEFT: AUTO mode on X-T30 *** RIGHT: X-S10 mockup by FujiRumors (not real camera)

Oh boy, I am complaining about this since at least two years already, and finally Fujifilm listened.

The issue?

When you shoot full AUTO, the camera records only JPEG files.

Some say this makes sense, as the AUTO mode is supposed to make it all for you and simplify your life.

And although I never shoot AUTO on my X-E3, it happens sometimes that I handle the camera to a friend or relative (or even to one of my little students). And since they are not familiar with photography, the AUTO switch comes in very handy.

The problem: it will write only JPEG files on the SD card. But even if it’s not me taking the pictures, it’s still my camera and my SD-Card, and I want always both, RAW and JPEG on my SD-card, as you never know, maybe there is some nice image there that could need a little tweak.

Also, here is another example a FR-reader made, and that shows how useful RAW capability in Full AUTO would be.

The FR-reader did set up the camera for long exposures, all full manual, and suddenly a beautiful bird came and rested shortly on a stone nearby. Without messing around with the settings, the FR-reader quickly switched the camera to AUTO and grabbed a picture of the bird before it flew away. And while in this case the Auto mode allowed him to capture the decisive moment, he would have loved to have the RAW file of that image too.

I strongly hope other Fujifilm cameras having the AUTO capabilities will get the AUTO-RAW capability via firmware update in near future. It would make the AUTO mode more useful for me.

And let’s hope they will adress also my other two big firmware complaints I have.

Join our brand new Fujifilm X-S10 facebook group.

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Fujifilm X-S10: Fuji’s First Mid-Range Camera with a Deep Grip

Fujifilm X-S10 mockup by FujiRumors (not the real camera)
Fujifilm X-S10 mockup by FujiRumors (not the real camera)

According to our sources, the Fujifilm X-S10 will have a nice deep grip, which I know many of you will love to hear.

It will be Fuji’s first mid-range camera with a deep grip, as the X-E3 and the X-T30, but also the X-T200 and X-A7, have none to very small grips only.

The only other Fujifilm X series camera with a deep grip is the Fujifilm X-H1.

Join our brand new Fujifilm X-S10 facebook group.

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Top 10 September Articles: New Firmware Updates, X-S10 Rumors, Why Sony A7C does not Kill APS-C, Fujifilm X-H2 Breaktrough and More

Here are the top 10 articles for September.

Looking back it seems we had a fun month. But you know what… I have the feeling it will just get better from now on. ;)

And what about this… a fun experiment?

Write in the comments what you think will become the top 10 articles of October. Let’s see who will come closest to the real deal ;).

  1. Firmware Updates for Fujifilm X-T4, X-T3, X-T2, X-T1, X-H1, X-Pro3, X-Pro2, X-Pro1, X-E3, X-T20 and X-T30 Released
  2. Fujifilm X-S10 New Mid-Range Camera is Coming
  3. Fujifilm X-S10: Fuji’s First APS-C Mid-Range MILC camera With IBIS
  4. Sony A7c Full Frame vs Fujifilm X-E3 APS-C, or 7 Reasons why the New Sony A7c is Not an APS-C Killer
  5. Fujifilm Manager: GFX Triumph and Full Frame Attack Strategy, Shrinking IBIS, AI Future, Fuji X-H2 Needs Breakthrough, COVID and More
  6. Fujinon XF 10-24mm f/4 Mark II Coming Soon
  7. Viltrox 56mmF1.4 vs Fujinon XF 56mmF1.2 First Image Quality Comparison
  8. Fujifilm X-S10 Coming October 15
  9. 4½ Great Reasons Why the Fujinon XF50mmF1.0 Exists (NOT Shallower DOF) and Differences to 56mmF1.2 (APD)
  10. 2019 Mirrorless Camera Market: FUJIFILM is Solid Third with 500k Shipments Behind Sony (1.65 million) and Canon (940k)

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DPRTV Fujinon XF50mmF1.0 Review: “Unique Bokeh Rendition, but use Standard Electronic Shutter, as First Curtain ES Distorts Bokeh”

The Fujinon XF50mmF1.0 R WR is overall enjoying very positive reviews.

Sure, there are always those, who might not be familiar with such an extreme lens, so they go out and shoot at f/1.0 at a bright sunny day in super high contrast scenes and then complaint because it shows some fringing or because you can’t work without an ND-filter.

Or when reviewers say the bokeh is not good, and then it turns out they used electronic first curtain shutter, which distorts the look of the bokeh (as you can see from the image above). You should always use the standard electronic shutter (or mechanical shutter) if your goal is to get nice bokeh.

So, some of the “flaws” reviewers notice, are actually not issues with the lens, but faults of those, who use a radical fast lens with the wrong settings in the wrong conditions.

It’s clear: if you go for such an extreme lens, you better know about photography and how to handle specialty lenses like this one.

One of those guys, who know how to master such a lens, are Chris and Jordan from DPRTV, who now have published their hands on review of the Fujinon XF50mmF1.0 R WR.

You can see the video and read a summary down below.

Video + Summary

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Fujifilm XF 50mmF1.0 vs Fujifilm 56mmF1.2 Portrait Session Comparion

John Branch has published a video, where he compares the brand new Fujinon XF50mm f/1.0 with the much loved Fujinon XF56mm f/1.2.

Down below are his findings, but keep in mind: the video was filmed BEFORE the important XF50mmF1.0 firmware update.

  • XF50mmf/1.0 has faster autofocus
  • he prefers to be very light during his wedding shoots using very small lenses (he uses the Fujicron f/2 lenses a lot), and the XF50mmF1.0 is a bit too heavy
  • he prefers the 50mm focal length over the 56mm
  • XF50mmF1.0 has more contrast and is way sharper than the 56mm

Especially considering the current huge deal on XF56mmF1.2 lenses, the 56mmF1.2 is great value for money (a lens I own and love). But from all I could see so far, if you do not mind the extra weight and size, the Fujinon XF50mmF1.0 is the way to go.

Fujifilm really put magic into that lens, a magic best described by Jonas Rask here, when he says:

My all time favorite lens from Fujifilm is the XF35mm f/1.4R – In my eyes it’s the perfect lens. There have been many wordings about that lens, and one thing that keeps on popping up in discussions is that it has a certain something that no-one seem to able to define. It always end up being labeled as “magic” which is silly.

The reason for its look is found in the optical design, a design that Fujinon decided to continue into the XF50mm f/1R WR. And that makes the images coming from this lens extremely appealing to those who like the look of the XF35mm f/1.4.

The images coming from XF50mm f/1 R WR has those exact same undefinable traits that makes me love my XF35mm f/1.4 so much. The sharpness that is sharp, yet not overly sharp. A flattering kind of sharpness that seems more rounded, organic and less digital/clinical. A bokeh rendering that is soft, delicious and very calming to the eye, and a color reproduction that gives a very lovely depth to especially warm color tones.

In other words, the XF50mm F/1 R WR is the portrait lens version of the XF35mm f/1.4 R!

Fujifilm has crafted a massive winner, and initial sales figures seems to confirm it!

Videos

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Fujifilm X-S10: Fuji’s First APS-C Mid-Range MILC camera With IBIS

When we first published that Fujifilm would launch a new mid-range camera called Fujifilm X-S10, many of you thought this could be the successor to the forgotten Fujifilm X-S1.

But it’s not!

The Fujifilm X-S10 will be an APS-C mirrorless interchangeable lens camera.

It will be a “mid-range” camera, hence be placed into the X-T30 and X-E3 segment. This means it won’t be crazy-cheap like a X-T200, but also not as expensive as the Fujifilm X-T4.

And most interesting, the Fujifilm X-S10 will be Fujifilm’s first camera in that mid-range segment to feature IBIS, a privilege until now reserved only to the high-end Fujifilm X-T4 and Fujifilm X-H1.

I hope this dissipates some of the confusion I was perceiving about it. :)

Join our brand new Fujifilm X-S10 facebook group.

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UPDATE: Fujifilm X-H1 / X-T3 Firmware Fixes Video Exposure Stepping

UPDATE: Fixed also on Fujifilm X-T3, according to more reports

Oh, I remember it all to well.

I was on a 2 weeks holiday with my wife in the South of Italy, when Fujifilm released a new firmware update for my Fujifilm X-T4.

Unhappy of the usual “fix of minor bugs” formula, I sacrificed a few hours of my relaxing holiday, and dedicated myself to find out, what had been fixed. Well, I noticed that Fujifilm secretly and quietly fixed the exposure stepping bug in video, and I immediacy told you about it in this article.

Now also 11 other X series cameras received a firmware update, but since I own “only” the X-T1, X-E3 and X-T4 I can’t really check what has been fixed on all cameras.

But luckily I am just a small part of the big FR community, and fellow FR-reader Unnamed for a reason contacted me, telling me that the exposure stepping seems to be fixed now also on his Fujifilm X-H1.

No more exposure stepping in either Auto ISO or Aperture priority. When setting the aperture to Auto, stepping still occurs in 1/3rd stops (which is also still the case with the X-T4).

On my personal X-E3, exposure stepping seems to be still present after the firmware update.

In addition to that, Unnamed for a reason says:

  • The wireless communication is much stronger and the camera can be paired at longer distances – Worked flawlessly standing 1-1.5 meters (3.2-4.9 feet) away from the camera.
  • There are new items in the flash menu. “MASTER SETTING” “CH SETTING”. I am certain these are meant to work in conjunction with the new Nissin rebranded Fujifilm EF-W1 commander unit and Fujifilm EF-60 flash. I attached a Godox XPRO-F and a TT685F unit to the camera, to see if they are compatible with the new functions, but as of now, these slots remain greyed out.

Thanks a lot for your feedback :)

Video Demo

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BREAKING: Fujifilm X-S10 New Mid-Range Camera is Coming

Fujifilm X-S10

Back in June we told you Fujifilm would launch two new mid-range cameras within March 2021.

Later on, in early August, we told you that at least one of the two cameras will be a completely new line (the other one could be a new one too, or a successor to an already existing line).

Today we will talk about the mysterious new camera and unveil its name: Fujifilm X-S10.

Could this be a successor to the forgotten Fujifilm X-S1? Well, according to preliminary information I have, it’s not.

Soon more details will be shared. Stay tuned on FujiRumors.

And if you want, join our brand new Fujifilm X-S10 facebook group.

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Fujinon XF50mmF1.0 Hits the Stores and More Reviews: Beautiful Sunstars, Autofocus Comparison with XF56mmF1.2 and Samples

The Fujinon XF50mmF1.0 has reached stores all over the world, so probably Fujifilm will be able to start shipping within September 25, despite the unexpected high demand. Remains to see how large the first batch will be. I have the feeling not enough to meet initial demand.

Fujifilm is also preparing your camera, and has just released XF50mmF1.0 support firmware updates for a total of 11 X series cameras.

Hence, for us it’s time to publish a little Fujinon XF50mmf/1.0 roundup.

XF50mmF1.0 Review Roundup

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Sony A7c Full Frame vs Fujifilm X-E3 APS-C, or 7 Reasons why the New Sony A7c is Not an APS-C Killer

accurate size comparison: Fujifilm X-E3 vs Sony A7c vs Fujifilm X-T30
accurate size comparison: Fujifilm X-E3 vs Sony A7c vs Fujifilm X-T30

I blog on FujiRumors since almost a decade now, and over all these years, I have heard many times announcements of the death of the Fujifilm X series since the launch of the original Sony A7. And the same “Fujifilm APS-C is dead” voices continue to come back, may it be the announcement fo the Nikon Z5 or the imminent announcement of the Sony A7c.

Now, I already showed which compromises “cheap” full frame cameras have to do, in order to compete with high end APS-C cameras. You can check it out in this article.

But today we talk about the Sony A7c, a camera that will be priced above $2k according to SonyAlphaRumors (hence more than twice the price of the Fujifilm X-E3).

Above you can see a size comparison between Sony A7c and Fujifilm X-E3 and X-T30.

And yet, it’s not only about price. Let’s check out 7 key differences between APS-C and Full Frame.

Disclaimer (read to avoid anger :) )

No matter if full frame, APS-C or medium format. There is not the perfect sensor size, and each system has its Pros and Cons.

However, this article is just an attempt to try to understand, why DPReview and Petapixel think that APS-C is the sweet spot. So I listed a few reasons, where APS-C could be considered better than full frame.

By no means I want to say that full frame or medium format is worse. All I want to say is that also APS-C has it’s strong cards to play in the current mirrorless war.

APS-C vs FF

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